Once Upon A Time Off Broadway

Once Upon a Time Off Broadway By: Dori Newman INTERACTIVE READING: This novel is full of music and dancing! Read the CONTEXT NOTE then Bookmark APPENDIX 1C: the SONGS in the order that they appear in the novel. Then as you are reading, if you like, go online to YOUTUBE or AMAZON, or wherever you get your music, and listen to the songs!

Cinderella, Beauty and the Beast, Sleeping Beauty, Little Red Riding Hood, The Little Mermaid. We know the stories, we've heard the tales over and over again. But what are the origins to these fairy tales? How did they come about? This book will go back hundreds and thousands of years to learn where these fairy tales originated from and how they have become the tales we know and love today.

Half a century ago a youth appeared from the American hinterland and began a cultural revolution. The world is still coming to terms with what he did. How he did it - and why - has never been fully explored. In Once Upon a Time, award-winning writer Ian Bell draws together the tangled strands of the many lives of Bob Dylan in all their contradictory brilliance. For the first time, the laureate of modern America is set in his entire context: musical, historical, literary, political and personal. In this acclaimed book, full of new insights into the legendary singer, his songs, his life and his era, the artist who invented himself in order to reinvent America is uncovered. Once Upon a Time is a biographical study of a personality that has splintered and reformed, time after time, in a country forever struggling to understand itself. Dylan has become the puzzle that illuminates. Here, in the first part of a major two-volume work, the puzzle is explained.

Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.

The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

New York’s Broadway theatre scene has long been viewed as the “top of the heap” in the world theatre community. Taking lessons from the very best, this innovative guide delves into the business side of the renowned industry to explain just how its system functions. For anyone interested in pursuing a career on Broadway, or who wants to grow a theatre in any other part of the world, The Business of Broadway offers an in-depth analysis of the infrastructure at the core of successful theatre. Manager/producer Mitch Weiss and actor/writer Perri Gaffney take readers behind the scenes to reveal what the audience—and even the players and many producers—don’t know about how Broadway works, describing more than 200 jobs that become available for every show. A variety of performers, producers, managers, and others involved with the Broadway network share valuable personal experience in interviews discussing what made a show a hit or a miss, and how some of the rules, regulations, and practices that are in place today were pioneered. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

This book profiles the individuals whose contributions have left a profound and lasting impact on musical theatre. The entries include biographical details, career highlights, and a list of significant credits. The individuals chosen represent a wide swath of talent, from actors and directors to composers and choreographers.

In this comprehensive, first and one-of-its-kind book, playwright and producer M. Stefan Strozier will guide you through how to produce a play or a musical in New York or Regional Theater, and how to become a professional producer yourself. The author will explain how to successfully produce theater on a shoestring, based on real experience and budgets in New York, where he was able to mount full productions at a tenth of what everyone else was doing. All aspects of theater are covered in great detail, from acting to lights to finding investors, and much more. Every obstacle is anticipated and given a solution. Tips and information are included on obtaining 501c3 non-profit status and operating a non-profit theater company.