On The Fringe

Everyone has heard of the term "pseudoscience", typically used to describe something that looks like science, but is somehow false, misleading, or unproven. Many would be able to agree on a list of things that fall under its umbrella-- astrology, phrenology, UFOlogy, creationism, and eugenics might come to mind. But defining what makes these fields "pseudo" is a far more complex issue. It has proved impossible to come up with a simple criterion that enables us to differentiate pseudoscience from genuine science. Given the virulence of contemporary disputes over the denial of climate change and anti-vaccination movements--both of which display allegations of "pseudoscience" on all sides-- there is a clear need to better understand issues of scientific demarcation. On the Fringe explores the philosophical and historical attempts to address this problem of demarcation. This book argues that by understanding doctrines that are often seen as antithetical to science, we can learn a great deal about how science operated in the past and does today. This exploration raises several questions: How does a doctrine become demonized as pseudoscientific? Who has the authority to make these pronouncements? How is the status of science shaped by political or cultural contexts? How does pseudoscience differ from scientific fraud? Michael D. Gordin both answers these questions and guides readers along a bewildering array of marginalized doctrines, looking at parapsychology (ESP), Lysenkoism, scientific racism, and alchemy, among others, to better understand the struggle to define what science is and is not, and how the controversies have shifted over the centuries. On the Fringe provides a historical tour through many of these fringe fields in order to provide tools to think deeply about scientific controversies both in the past and in our present.

For the past fifteen years, acclaimed science writer Margaret Wertheim has been collecting the works of "outsider physicists," many without formal training and all convinced that they have found true alternative theories of the universe. Jim Carter, the Einstein of outsiders, has developed his own complete theory of matter and energy and gravity that he demonstrates with experiments in his backyard,-with garbage cans and a disco fog machine he makes smoke rings to test his ideas about atoms. Captivated by the imaginative power of his theories and his resolutely DIY attitude, Wertheim has been following Carter's progress for the past decade. Centuries ago, natural philosophers puzzled out the laws of nature using the tools of observation and experimentation. Today, theoretical physics has become mathematically inscrutable, accessible only to an elite few. In rejecting this abstraction, outsider theorists insist that nature speaks a language we can all understand. Through a profoundly human profile of Jim Carter, Wertheim's exploration of the bizarre world of fringe physics challenges our conception of what science is, how it works, and who it is for.

In Orson Scott Card's classic apocalyptic science fiction novel The Folk of the Fringe, only a few nuclear weapons fell in America--the weapons that destroyed the nation were biological and, ultimately, cultural. But in the chaos, the famine, the plague, there existed a few pockets of order. The strongest of them was the state of Deseret, formed from the vestiges of Utah, Colorado, and Idaho. The climate has changed. The Great Salt Lake has filled up to prehistoric levels. But there, on the fringes, brave, hardworking pioneers are making the desert bloom again. A civilization cannot be reclaimed by powerful organizations, or even by great men alone. It must be renewed by individual men and women, one by one, working together to make a community, a nation, a new America. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

For use in schools and libraries only. Kids who are geeks, unathletic, poor, emotionally fragile, loners, or unattractive by current standards form the heart of this collection of exceptional stories by well-known authors.--School Library Journal.

Does the idea of equality for sexual minorities have as strong an influence as the media suggest? How often do politicians come out forthrightly in support of gay rights? Drawing on more than three hundred interviews with activists, politicians, officials, legislative aides, and journalists, David Rayside shows that gays, lesbians, and their political issues are still on the fringe of the political mainstream. His landmark study of political access demonstrates that, despite the overall tempering of anti-gay rhetoric in the 1990s, opponents of equality are formidable, and standing up for sexual minorities is still widely thought to be politically risky. Rayside documents a high-profile controversy in each of three countries: gays and lesbians in the military in the United States, sexual orientation and human rights legislation in Canada, and the age-of-consent battle in the United Kingdom. In addition, in-depth interviews of openly gay elected officials from three countries—U.S. Congressman Barney Frank, Canadian Member of Parliament Svend Robinson, and British M.P. Chris Smith—provide an inside look at the political process: the negotiation of gay and lesbian policy issues on a daily basis, the attitudes of colleagues in various political parties, and the tensions created when grassroots and mainstream activism intersect with each other. The only major book to look at gay and lesbian politics in three culturally similar but politically disparate countries, On the Fringe explores the political workings and impact of a modern social movement.

"Imogen Taylor started work at Colefax & Fowler in 1949, and spent many years as assistant to John Fowler. She went on to become one of the most prominent interior decorators of the latter part of the twentieth century, working in Britain and the Middle East and extensively in the United States. She retired in 1999, after fifty years at Colefax & Fowler. On the Fringe is a unique chronicle of the twentieth-century decorative scene and the changing social world"--Cover.

Eli knows corruption runs deep within the compound. It's a reality he's forced to confront every year on Bid Day. But when your job is to go out into the radiation-soaked Fringe so that others can live in peace, you don't ask too many questions. For Harper, the bid system works just fine. She's the best developer in her year, and she's confident she'll find a place among the wealthy, respected Systems workers. But when an upset in the bidding changes the course of Harper's future, she'll be forced to rely on an unlikely ally - dark, unreadable Eli Parker. In her search for answers, Harper will learn that in the compound, the truth doesn't set you free. It gets you killed.

Set in a remote area of Western Australia, The Fringe Dwellers is the story of two part-Aboriginal sisters, Noonah and Trilby, who live in a family camp on the fringe of white society. Noonah accepts her position—but Trilby refuses to.