On Record

Musical media and the audio recording industry have an important and complex history in Newfoundland and Labrador: professional musicians, community songwriters, local institutions, and even politicians have gone on record. The result is a widespread body of work that undercuts the idea of recorded music as a cultural commodity and deepens the province's tradition of cultural activism. Drawing on contemporary testimony and over fifty years of interviews, On Record explores how recording projects have served as sonic signatures, forms of protest, homage, or parody of the foibles of those in power. Beverley Diamond examines how audio recording in Newfoundland and Labrador has been shaped not merely by creative individuals, but by such challenging events as resettlement, residential schools, the cod moratorium, technological change, and disasters that have befallen those who live and work on the North Atlantic. A chapter by ethnomusicologist and musician Mathias Kom examines the widespread response to a unique annual "challenge" to make an audio recording. Spanning both commercial and community-oriented initiatives, this book reflects the vibrant, socially engaged, and resilient nature of communities who value simultaneously and equally the highest professional standards and the creative potential of every citizen. Encompassing music from both settler and Indigenous communities, On Record redefines the culture of a province that has most often been associated with traditional music, demonstrating that recording goes beyond the creation of a commodity: it responds to the present and to constructs of public memory.

Musical media and the audio recording industry have an important and complex history in Newfoundland and Labrador: professional musicians, community songwriters, local institutions, and even politicians have gone on record. The result is a widespread body of work that undercuts the idea of recorded music as a cultural commodity and deepens the province's tradition of cultural activism. Drawing on contemporary testimony and over fifty years of interviews, On Record explores how recording projects have served as sonic signatures, forms of protest, homage, or parody of the foibles of those in power. Beverley Diamond examines how audio recording in Newfoundland and Labrador has been shaped not merely by creative individuals, but by such events as resettlement, residential schools, the cod moratorium, technological change, and disasters that have befallen those who live and work on the North Atlantic. A chapter by ethnomusicologist and musician Mathias Kom examines the widespread response to a unique annual "challenge" to make an audio recording. Spanning both commercial and community-oriented initiatives, this book reflects the vibrant, socially engaged, and resilient nature of communities that value simultaneously and equally the highest professional standards and the creative potential of every citizen. Encompassing music from both settler and Indigenous communities, On Record redefines the culture of a province that has most often been associated with traditional music, demonstrating that recording goes beyond the creation of a commodity: it responds to the present and to constructs of public memory.

More than just a biography or discography, this work is a thoroughly detailed guide to the recorded works of the legendary British rock and roll group The Who. From their early hits of the 1960s ("I Can't Explain" and "My Generation") through the ambitious concept works (Tommy, Lifehouse, Quadrophenia) to their later successes, this work encompasses the entire range of The Who's music. The chronological narrative stretches from their beginnings in West London in the early 1960s to their international superstar status through the 1970s and 1980s. Each phase of the band's recording career is given detailed coverage, along with historical background notes and a critical analysis of every known Who recording. Many previously uncovered facts are incorporated into the text, and the author has been able to glean exclusive information from The Who's archives. Unrealized Who projects such as the Lifehouse film, as well as many unreleased performances, are discussed and analyzed for the first time in print. Finally, the work contains a definitive discography of currently available CDs and an exhaustive appendix of every known Who song with relevant recording information.

This second volume of Song on Record covers the repertory of song not included in Lieder. It contains chapters on the major French composers, on Russian, Scandinavian, Spanish, English, and American song, on Bartok and Janacek, and Britten, and ends with a final chapter entitiled Encores.

A history of the Lied and its interpretation, with a guide to available recordings.

Classic sociological analyses of 'deviance' and rebellion; studies of technology; subcultural and feminist readings, semiotic and musicological essays and close readings of stars, bands and the fans themselves by Adorno, Barthes and other well-known contributors