Okinawan Te

Known for its knock-out strikes, fluid footwork & bladed weaponry, Okinawan te is a survivor that has endured due to its ability to adapt to social changes. In 1609, in order to suppress Okinawa's developing military might & vast trading links, the Japanese Satsuma clan launched a massive invasion & subjugated the island kingdom. Until then, te had been a bushido battlefield system, with organised castle & naval warfare. However, under Satsuma's rule, the Okinawan bushi, could no longer bear arms in public or have standing armies, so te was transformed into a personal fighting system & recreational activity. Within karate, Okinawan dance & music, the hidden essence of te still provides the framework. It fills Okinawan cultural life & keeps its subtle social machinery revolving. In this detailed work the foundation stones of Okinawan te are laid out through the explanations of historic technical photographs left by the masters for future generations; their forethought has enabled us to walk in their footsteps.

Another revealing book by Mark D Bishop. This work expands on the original best-selling version, by including more than 40 extra pages and further explaining the methodology of applications, as well training methods, for proper conditioning. Providing a teaching format for the instructor, it is also an informative workbook for the beginner and a how-to-do manual for those already with experience in the martial arts. In effect, it is the first ever work that deals thoroughly with the training and techniques of Okinawan Te as it developed from 1609, following the Satsuma Invasion of the Ryukyu Islands, until 1879, when the monarchy was dissolved by Japan. Until now, despite demonstrations of its effectiveness, the study of and training in Okinawan Te of this period has been known only to a few adherents. This has led to a mystification and often false representation. However, this can no longer be the case, as all is uncovered in this detailed and brilliantly coordinated work.

Time moves on, cultures change with the twists of history and secret arts are lost. To understand the essence of karate, kobudo and te is to read and digest this work. To devour the mysteries of the secret principles it records is to dwell in a former time, only then will the reader know the true meanings of what the masters passed on. This book was a classic of the 20th century and, with the passing of time, is now considered to be an historic record for the modern era; both a time capsule and an integrated tool of knowledge transmission. Also featuring contributions from the latest breed of expert researchers, this Expanded Third Edition keeps the original version alive in its entirety, while bringing the Okinawan karate world up to date, as it expands into an ever-increasing international world. Be warned though, it also answers questions that have not been asked until now and topics that could not have been discussed, while expanding on newly debatable issues. This is what the masters were really saying

What would you like to obtain from your research and practice of an Okinawan martial art? For an academic, it would be to obtain historical and cultural facts and details. For a practitioner, it would be to gain expertise in the combative skills. If you’re interested in both, this first of a three-volume anthology is assembled for your convenience to facilitate your endeavors. These volumes assemble a wealth of material originally published during the two decades when the Journal of Asian Martial Arts was in print. Hundreds of pages and photographs present the richness of Okinawan martial traditions, from the original combatives to those influenced by Chinese and mainland Japanese martial art styles. The variety of topics shown in the table of contents indicate the depth and breath in the chapters, along with the authors who are well-known for their meticulous research and practical skills in specific arts. These three volumes dive deep into the history and culture of Okinawan martial arts. You’ll find coverage of the actual artifacts—the material culture related to weaponry and training methods. Instructions from the masters details both open-hand techniques as well as with weapons. The chapters offer insights into “the lives of many masters over the past few centuries, giving the raison d’être for these unique fighting arts—their reason for being. Many streams of arts have contributed to the martial traditions found on the small island: Naha-te, Shuri-te, Fukien White Crane, Shorin, Goju, Motobu, Shotokan, Isshin, Kyokushin, Pwang Gai Noon, Shito, Uechi, and the list continues … Along with the various styles come the associated training methods, such as conditioning exercises with weights and creatively designed apparatus, such as the punching post (makiwara), or stone lever and stone padlockshaped weights. Some become battle-hardened by active and passive breaking of objects (tameshiwari), including wooden boards, baseball bats, rocks, and ice. The extensive use of weaponry is found in many Okinawan styles, often associated with their farming and fishing occupations. Such a blend of history and culture make the Okinawan fighting traditions a fascinating field of study. Besides being such vital sources of information, these three volumes will prove enjoyable reading and permanent at-hand reference sources in your library.

What would you like to obtain from your research and practice of an Okinawan martial art? For an academic, it would be to obtain historical and cultural facts and details. For a practitioner, it would be to gain expertise in the combative skills. If you’re interested in both, this three-volume anthology (paperback) is assembled for your convenience to facilitate your endeavors. These volumes assemble a wealth of material originally published during the two decades when the Journal of Asian Martial Arts was in print. Hundreds of pages and photographs present the richness of Okinawan martial traditions, from the original combatives to those influenced by Chinese and mainland Japanese martial art styles. The variety of topics shown in the table of contents indicate the depth and breath in the chapters, along with the authors who are well-known for their meticulous research and practical skills in specific arts. These three volumes dive deep into the history and culture of Okinawan martial arts. You’ll find coverage of the actual artifacts—the material culture related to weaponry and training methods. Instructions from the masters details both open-hand techniques as well as with weapons. The chapters offer insights the lives of many masters over the past few centuries, giving the raison d’être for these unique fighting arts—their reason for being. Many streams of arts have contributed to the martial traditions found on the small island: Naha-te, Shuri-te, Fukien White Crane, Shorin, Goju, Motobu, Shotokan, Isshin, Kyokushin, Pwang Gai Noon, Shito, Uechi, and the list continues… Along with the various styles come the associated training methods, such as conditioning exercises with weights and creatively designed apparatus, such as the punching post (makiwara), or stone lever and stone padlockshaped weights. Some become battle-hardened by active and passive breaking of objects (tameshiwari), including wooden boards, baseball bats, rocks, and ice. The extensive use of weaponry is found in many Okinawan styles, often associated with their farming and fishing occupations. Such a blend of history and culture make the Okinawan fighting traditions a fascinating field of study. Besides being such vital sources of information, these three volumes will prove enjoyable reading and permanent at-hand reference sources in your library.

This work clearly defines and catalogues the fifty historical hand-held weapons that were used in Okinawa Prefecture and the Ryukyu Islands from the dawn of its history. It show the stages of development and introduction of these weapons to the islands and how they affected the culture through the ages. The 'standard five' popular weapons of the modern era (bo, sai, tonfa, nunchaku & kama) are described in detail with many scale drawings, but surprisingly, it clearly shows the influence of bladed weapons, such as the curved sword. Firearms also made a huge contribution to Ryukyuan weapon development, so these are also introduced in their historical context. Most surprising is the contextual detail of the historic eras, such as the affects of the Satsuma Invasion of the Ryukyu Islands in 1609 & the dissolution of the monarchy in 1879. Contrary to popular myth, between these years Okinawans did not adopt farmers tools for self protection, for quite a different history is revealed herein.

An entertaining odyssey by all means, which all readers, not only karate-ka, can enjoy. The work describes a fascinating 'voyage of discovery' through the Okinawan martial arts during the author's younger years. Both informative & factual, the work leads the reader on a journey of initiation from the preliminary stages of being a 'live-in disciple' of Goju-ryu & trainee of Matayoshi Kobudo in post-Reversion Okinawa, as he travels with the reader through the exploration of Uechi-ryu, Shorin-ryu & Okinawan te; also of a vast spectrum of connected Ryukyuan cultural entities. His attention to detail is commendable, as the shared expedition becomes an esoteric odyssey to find the zen spark of enlightenment that evades so many seekers, but which can be found within one's own nature. Mark D Bishop is arguably the foremost authority on historical Okinawa karate & martial arts. He continues to write, travel, research and teach extensively on various aspects of these, including its related anma bodywork & zen.

Progression is a positive trait, as long as one keeps in touch with the past and has a staple backdrop to focus or fall back on. Although the Revised Expanded Third Edition contains all the wording and photographs that are reproduced in both the first edition, as well as this Revised and Expanded Second Edition, it comparatively represents a step into what was, for these latter two books, the future. The year 2019, in which I am writing this foreword, represents respectively 30 years and 20 years into the future since the publication of these two books, so I think this faithful reproduction of the Master Version by Q&I Publications is well timed. For some readers it might bring about nostalgia, for others it might be an eye-opener into a world that is not always truthfully represented, due to commercial or other reasons. For the teachers who I interviewed and have been embodied herein, I hope this Master Version will remain a testament into how they wished to be represented for time immemorial.