On The Art Of Building In Ten Books

De Re Aedificatoria, by Leon Battista Alberti (1404-1472), was the first modern treatise on the theory and practice of architecture. Its importance for the subsequent history of architecture is incalculable, yet this is the first English translation based on the original, exceptionally eloquent Latin text on which Alberti's reputation as a theorist is founded.

Leach examines the consequences of the growing preoccupation with images and image-making in contemporary architectural culture, arguing that focusing on images dulls the senses. 30 illustrations.

Longlisted for the Guardian First Book Award 2014We don't just look at buildings: their facades, beautiful or ugly, conceal the spaces we inhabit. We are born, work, love and die in architecture. We buy and sell it, rent it and squat in it, create and destroy it. These aspects of buildings - economic, erotic, political and psychological - are crucial if we are to understand architecture properly. And because architecture moulds us just as much as we mould it, understanding architecture helps us to understand our lives and our world. Through ten great buildings across the world Tom Wilkinson reveals the powerful and intimate relationship between society and architecture and asks: can architecture change our lives for the better?THE TEN BUILDINGS: The Tower of Babel, Babylon (c. 650 BC), The Golden House, Rome (AD 64-68), Djinguereber Mosque, Timbuktu (1327), Palazzo Rucellai, Florence (1450), The Garden of Perfect Brightness, Beijing (1709-1860), Festival Theatre, Bayreuth, Germany (1876), Highland Park Car Factory, Detroit (1909-1910), E.1027, Cap Martin (1926-29), Finsbury Health Centre, London (1938), Footbridge, Rio de Janeiro, London (2010)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book brings the timeless lessons of residential design to homeowners who seek inspiration and direction in the design or remodelling of their homes.

President Donald J. Trump lays out his professional and personal worldview in this classic work—a firsthand account of the rise of America’s foremost deal-maker. “I like thinking big. I always have. To me it’s very simple: If you’re going to be thinking anyway, you might as well think big.”—Donald J. Trump Here is Trump in action—how he runs his organization and how he runs his life—as he meets the people he needs to meet, chats with family and friends, clashes with enemies, and challenges conventional thinking. But even a maverick plays by rules, and Trump has formulated time-tested guidelines for success. He isolates the common elements in his greatest accomplishments; he shatters myths; he names names, spells out the zeros, and fully reveals the deal-maker’s art. And throughout, Trump talks—really talks—about how he does it. Trump: The Art of the Deal is an unguarded look at the mind of a brilliant entrepreneur—the ultimate read for anyone interested in the man behind the spotlight. Praise for Trump: The Art of the Deal “Trump makes one believe for a moment in the American dream again.”—The New York Times “Donald Trump is a deal maker. He is a deal maker the way lions are carnivores and water is wet.”—Chicago Tribune “Fascinating . . . wholly absorbing . . . conveys Trump’s larger-than-life demeanor so vibrantly that the reader’s attention is instantly and fully claimed.”—Boston Herald “A chatty, generous, chutzpa-filled autobiography.”—New York Post