Our Front Pages

From The Birth Of A Nation To The Death Of Journalism Since its founding by a bloodthirsty tyrant in 1756, The Onion has not merely changed the way we think about the news -- it has changed whether we think about the news at all. As the first decade of this new millennium draws to a close, Our Front Pages shows us the first thing that presidents, kings, prime ministers, and popes saw when they opened their eyes each morning for the last 21 years. Now you, the common reader and citizen, can see what they saw and be as informed as they were with this important retrospective of the past two decades. You, too, will realize what generations before have realized and generations yet unborn will some day realize in turn: The Onion is not merely the chronicle of America. The Onion is America.

Suffragists recognized that the media played an essential role in the women's suffrage movement and the public's understanding of it. From parades to going to jail for voting, activists played to the mass media of their day. They also created an energetic niche media of suffragist journalism and publications. This collection offers new research on media issues related to the women's suffrage movement. Contributors incorporate media theory, historiography, and innovative approaches to social movements while discussing the vexed relationship between the media and debates over suffrage. Aiming to correct past oversights, the essays explore overlooked topics such as coverage by African American and Mormon-oriented media, media portrayals of black women in the movement, suffragist rhetorical strategies, elites within the movement, suffrage as part of broader campaigns for social transformation, and the influence views of white masculinity had on press coverage. Contributors: Maurine H. Beasley, Sherilyn Cox Bennion, Jinx C. Broussard, Teri Finneman, Kathy Roberts Forde, Linda M. Grasso, Carolyn Kitch, Brooke Kroeger, Linda J. Lumsden, Jane Marcellus, Jane Rhodes, Linda Steiner, and Robin Sundaramoorthy

"Examines how newspapers have changed over the past few years, becoming story papers. Comparing 850 stories, story approaches, and unofficial sourcing in twenty American newspapers from 2001 and 2004, Weldon reveals a shift toward features over hard news, along with an increase in anecdotal or humanistic approaches to all stories"--Provided by publisher.

The staff of The Onion presents a satirical collection of mock headlines and news stories, including an account of the Pentagon's development of an A-bomb-resistant desk for schoolchildren.

For most of the front pages that follow, my inspiration has been twofold - to elaborate some touching story from my everyday life experience, however banal, and use it as a stepping stone to illustrate how we might more easily find God and be found by God in all things. Central to Ignatian spirituality is the belief that our world is transparent, reflecting constantly a God who works in the depths of everything. St Ignatius Loyola saw the world as very user friendly. For him every part of it, from the stars in the heavens to the flowers of the field, elevated his mind and heart to God. In Ribadeneira's Life of Ignatius we learn how even the smallest things could make his spirit soar upwards to God, who even in the smallest things is Greatest. At the sight of a little plant, a leaf, a flower or a fruit, an insignificant worm or a tiny animal Ignatius could soar free above the heavens and reach through into things which lie beyond the senses. (Life I11 5381) Seeking and finding God in all things works on the belief that God is already present in our world and it is our task to uncover his presence and help others to do the same. It is very different to the old, perhaps arrogant, concept of ministry which talked about bringing God to the world.

Reproduces 150 front pages from newspapers around the world depicting the attacks on the World Trade Center and the Pentagon on September 11, 2001.

Front Pages is an illustrated novel of the real world created by the painter Nancy Chunn. Every day of 1996 Chunn claimed as an artistic canvas the front page of the New York Times. Using specialized rubber stamps and bold pastels to enhance, eradicate, and alter images and text, she created a commentary - colorful, intense, smart, compassionate, visually explosive - on the year's events and the power of the press. When these artworks were shown at the Ronald Feldman Gallery in New York, they created a sensation. Chunn's treatment of the events we all lived through - the Presidential campaign, the crash of TWA flight 800, the wars in Chechnya and Rwanda - will strike an immediate chord in readers tuned in to the complex frequencies of a political world awash in images and news. Gary Indiana's interview with the artist provides lively and intimate insights into the artistic process as means of talking back to power and engaging with the world. Front Pages is being published to coincide with an exhibition of these works at The Corcoran Gallery of Art in Washington, DC, January 10-March 2, 1998.