Or Not To Be

From the bestelling author of Romeo and/or Juliet and How to Invent Everything, the greatest work in English literature, now in the greatest format of English literature: a chooseable-path adventure! When Shakespeare wrote Hamlet he gave the world just one possible storyline, drawn from a constellation of billions of alternate narratives. And now you can correct that horrible mistake! Play as Hamlet and avenge your father's death—with ruthless efficiency this time. Play as Ophelia and change the world with your scientific brilliance. Play as Hamlet's father and die on the first page, then investigate your own murder… as a ghost! Featuring over 100 different endings, each illustrated by today's greatest artists, incredible side quests, fun puzzles, and a book-within-a-book instead of a play-within-a-play, To Be or Not To Be offers up new surprises and secrets every time you read it. You decide this all sounds extremely excellent, and that you will definitely purchase this book right away. Because as the Bard said: “to be or not to be… that is the adventure.” ...You're almost certain that's how it goes. To Be or Not To Be originally launched as a record-breaking Kickstarter project. This new, reader-friendly edition features the same text and illustrations as the original version, redesigned to take up half as many pages and weigh a whole pound less.

To Be, or Not to Be: Paraphrased is an expanding deconstruction of Hamlet's famous existential question, achieved by putting the line through paraphrasing software 50 times. With each permutation, the quotation grows longer and its meaning is distorted, causing the question to question its own existence by acting as a faulty self-replicator, a nonsensical self-affirmation that destroys itself in the process of becoming. This controlled explosion of a sentence was performed by Bardsley Rosenbridge as part of his work with the Dark Meaning Research Institute, a group of parasemantic experimenters developing innovative ways to extract hidden meaning from the world around us.

The works of William Shakespeare have been a permanent feature on school curricula for years, and almost everbody can boast even a basic knowledge of his life and craft. But, with thirty-eight plays, over 150 sonnets and numerous other poems, there's such a wealth of material it's no wonder we sometimes forget the finer details. To Be Or Not To Be is a fresh, new look at Shakespeare's work showing how and why it remains such an integral part of popular culture and the English language. From what drove Ophelia mad, to the real meaning behind the phrase 'Wherefore art thou, Romeo?', this book covers everything: from the characters, essential plotlines and the famous lines from a host of Shakespeare's greatest works, to illuminating information on the playwright himself. This is a true Shakespearian treasure trove that nobody should be without.

The first book of its kind, . . . Or Not to Be offers rare insights into the lives--and deaths--of such luminaries as Vincent Van Gogh, Sylvia Plath, Diane Arbus, Jim Jones, Anne Sexton, Hermann Goering, Kurt Cobain, and Yukio Mishima, via their last letters and suicide notes.

In candid terms the book explains what intimidation is, why you become intimidated, and how you can avoid the mental lapses that can cause even the most successful people to sometimes fall victim to intimidation.

To be or not to be is an analysis of linguistic, cultural, political, economic and social factors, which explain the intricate root causes of conflicts which have ravished Sudan. It stands in stark contrast to the dominant simplification and distortions which have come to typify presentations of the region. Central to the book is an unapologetic explanation of Arabization; which often is portrayed as individual choices of religious loyalty, but, in fact, masks an intentional power-system which viciously corrupts Afrikan identities. By highlighting the detrimental complexities of manipulation, geopolitics, identity confusion and cultural imperialism, Hashim has not only written an authoritative book about Sudan, but also presented a comprehensive case study that all of Afrika must learn from. Rarely are we presented with such a vigourous inside-view to an area of Afrika which once was held in the highest civilizational esteem, but has been reduced to an ideological field of Arab-led terror, massacres and disintegration.

Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.