Oh My God Ninja A Brit S Take On Arnie Icky Sex And Other Fun Movie Stuff

I have of late, wherefore I know not, lost all of my mirth… Man delights not me; no, nor women neither. In my dreams (and increasingly during my more whimsical waking moments) I wander through Movieland. Sometimes I chat to Kelly McGillis about being in a 4G inverted dive with a MiG-28 while a strung-out Withnail stands close by complaining about going on holiday by mistake. At others a xenomorph near the bus stop rips off Forrest Gump’s head before being machine-gunned by the ED-209. I close my eyes, take a contented breath, and reopen them to see Frau Blücher upsetting the horses again as Tony Montana snorts coke and tells the permanently agitated Don Logan that this town is like one giant pussy waiting to get fucked. I wander and I wander and I never want to leave… Some movies, you see, contain magic. Magic that seeps into your soul and becomes a part of you. I mean, why waste your time travelling the world, having a career, nurturing dreams or taking a woman seriously? Such pursuits involve a great deal of effort and invariably end in disappointment. Surely it’s better to stay invisible at home while exploring a rich cinematic odyssey alongside the likes of Marty McFly, Jessica 6, the Black Knight, Bill Kilgore and a Stepford wife or two? Come now. Partake in the madness. Let me hold your hand and lead you nowhere.

The fourth part of a politically incorrect series that mainly focuses on twentieth century movies. Everything from blaxploitation and action gods to Jodie Foster and the most controversial films ever made is covered.

This book offers a reappraisal of star studies in light of the arrival of the internet and the explosion in materials such as glossy magazines and merchandise meaning that stars are visible as never before. It explores the political economy of stardom, questions of performance, the effect on stardom of convergence between the film industry and other leisure industries, and the role of audiences.

The Garden of God is a sequel to novel The Blue Lagoon and it picks up precisely where it left off, with Arthur Lestrange in the ship Raratonga discovering his son Dicky and niece Emmeline with their own child, lying in their fishing boat which has drifted out to sea. It turns out that Dicky and Emmeline died and the child is drowsy but alive and is picked up by the sailors. Arthur has a dream-vision of the pair; they ask him to come to Palm Tree, the island where they lived, and promise he will see them again. Arthur takes the child, which gets the nickname Dick M, and takes his ship to Palm Tree, where he plans to stay with Dick M and Kearney, a volunteer from the crew who grows fond of Dick. The rest of the crew leave with a promise to return the next year, but they get swallowed up in a storm out at sea, and the trio stays stuck on the island.

Ryan teaches English to foreigners at a small school in Cardiff. He's not perfect but tries his best for his students. Nora, the boss' daughter, is his icily distant, ball-busting superior. Apart, they are nothing, two completely unremarkable and harmless individuals. But together... Welcome to Wales, Girls - Come study at the ESL school from hell.

Reviews of 125 films that were underloved, underappreciated, or underseen. Three reviews per movie included, from the hosts of Now Playing Podcast.

By integrating star studies and film industry studies, Hollywood Stardom reveals the inextricable bonds between culture and commerce in contemporary notions of film stardom. Integrates the traditions of star studies and industry studies to establish an original and innovative mode of analysis whereby the ‘star image’ is replaced with the ‘star brand’ Offers the first extensive analysis of stardom in the ‘post-studio’ era Combines genre, narrative, acting, and discourse analysis with aspects of marketing theory and the economic analysis of the film market Draws on an extensive body of research data not previously deployed in film scholarship A wide range of star examples are explored including George Clooney, Mel Gibson, Tom Cruise, Daniel Day-Lewis, Tom Hanks, Will Smith, and Julia Roberts

With the hilarious “instant cult classic” Seagalogy: A Study of the Ass-Kicking Films of Steven Seagal, Vern wrote a book that shook the very foundations of film criticism, broke their wrists, and then threw them through a window. Now he’s back, and this time he’s got all of ‘the films of badass cinema’ in his sights... From Die Hard to The Discrete Charm of the Bourgeoisie, Transformers to Mary Poppins, Vern has an opinion on everything, and he’s not shy about sharing them...