Of Silence And Song

Lanen Kaelar has dreamed of dragons all her life. But not just dreaming, for Lanen believes in dragons. Her family mocks her that dragons are just a silly myth. A legend. But Lanen knows better. And she means to prove it. One day she sets out on a dangerous voyage to the remote West to find the land of the True Dragons. What she discovers is a land of real dragons more beautiful—and surprising—than any dream she could have imagined. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Musings on joy and suffering, midlife and meaning, by a National Book Award–nominated poet and essayist praised for his “fine ear” (Publishers Weekly). Midway through the journey of his life, Dan Beachy-Quick found himself without a path, unsure how to live well. Of Silence and Song follows him on his resulting classical search for meaning in the world and in his particular, quiet life. In essays, fragments, marginalia, images, travel writing, and poetry, Beachy-Quick traces his relationships and identities. As father and husband. As teacher and student. As citizen and scholar. And as poet and reader, wondering at the potential and limits of literature. Of Silence and Song finds its inferno—and its paradise—in moments both historically vast and nakedly intimate. Hell: disappearing bees, James Eagan Holmes, Columbine, and the persistent, unforgivable crime of slavery. And redemption: in the art of Marcel Duchamp, the pressed flowers in Emily Dickinson’s Bible, and long walks with his youngest daughter. Curious, earnest, and masterful, Of Silence and Song is an unforgettable exploration of the human soul. Praise for the writing of Dan Beachy-Quick: “Intelligent, compassionate, exquisite . . . a unique voice.” —Cole Swensen “Rich, profound, fascinating.” —Los Angeles Times

In this “beautiful, evocative” (Booklist, starred review) memoir, Yvette Johnson travels to the Mississippi Delta to uncover the moving, true story of her late grandfather Booker Wright, whose extraordinary act of courage would change his and, later, her life forever. “Have to keep that smile,” Booker Wright said in the 1966 NBC documentary Mississippi: A Self-Portrait. At the time, Wright was a waiter in a “whites only” restaurant and a local business owner who would become an unwitting icon of the Civil Rights Movement. For he did the unthinkable: speaking in front of a national audience, he described what daily life was truly like for black people of Greenwood, Mississippi. Four decades later, Yvette Johnson, Wright’s granddaughter, found footage of the controversial documentary. No one in her family knew of his television appearance. Even more curious for Johnson was that for most of her life she’d barely heard mention of her grandfather’s name. Born a year after Wright’s death and raised in a wealthy San Diego neighborhood, Johnson admits she never had to confront race in the way Southern blacks did in the 1960s. Compelled to learn more about her roots, she travels back to Greenwood, Mississippi, a beautiful Delta town steeped in secrets and a scarred past, to interview family members about the real Booker Wright. As she uncovers her grandfather’s compelling and ultimately tragic story, she also confronts her own conflicted feelings surrounding race, family, and forgiveness. “With profound insight and unwavering compassion, Johnson weaves an unforgettable story” (Publishers Weekly, starred review) about her journey in pursuit of her family’s past—and ultimately finding a hopeful vision of the future for us all.

One of the first questions asked in examining the root causes of discontent should be:When did you stop singing?or: Why aren't we in touch with this vital part of our being? In such an inquiry lies a journey toward the essential qualities that give happiness to the way we lead our daily lives. ThroughoutSong and Silence,Susan Hale explores the meaning of song and the cultural estrangement from our own voices. She shows us how singing can restore a relationship with ourselves, the natural world, and the many human worlds around us. What belongs to each of us coming into life is an ability to express inner feelings through sound. Using this most basic part of human existence can connect us with our deepest spiritual joys. This insight is often forgotten, but still functions in tribal cultures around the planet. Reaching into our common global matrix, Susan Hale shares experiential truths and lessons of the healing power of sound, song, and silence learned in her own journey as a singer. This book offers a fresh point of view, which leads to simple, yet profound, personal growth.

The debate in many Reformed circles over worship music is only a small part of the larger question of Reformed liturgics. And dancing. All sides admit that the New Testament offers relatively little instruction on liturgy, and so the debate over the regulative principle continues with apparently little hope for resolution. In this study, Peter Leithart's key insight reveals a prominent scriptural example of a liturgy that interprets God's commands for worship in ways far more biblically grounded than traditional regulativism allows. King David's tabernacle worship becomes a rich story, not only in respect to liturgical wisdom, but also to the significance of Zion in the fulfillments of the Christian era.

A collection of previously published articles and criticism by famed music critic Robert Palmer.

Anthology. The Greek origins of the word gesture at a bouquet, a garland; “a flower-logic, a petal-theory, a blossom-word.” In Stone-Garland, Dan Beachy-Quick brings the term back to its roots, linking together the lives and words of six singular ancient Greeks. Simonides: honest servant to patrons. Anacreon: lustful singer, living on in the work of his acolytes. Archilochus: cruel critic, beloved of the Muses. Alcman: who took birds as his teachers. Theognis: chronicler of human excellence and vice. Callimachus: cosmopolitan head librarian at Alexandria. These are the poets who appear in these pages, sometimes in fragments, sometimes in sustained glimpses. Drawing inspiration from the Greek Anthology, first drafted in the first century BC, Beachy-Quick presents translations filled with lovers and children, gods and insects, earth and water, ideas and ideals. Throughout, the line between the ancient and the contemporary blurs, and “the logic of how life should be lived decays wondrously into the more difficult possibilities of what life is.” Spare, earthy, lovely, Stone-Garland offers readers of the Seedbank series its lyric blossoms and subtle weave, a walk through a cemetery that is also a garden.

There have been many great and enduring works of literature by Caribbean authors over the last century. The Caribbean Contemporary Classics collection celebrates these deep and vibrant stories, overflowing with life and acute observations about society. 'Falling in the spaces between knowing and not knowing, between silence and not speaking' Told from the perspective of Marlene, Songs of Silence is a vivid collection of reflections and recollections that meander through life in rural Jamaica, observing the lives and bonds of its colourful, boisterous inhabitants. Rich, poetical and profoundly contemplative, the recollections transcend the gossip and intrigue, the unsaid thoughts and silences, to ossify in a maturation of selfhood. It is not the 'Bam! Baddam!' of Papacita but rather the murmur of the river, this inexplicable river, and its cool morning misty silence that settles across this collection, singing to it and to the reader in a thoughtful lull and soft hum.