Orlando Enraged

To the court of King Charlemagne comes Angelica (daughter to the king of Cathay, or India) and her brother Argalia. Angelica is the most beautiful woman any of the Peers have ever seen, and all want her. However, in order to take her as wife they must first defeat Argalia in combat. The two most stricken by her are Orlando and Ranaldo ("Rinaldo" in Rose). When Argalia falls to the heathen knight Ferrau, Angelica flees -- with Orlando and Ranaldo in hot pursuit. Along the way, both Angelica and Ranaldo drink magic waters -- Angelica is filled with a burning love for Ranaldo, but Ranaldo is now indifferent. Eventually, Orlando and Ranaldo arrive at Angelica's castle. Others also gather at Angelica's castle, including Agricane, King of Tartary; Sacripant, King of Circassia; Agramante, King of Africa and Marfisa "Marphisa" in Rose), an Asian warrior-Queen. Except for Orlando and Ranaldo, all are eathen. Meanwhile, France is threatened by heaten invaders. Led by King Gradasso of Sericana (whose principal reason for going to war is to obtain Orlando's sword, Durindana) and King Rodomonte of Sarzia, a Holy War between Pagans and Christians ensues. Ranaldo leaves Angelica's castle, and Angelica and a very love-sick (but very chaste and proper) Orlando, set out for France in search of him. Again the same waters as before are drunk from, but this time in reverse -- Ranaldo now burns for Angelica, but Angelica is now indifferent. Ranaldo and Orlando now begin to fight over her, but King Charlemagne (fearing the consequences if his two best knights kill each other in combat) intervenes and promises Angelica to whichever of the two fights the best against the heathen; he leaves her in the care of Duke Namus. Orlando and Ranaldo arrive in Paris just in time to repulse an attack by Agramante. Namus' camp is overrun by the heathen. Angelica escapes, with Ranaldo in pursuit. Also in pursuit is Ferrau, who (because he had defeated Argalia) considers Angelica his. It is at this point that the poem breaks off. While the Orlando-Ranaldo-Angelica triangle is going on, the stories of other knights and their loves are mixed in. Most important of these is that of the female knight Bradamante (sister of Ranaldo), who falls in love with a very noble heathen knight named Ruggiero ("Rogero" in Rose). Ruggiero, who is said to be a descendent of Alexander the Great and Hector, also falls in love with Bradamante, but because they are fighting on opposite sides it is felt that their love is hopeless. Nevertheless, it is prophecised that they shall wed and found the famous Este line, who shall rise to become one of the major families of Medieval and Renaissance Italy (it is worth noting that the Estes where the patrons of both Boiardo and Ariosto). Opposed to this prophecy is Atlantes, an frican wizard who seeks to derail fate and keep Ruggiero from becoming a Christian. By the end of the poem, Ruggiero is imprisoned in Atlantes' castle. However, Bradamante (who has decided to follow her heart) is in pursuit of her love, and is not too far away. It is the Bradamante-Ruggiero story that eventually takes center stage in Ariosto's work. Other characters of importance: Astolfo, a Peer and friend of Orlando, who is kidnaped by the evil witch Morgana and her sister Alcina; Mandricardo, a fierce but hot-headed heathen; and a young knight named Brandimarte, who falls in love with (and wins the heart of) the beautiful Fiordelisa ("Flordelice" in Rose). All play major or semi-major roles in the events of Ariosto's poem.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Publisher Description

Commedia dell'Arte Scenarios gathers together a collection of scenarios from some of the most important Commedia dell'Arte manuscripts, many of which have never been published in English before. Each script is accompanied by an editorial commentary that sets out its historical context and the backstory of its composition and dramaturgical strategies, as well as scene summaries, and character and properties lists. These supplementary materials not only create a comprehensive picture of each script’s performance methods but also offer a blueprint for readers looking to perform the scenarios as part of their own study or professional practice. This collection offers scholars, performers and students a wealth of original performance texts that brig to life one of the most foundational performance genres in world theatre.

Although Antiquity itself has been intensively researched, together with its reception, to date this has largely happened in a compartmentalized fashion. This series presents for the first time an interdisciplinary contextualization of the productive acquisitions and transformations of the arts and sciences of Antiquity in the slow process of the European societies constructing a scientific system and their own cultural identity, a process which started in the Middle Ages and has continued up to the Modern Age. The series is a product of work in the Collaborative Research Centre "Transformations of Antiquity" and the "August Boeckh Centre of Antiquity" at the Humboldt University of Berlin. Their individual projects examine transformational processes on three levels in particular ‒ the constitutive function of Antiquity in the formation of the European knowledge society, the role of Antiquity in the genesis of modern cultural identities and self-constructions, and the forms of reception in art, literature, translation and media.

Experience the passion and drama of the world’s greatest operas with this sumptuously illustrated visual guide. Immerse yourself in more than 400 years of the world’s most celebrated operas and discover the fascinating stories behind them. Explore the lives of singers such as Maria Callas, Luciano Pavarotti, and Jonas Kaufmann. Meet composers like Mozart, Wagner, and Britten, and the librettists with whom they collaborated to create the magical blend of words and music that make up opera. From its origins in the 17th-century courts of Italy to live screenings in public spaces today, Opera: The Definitive Illustrated Story follows the history of opera from Monteverdi’s L'Orfeo in 1607, to Cosi fan Tutte, La Bohème, and modern operas such as Brokeback Mountain. It explains musical terminology, traces historical developments, and sets everything in a cultural context. This awe-inspiring opera book further features: -Includes all of the most important operas from the Renaissance to the 21st century -Profiles the key composers, librettists, performers, and companies, with details of their lives, works, and influence -Arranged in chronological order to show the evolution of the genre -Clear, informative explanation of musical terminology and different types of opera This book revels in the sets and costumes that make up the grand spectacle of opera. It also explores the great opera houses of the world, such as La Scala, Milan, the Met in New York, and the Sydney Opera House. Opera: The Definitive Illustrated Story is the essential book for anyone who wants to understand and enjoy the constantly evolving world of this beloved art form. Did you know that there are more than 25,000 opera performances per year worldwide? Opera: The Definitive Illustrated Story can be regarded as the most lavishly illustrated history of opera currently available, covering all of the most important operas from the Renaissance to the 21st century, and is completely global in scope. A must-have volume for opera buffs, whether as a gift or self-purchase, if you’re a music lover looking for an accessible introduction to opera, then this is the book for you!