On The Threshold Of The Holocaust

"In the early months of the German occupation during WWII, many of Europe's major cities witnessed anti-Jewish riots, anti-Semitic incidents, and even pogroms carried out by the local population. Who took part in these excesses, and what was their attitude towards the Germans? Were they guided or spontaneous? What part did the Germans play in these events and how did they manipulate them for their own benefit? Delving into the source material for Warsaw, Paris, The Hague, Amsterdam, Antwerp, and Kaunas, this study is the first to take a comparative look at these questions. Looking closely at events many would like to forget, the volume describes various characters and their stories, revealing some striking similarities and telling differences, while raising tantalising questions"--

A comparative study of the anti-Semitic excesses carried out by the local populations of Warsaw, Paris, The Hague, Amsterdam, Antwerp, and Kaunas in the early months of German occupation. The work looks into the incidents, the perpetrators, the German authorities, and the role these incidents played in the early stage of the «final solution».

This book examines a wide range of works written by and about child survivors and victims of the Holocaust. The writers analyzed range from Anne Frank and Saul Friedlander to Ida Fink and Louis Begley; topics covered include the Kindertransport experience, exile to Siberia, living in hiding, Jewish children masquerading as Christian, and ghetto diaries. Throughout, the argument is made that these texts use such similar techniques and structures that children's-eye views of the Holocaust constitute a discrete literary genre.

Focusing on the Nazi concentration camps and Stalinist gulags, this book examines the human capacity for moral behaviour. Drawing on the testimonies of survivors and eyewitnesses, the author creates a vivid portrait of the conduct of those who ran the camps and those who suffered therein.

When the Allies decided to try German war criminals at the end of World War II they were attempting not only to punish the guilty but also to create a record of what had happened in Europe. This ground-breaking new study shows how Britain and the United States went about inscribing thehistory of Nazi Germany and the effect their trial and occupation policies had on both long and short term 'memory' in Germany and Britain. Donald Bloxham here examines the actions and trials of German soldiers and policemen, the use of legal evidence, the refractory functions of the courtroom, andAllied political and cultural preconceptions of both 'Germanism' and of German criminality. His evidence shows conclusively that the trials were a failure: the greatest of all 'crimes against humanity' - the 'final solution of the Jewish question' - was largely written out of history in thepost-war era and the trials failed to transmit the breadth of German criminality. Finally, with reference to the historiography of the Holocaust, Genocide on Trial illuminates the function of the trials in perpetuating misleading generalizations about the course of the Holocaust and the nature ofNazism.

In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.

Monuments as Cultural and Critical Objects explores monuments as political, psychical, social, and mystical objects. Incorporating autoethnography, psychoanalysis, deconstruction, postcolonialism, and queer ecology, Houlton argues for a radical, interdisciplinary approach to our monument-culture. Tracing historical developments in monuments alongside contemporary movements such as Rhodes Must Fall and Black Lives Matter, Houlton provides an in-depth critique of monument sites, as well as new critical and conceptual methodologies for thinking across the field. Alongside analysis of monuments to the Holocaust, colonial figures, and LGBTQIA+ subjects, this book provides new critical engagements with the work of D.W. Winnicott, Marion Milner, Jacques Derrida, Edward Said, Eve Sedgwick, and others. Houlton traces the potential for monuments to exert great influence over our sense of self, nation, community, sexuality, and place in the world. Exploring the psychic and physical spaces these objects occupy—their aesthetics, affects, politics, and powers—this book considers how monuments can challenge our identities, beliefs, and our very notions of remembrance. The interdisciplinary nature of Monuments as Cultural and Critical Objects means that it is ideally placed to intervene across several critical fields, particularly museum and heritage studies. It will also prove invaluable to those engaged in the study of monuments, psychoanalytic object relations, decolonization, queer ecology, radical death studies, and affect theory.

The president loses control of fifty nukes for nearly an hour. Russian nuclear bombers almost bump wingtips with American fighter jets over the Pacific coast. North Korea detonates nuclear weapons underground. Iran’s nuclear shroud is penetrated by a computer worm. Al-Qaeda goes on the hunt for Pakistan’s bomb, and Israelis debate the merit of a preemptive nuclear strike. Treaties are signed, but thousands of nuclear weapons are still on hair-trigger alert. This is how the end begins. In this startling new book, bestselling author Ron Rosenbaum gives us a wake-up call about this new age of peril and delivers a provocative analysis of how close—and how often—the world has come to nuclear annihilation and why we are once again on the brink. Rosenbaum tracks down key characters in our new nuclear drama and probes deeply into their war game strategies, fears, and moral agonies. He travels to Omaha’s underground nuclear command center, goes deep into the missile silo complexes beneath the Great Plains, and holds in his hands a set of nuclear launch keys. Along the way, Rosenbaum confronts the missile men as well as the general at the very top of our nation’s nuclear command system with tough questions about the terrifying assumptions underlying it. He reveals disturbing flaws in our nuclear launch control system, suggests remedies for them, shows how the old Cold War system of bipolar deterrence has become dangerously unstable, and examines the new movement for nuclear abolition. Having explored the depths of Hitler’s evil and the intense emotion of Shakespeare’s tragedies, Rosenbaum now has produced a powerful, urgently needed work that challenges us: Can we undream our nightmare?