On Becoming Filipino

A companion volume to The Cry and the Dedication, this is the first extensive collection of Carlos Bulosan's short stories, essays, poetry, and correspondence. Bulosan's writings expound his mission to redefine the Filipino American experience and mark his growth as a writer. The pieces included here reveal how his sensibility, largely shaped by the political circumstances of the 1930s up to the 1950s, articulates the struggles and hopes for equality and justice for Filipinos. He projects a "new world order" liberated from materialist greed, bigoted nativism, racist oppression, and capitalist exploitation. As E. San Juan explains in his Introduction, Bulosan's writings "help us to understand the powerlessness and invisibility of being labeled a Filipino in post Cold War America." Author note: Born in 1911 in the Philippines to a peasant family, Carlos Bulosan was one of the first wave of Filipino immigrants to come to the United States in the 1930s. After several arduous years as a farmworker in California, Bulosan became involved with radical intellectuals and started editing the workers' magazine The New Tide.While hospitalized for three years for tuberculosis and kidney problems, Bulosan began writing poetry and short stories. Despite having little formal education, he saw his talent for writing as a means to give a voice to Filipino struggles, both in the Philippines and in the United States. He went on to publish three volumes of poetry, a best-selling collection of stories, The Laughter of My Father, and America Is in the Heart, the much acclaimed chronicle based on his family's battle to overcome poverty, violence, and racism in the United States. The Cry and the Dedication carries on Bulosan's passionate, satirical style. >P>E. San Juan, Jr. is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books are Beyond Postcolonial Theory, From Exile to Diaspora, After Postcolonialism, and Racism and Cultural Studies.

A companion volume toThe Cry and the Dedication, this is the first extensive collection of Carlos Bulosan's short stories, essays, poetry, and correspondence. Bulosan's writings expound his mission to redefine the Filipino American experience and mark his growth as a writer. The pieces included here reveal how his sensibility, largely shaped by the political circumstances of the 1930s up to the 1950s, articulates the struggles and hopes for equality and justice for Filipinos. He projects a "new world order" liberated from materialist greed, bigoted nativism, racist oppression, and capitalist exploitation. As E. San Juan explains in his Introduction, Bulosan's writings "help us to understand the powerlessness and invisibility of being labeled a Filipino in post Cold War America." Author note: Born in 1911 in the Philippines to a peasant family, Carlos Bulosan was one of the first wave of Filipino immigrants to come to the United States in the 1930s. After several arduous years as a farmworker in California, Bulosan became involved with radical intellectuals and started editing the workers' magazineThe New Tide.While hospitalized for three years for tuberculosis and kidney problems, Bulosan began writing poetry and short stories. Despite having little formal education, he saw his talent for writing as a means to give a voice to Filipino struggles, both in the Philippines and in the United States. He went on to publish three volumes of poetry, a best-selling collection of stories,The Laughter of My Father, andAmerica Is in the Heart, the much acclaimed chronicle based on his family's battle to overcome poverty, violence, and racism in the United States.The Cry and the Dedicationcarries on Bulosan's passionate, satirical style.E. San Juan, Jr. is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books areBeyond Postcolonial Theory,From Exile to Diaspora,After Postcolonialism, andRacism and Cultural Studies.

Ever thought of chucking everything for a foreign culture? David and his Filipino wife, Ivy, did just that, moving to a remote Philippine province in Mindanao.

How museums’ visual culture contributes to knowledge accumulation Sarita See argues that collections of stolen artifacts form the foundation of American knowledge production. Nowhere can we appreciate more easily the triple forces of knowledge accumulation—capitalist, colonial, and racial—than in the imperial museum, where the objects of accumulation remain materially, visibly preserved. The Filipino Primitive takes Karl Marx’s concept of “primitive accumulation,” usually conceived of as an economic process for the acquisition of land and the extraction of labor, and argues that we also must understand it as a project of knowledge accumulation. Taking us through the Philippine collections at the University of Michigan Natural History Museum and the Frank Murphy Memorial Museum, also in Michigan, See reveals these exhibits as both allegory and real case of the primitive accumulation that subtends imperial American knowledge, just as the extraction of Filipino labor contributes to American capitalist colonialism. With this understanding of the Filipino foundations of the American drive toward power and knowledge, we can appreciate the value of Filipino American cultural producers like Carlos Bulosan, Stephanie Syjuco, and Ma-Yi Theater Company who have created incisive parodies of this accumulative epistemology, even as they articulate powerful alternative, anti-accumulative social ecologies.

“Nothing is more anathema to a serious radical than regionalism,” Berkeley English professor Henry Nash Smith asserted in 1980. Although regionalism in the American West has often been characterized as an inherently conservative, backward-looking force, regionalist impulses have in fact taken various forms throughout U.S. history. The essays collected in Regionalists on the Left uncover the tradition of left-leaning western regionalism during the 1930s and 1940s. Editor Michael C. Steiner has assembled a group of distinguished scholars who explore the lives and works of sixteen progressive western intellectuals, authors, and artists, ranging from nationally prominent figures such as John Steinbeck and Carey McWilliams to equally influential, though less well known, figures such as Angie Debo and Américo Paredes. Although they never constituted a unified movement complete with manifestos or specific goals, the thinkers and leaders examined in this volume raised voices of protest against racial, environmental, and working-class injustices during the Depression era that reverberate in the twenty-first century. Sharing a deep affection for their native and adopted places within the West, these individuals felt a strong sense of avoidable and remediable wrong done to the land and the people who lived upon it, motivating them to seek the root causes of social problems and demand change. Regionalists on the Left shows also that this radical regionalism in the West often took urban, working-class, and multicultural forms. Other books have dealt with western regionalism in general, but this volume is unique in its focus on left-leaning regionalists, including such lesser-known writers as B. A. Botkin, Carlos Bulosan, Sanora Babb, and Joe Jones. Tracing the relationship between politics and place across the West, Regionalists on the Left highlights a significant but neglected strain of western thought and expression.

Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan gathers pioneering essays by major scholars in Filipino American Studies, American Studies, and Philippine Studies as well as historic documents on Carlos Bulosan’s work and life for the first time. This anthology—which includes rare, out-of-print documents—provides students, instructors, and scholars an opportunity to trace the development of a body of knowledge called Bulosan criticism within the United States and the Philippines. Divided into four major sections that explore Bulosan’s prolific literary output (novels, poems, short stories, essays, letters, and editorial work), the anthology opens with an introduction to the early stages of Bulosan criticism (1950s-1970s) and ends with recent work by senior scholars in Asian American Studies that suggests new directions for engaging multiple dimensions of Bulosan’s twin commitment to art and social change.