Orphic Tradition And The Birth Of The Gods

"Orphic Tradition and the Birth of the Gods is a literary history that attempts to reconstruct the fragments of four theogonies that were attributed to the legendary singer Orpheus: the Derveni, Eudemian, Hieronyman, and Rhapsodic Theogonies. Most modern scholars have described these poems as if they were similar to Hesiod's Theogony—lengthy chronological accounts of the births of the gods from the beginning of time to the present—but this book suggests that a better model for understanding how these poems were composed is to see each of them as an individual product of bricolage (as explained by Claude Lévi-Strauss), rather than as items in the stemma of a static manuscript tradition (as reconstructed by Martin West). The Orphic tradition was more fluid and fragmented than modern reconstructions would lead one to believe, but in these four Orphic theogonies certain features stand out, such as points of comparison with Near Eastern myths, the continuous discourse between Orphic poetry and philosophy, and speculations on the nature of the gods in ways that generated unique deities and new narratives. A study of Orphic theogonies reveals that the Orphic myths of Phanes and Zeus were no less important than the Orphic myth of Dionysus"--

The hatching of the Cosmic Egg, the swallowing of Phanes by Zeus, and the murder of Dionysus by the Titans were just a few of the many stories that appeared in ancient Greek epic poems that were thought to have been written by the legendary singer Orpheus. Most of this poetry is now lost, surviving only in the form of brief quotations by Greek philosophers. Orphic Tradition and the Birth of the Gods brings together the scattered fragments of four Orphic theogonies: the Derveni, Eudemian, Hieronyman, and Rhapsodic theogonies. Typically, theogonies are thought to be poetic accounts of the creation of the universe and the births of the gods, leading to the creation of humans and the establishment of the present state of the cosmos. The most famous example is Hesiod's Theogony, which unlike the Orphic theogonies has survived. But did Orphic theogonies look anything like Hesiod's Theogony? Meisner applies a new theoretical model for studying Orphic theogonies and suggests certain features that characterize them as different from Hesiod: the blending of Near Eastern narrative elements that are missing in Hesiod; the probability that these were short hymns, more like the Homeric Hymnsr than Hesiod; and the continuous discourse between myth and philosophy that can be seen in Orphic poems and the philosophers who quote them. Most importantly, this book argues that the Orphic myths of Phanes emerging from the Cosmic Egg and Zeus swallowing Phanes are at least as important as the well-known myth of Dionysus being dismembered by the Titans, long thought to have been the central myth of Orphism. As this book amply demonstrates, Orphic literature was a diverse and ever-changing tradition by which authors were able to think about the most current philosophical ideas through the medium of the most traditional poetic forms.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"With admirable erudition, Lopez-Ruiz brings to life intimacies and exchanges between the ancient Greeks and their Northwest Semitic neighbors, portraying the ancient Mediterranean as a fluid, dynamic contact zone. She explains networks of circulation, shows creative uses of traditional material by peoples in motion, and radically transforms our understanding of ancient cosmogonies."---Page duBois, author of Out of Athens: The New Ancient Greeks --

In a paradigm shift, this book redefines Orphism as a polemical label for extra-ordinary religion, good or bad.

Hellenic Tantra argues that scholarship on later Platonism has been misled by a dualist worldview. The theurgic Platonists in the school of Iamblichus (4th century CE) did not ascend out of their bodies to be united with the gods—as is the common belief—but allowed the gods to descend into their bodies. By comparing embodied deification in theurgy to Tantric traditions of embodied deification, Gregory Shaw allows us to understand the power and charisma of the last Platonic teachers. Hellenic Tantra reveals a living Platonism that has been hidden from us.

Orpheus, the famed oracle orator hero of Greece, began to teach a new religion at the dawn of the Archaic Age. Deeply rooted in ancient paganism, Orphism taught a doctrine of peace-seeking, reincarnation, and universal brotherhood. The followers, like their leader, worshiped their gods with song. Eighty seven of these ancient hymns have survived to the present day, and are called The Orphic Hymns. They've been translated into English many times. In this new collection of translations, from noted magician and pagan teacher Sara L. Mastros, the hymns come alive for the modern pagan. In addition to her inspired translations, this book also contains fascinating historical and social commentary on the hymns from a modern, feminist, pagan viewpoint, as well as spells and devotional practices for modern worshippers of the Greek gods, and brilliant "color your own" ikons.

Cosmological narratives like the creation story in the book of Genesis or the modern Big Bang are popularly understood to be descriptions of how the universe was created. However, cosmologies also say a great deal more. Indeed, the majority of cosmologies, ancient and modern, explore not simply how the world was made but how humans relate to their surrounding environment and the often thin line which separates humans from gods and animals. Combining approaches from classical studies, anthropology, and philosophy, this book studies three competing cosmologies of the early Greek world: Hesiod's Theogony; the Orphic Derveni Theogony; and Protagoras' creation myth in Plato's eponymous dialogue. Although all three cosmologies are part of a single mythic tradition and feature a number of similar events and characters, Olaf Almqvist argues they offer very different answers to an ongoing debate on what it is to be human. Engaging closely with the ontological turn in anthropology and in particular with the work of Philippe Descola, this book outlines three key sets of ontological assumptions – analogism, pantheism, and naturalism – found in early Greek literature and explores how these competing ontological assumptions result in contrasting attitudes to rituals such as prayer and sacrifice.