Old Age Is Just A Play On Words

Old Age is Just A Play on Words is providing me a grand opportunity to perform a literary song and dance in honor of people whom I have admired and respected throughout the years. Many of these people have been older relatives, friends, and acquaintances who have been a great influence in my life and in the lives of others. I have endeavored to honor them against a thematic backdrop of agelessness which they all represent. They deserve to be celebrated because of their wisdom, knowledge, wit, and zeal for living wholesome and exuberant lives, in spite of the social, environmental, and health related obstacles that they encountered. The poem, "Lonnie", is based on the actual words spoken by an older gentleman who proudly expressed to me his leisure-time activities. I immediately thought, These are age old occurrences because old age is just a play on words. My fondness for good southern living was the inspiration for the section entitled "Call Me Country All You Wanna". Furthermore, my appreciation of my southern upbringing is woven in the other three sections of the book, Age of Contradictions, Old Fashioned Genuine Love, and Let Every Tongue Confess.(Ron Parker) Ron Parkers spirited collection of poems shows us how universal a celebration of the human experience can be. This body of work gives real-life people an opportunity to re-experience their hopes, dreams, ups, and downs which are so familiar to mankind. Each poem will touch where the crux of passion and zeal for life dwells. This modern day Wordsworth pens a style that is direct, pointed, and committed to delineating the vivid mental images that will strike a chord of I Remember in the minds of every reader.(Dr.Azalie B. Hightower)

Old Age is Just "A Play on Words" is providing me a grand opportunity to perform a literary song and dance in honor of people whom I have admired and respected throughout the years. Many of these people have been older relatives, friends, and acquaintances who have been a great influence in my life and in the lives of others. I have endeavored to honor them against a thematic backdrop of agelessness which they all represent. They deserve to be celebrated because of their wisdom, knowledge, wit, and zeal for living wholesome and exuberant lives, in spite of the social, environmental, and health related obstacles that they encountered. The poem, "Lonnie", is based on the actual words spoken by an older gentleman who proudly expressed to me his leisure-time activities. I immediately thought, "These are age old occurrences because old age is just a play on words.'" My fondness for "good southern living" was the inspiration for the section entitled "Call Me Country All You Wanna". Furthermore, my appreciation of my southern upbringing is woven in the other three sections of the book, Age of Contradictions, Old Fashioned Genuine Love, and Let Every Tongue Confess.(Ron Parker) Ron Parker's spirited collection of poems shows us how universal a celebration of the human experience can be. This body of work gives real-life people an opportunity to re-experience their hopes, dreams, ups, and downs which are so familiar to mankind. Each poem will touch where the crux of passion and zeal for life dwells. This modern day Wordsworth pens a style that is direct, pointed, and committed to delineating the vivid mental images that will strike a chord of "I Remember" in the minds of every reader.(Dr.Azalie B. Hightower)

This book, first published in 1999, addresses Beckett’s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett’s work; the ‘collaborations’ undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.

Beckett and Aesthetics, first published in 2003, examines Samuel Beckett's struggle with the recalcitrance of artistic media, their refusal to yield to his artistic purposes. As a young man Beckett hoped that writing could provide psychic authenticity and true representation of the physical world; instead he found himself immersed in artificialities and self-enclosed word games. Daniel Albright argues that Beckett escaped from this bind through allegories of artistic frustration and through an art of non-representation, estrangement and general failure. He arrived, Albright shows, at some grasp of fact through the most indirect route available. Albright explores Beckett's experimentation with the notion that an artistic medium might itself be made to speak. This powerful and highly original book explores Beckett's own engagement with radio, film, and television, prose and drama as part of an attempt to escape the confines of the aesthetic. Albright's Beckett becomes a sophisticated theorist of the very notion of the aesthetic.

A collection of hagiology, legend, Ossianic lore, and fiction.

Author, activist, and TED speaker Ashton Applewhite has written a rousing manifesto calling for an end to discrimination and prejudice on the basis of age. In our youth obsessed culture, we’re bombarded by media images and messages about the despairs and declines of our later years. Beauty and pharmaceutical companies work overtime to convince people to purchase products that will retain their youthful appearance and vitality. Wrinkles are embarrassing. Gray hair should be colored and bald heads covered with implants. Older minds and bodies are too frail to keep up with the pace of the modern working world and olders should just step aside for the new generation. Ashton Applewhite once held these beliefs too until she realized where this prejudice comes from and the damage it does. Lively, funny, and deeply researched, This Chair Rocks traces her journey from apprehensive boomer to pro-aging radical, and in the process debunks myth after myth about late life. Explaining the roots of ageism in history and how it divides and debases, Applewhite examines how ageist stereotypes cripple the way our brains and bodies function, looks at ageism in the workplace and the bedroom, exposes the cost of the all-American myth of independence, critiques the portrayal of elders as burdens to society, describes what an all-age-friendly world would look like, and offers a rousing call to action. It’s time to create a world of age equality by making discrimination on the basis of age as unacceptable as any other kind of bias. Whether you’re older or hoping to get there, this book will shake you by the shoulders, cheer you up, make you mad, and change the way you see the rest of your life. Age pride! “Wow. This book totally rocks. It arrived on a day when I was in deep confusion and sadness about my age. Everything about it, from my invisibility to my neck. Within four or five wise, passionate pages, I had found insight, illumination, and inspiration. I never use the word empower, but this book has empowered me.” —Anne Lamott, New York Times bestselling author

At the heart of Making Play Just Right: Unleashing the Power of Play in Occupational Therapy is the belief that the most effective way to ensure pediatric occupational therapy is through incorporating play. The Second Edition is a unique resource on pediatric activity and therapy analysis for occupational therapists and students. This text provides the background, history, evidence, and general knowledge needed to use a playful approach to pediatric occupational therapy, as well as the specific examples and recommendations needed to help therapists adopt these strategies.