On The Couch

How the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, transgression, and healing. The peculiar arrangement of the psychoanalyst's office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn't dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing. Kravis draws on sources that range from ancient funerary monuments to furniture history to early photography, as well as histories of medicine, fashion, and interior decoration, and he deploys an astonishing array of images—of paintings, monuments, sculpture, photographs, illustrations, New Yorker cartoons, and advertisements. Kravis deftly shows that, despite the ambivalence of today's psychoanalysts—some of whom regard it as “infantilizing”—the couch continues to be the emblem of a narrative of self-discovery. Recumbent speech represents the affirmation in the presence of another of having a mind of one's own.

Lorraine Bracco is known to millions as psychiatrist Dr. Melfi on HBO's The Sopranos. It's hard to imagine that this formidable woman spent years struggling to free herself from depression, serious money problems, and a disastrous relationship that led to a widely-publicized child-custody battle. Here, she openly reveals the details of her struggle-and the treatment that helped her triumph.

From the bestselling author of Love's Executioner and When Nietzsche Wept comes a provocative exploration of the unusual relationships three therapists form with their patients. Seymour is a therapist of the old school who blurs the boundary of sexual propriety with one of his clients. Marshal, who is haunted by his own obsessive-compulsive behaviors, is troubled by the role money plays in his dealings with his patients. Finally, there is Ernest Lash. Driven by his sincere desire to help and his faith in psychoanalysis, he invents a radically new approach to therapy -- a totally open and honest relationship with a patient that threatens to have devastating results. Exposing the many lies that are told on and off the psychoanalyst's couch, Lying on the Couch gives readers a tantalizing, almost illicit, glimpse at what their therapists might really be thinking during their sessions. Fascinating, engrossing and relentlessly intelligent, it ultimately moves readers with a denouement of surprising humanity and redemptive faith.

The bestselling classic is now in paperback! When Sophie's family purchases a new couch, they get something they never expected. An original adventure that's both zany and tender, He Came with The Couch is silly, sweet, and hilarious good fun! GOOD FUN: This is a simple, fun story that is a silly read for the whole family! A CLASSIC BOOK: For fans of classic picture books as well as modern tales of fun, this book has humor for everyone. A FRIEND FOR THE AGES: Every child will want a friend and protector like the one Sophie has, instilling and cementing the power of friendship and good surprises. You never know what you’ll get when you get a new couch! Perfect for: parents and grandparents, educators, librarians

Why are so many of the superhero myths tied up with loss, often violent, of parents or parental figures? What is the significance of the dual identity? What makes some superhuman figures "good" and others "evil"? Why are so many of the prime superheroes white and male? How has the superhero evolved over the course of the 20th and early 21st centuries? And how might the myths be changing? Why is it that the key superhero archetypes - Superman, Batman, Wonder Woman, Spider-Man, the X-Men - touch primal needs and experiences in everyone? Why has the superhero moved beyond the pages of comics into other media? All these topics, and more, are covered in this lively and original exploration of the reasons why the superhero - in comic books, films, and TV - is such a potent myth for our times and culture.>

This book is a relevant and timely contribution to the current debate about both the nature and validity of psychoanalysis and its body of knowledge.

An Instant New York Times Bestseller * An Instant Indie Bestseller * An Indie Next List Selection Feeling fried? Peel yourself on the couch and meet your new pal-tato! The winning fourth picture book from the #1 New York Times bestselling creators of The Bad Seed, The Good Egg, and The Cool Bean, Jory John and Pete Oswald, will get you and your kids moving! The Couch Potato has everything within reach and doesn't have to move from the sunken couch cushion. But when the electricity goes out, Couch Potato is forced to peel away from the comforts of the living room and venture outside. Could fresh air and sunshine possibly be better than the views on screen? Readers of all ages will laugh along as their new best spuddy learns that balancing screen time and playtime is the root to true happiness. Check out Jory John and Pete Oswald’s funny, bestselling books for kids 4-8 and anyone who wants a laugh: The Bad Seed The Good Egg The Cool Bean The Couch Potato The Good Egg Presents: The Great Eggscape! The Bad Seed Presents: The Good, the Bad, the Spooky! The Cool Bean Presents: As Cool as It Gets That’s What Dinosaurs Do

Ever since Freud put religion on the couch in "The Future of an Illusion," there has been an uneasy peace, with occasional skirmishes, between these two great disciplines of subjectivity. As prime meaning givers, God and the unconscious have vied for supremacy in our thinking about ourselves, especially our thinking about our human nature, our moral stature, and our destiny. Freud, in his bold manner, found projection, fear, and denial to be the wellspring of religion's domination over man. In analogous fashion, those giving primacy to the soul over the unconscious have long dismissed psychoanalysis as mechanistic, reductionistic, and hence inadequate to the examination of spirituality. Soul on the Couch is premised on the belief that discourse about the soul and discourse from the couch can inform, and not simply ignore, one another. It brings together scholars and psychoanalysts at the forefront of an interdisciplinary dialogue that is vitally important to the growth of both disciplines. Their essays are not only models of reflective inquiry; they also illuminate the syntheses that emerge when analysts and scholars of religion bridge the gap that has long separated them and speak to one another.