Oscar S Grouchy Sounds

In The Pursuit of Grouchiness, Oscar the Grouch teaches you how to lose friends and grouchily influence people. There’s no greater expert on celebrating a crummy day than Oscar the Grouch. After complaining about cheerfulness for decades from his trash can on Sesame Street, Oscar now shares his secrets for making sure you’re as curmudgeonly as possible, all day, every day. It's the perfect gift for your grouchy friends, your annoyingly upbeat friends who could stand to be a little grouchier, and even just yourself—because a bad day can always get worse. Now get lost! And have a rotten day! An Imprint Book "MMM, me LOVE this book. So tasty! (Might be fun to read, too.)" —Cookie Monster For more fun from folks who live on Sesame Street, check out Cookie Monster's The Joy of Cookies and Bert and Ernie's The Importance of Being Ernie (and Bert).

A pictorial report on store interiors.

Oscar the Grouch describes the things he likes about living in a garbage can on Sesame Street, as well as the things that make him grouchy.

Is Oscar too grouchy for visitors? A very persistent Elmo doesn't think so, as Oscar repeatedly says, "Scram, don't bother me." Readers can press picture keys to hear accompanying sound.

The new Grade Two program provides fresh support for your children's journey to full literacy.

When "talking" pictures first appeared in cinema theaters in the late 1920s, films about newspaper journalists quickly became a Hollywood mainstay. These were a variety of responses from working reporters, editors, and photographers. The newspaper film was a popular genre in the 1950s, and famous films such as All the President's Men (1976) and Spotlight (2015) have depicted the power of the press. Journalists have also been portrayed in films that are not specifically about newspapers, appearing in noir films like Woman on the Run (1950), Westerns such as Fort Worth (1951), comedies like The Ghost and Mr. Chicken (1966), musicals like Wake Up and Live (1937) and historical epics like Lawrence of Arabia (1962). A film historian and former newspaper writer, the author investigates how accurately films have portrayed journalists across the decades. The book also details what journalists thought of the depictions at the time, contributing to brief histories and analyses for each film. Featured journalist archetypes include airy reporters, screaming editors, photographers, sportswriters and war journalists. Classics, misfires, Westerns, obscure treasures and films the press both adored and detested are all included in this comprehensive here.