On Freedom S Frontier

Most histories of the Civil War era portray the struggle over slavery as a conflict that exclusively pitted North against South, free labor against slave labor, and black against white. In Freedom's Frontier, Stacey L. Smith examines the battle over slavery as it unfolded on the multiracial Pacific Coast. Despite its antislavery constitution, California was home to a dizzying array of bound and semibound labor systems: African American slavery, American Indian indenture, Latino and Chinese contract labor, and a brutal sex traffic in bound Indian and Chinese women. Using untapped legislative and court records, Smith reconstructs the lives of California's unfree workers and documents the political and legal struggles over their destiny as the nation moved through the Civil War, emancipation, and Reconstruction. Smith reveals that the state's anti-Chinese movement, forged in its struggle over unfree labor, reached eastward to transform federal Reconstruction policy and national race relations for decades to come. Throughout, she illuminates the startling ways in which the contest over slavery's fate included a western struggle that encompassed diverse labor systems and workers not easily classified as free or slave, black or white.

Freedom's Frontier: California and the Struggle over Unfree Labor, Emancipation, and Reconstruction

On Freedom's Frontier offers a personal look at what it was like to live along Germany's East-West border during the Cold War. Over forty men and women who lived and worked along the Fulda Gap contributed their memories to paint a vivid picture of every day life during this interesting time in history. This is one of several anthologies compiled by the Museum of the American Military Family as part of its mission to show history from many perspectives. Proceeds from Freedom's Frontier will help the museum further its work and its writer-in-residence program. Freedom's Frontier was funded, in part, by a generous grant from Bernalillo County, New Mexico.

Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910–1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea’s colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea’s colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.

The thrilling final instalment of the action-packed METAWARS series. With the Guardians and Millennials eliminated, Jonah and Sam are left to fend for themselves. When they discover their enemy, Granger, is also on his own they take the ultimate leap of faith and join forces to survive...and save humanity. The future of the world on and off-line is at stake and Jonah will not stop until he prevails. Even if it means making the ultimate sacrifice.