Our Greatest Writers

- The most comprehensive single-volume guide to writers and their works on the market - Compiled by an international team of literary critics, authors, teachers and journalists - Beautifully illustrated with portraits of writers and photo graphs of their work - The perfect companion to the acclaimed 1001 Books You Must Read Before You Die - Also available in the same series: 501 Great Artists (March 2009)

A thought-provoking journey inside the minds of the world’s most accomplished storytellers, from Shakespeare to Stephen King NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SPECTATOR • “Richard Cohen’s book acted as a tonic to me. It didn’t make me more Russian, but it fired up my imagination. I have never annotated a book so fiercely.”—Hilary Mantel “There are three rules for writing a novel,” Somerset Maugham is said to have said. “Unfortunately, no one knows what they are.” How then to bring characters to life, find a voice, kill your darlings, or run that most challenging of literary gauntlets, writing a sex scene? What made Nabokov choose the name Lolita? Why did Fitzgerald use firstperson narration in The Great Gatsby ? How did Kerouac, who raged against revision, finally come to revise On the Road ? Veteran editor and author Richard Cohen takes us on an engrossing journey into the lives and minds of the world’s greatest writers, from Honoré de Balzac and George Eliot to Virginia Woolf and Zadie Smith—with a few mischievous detours to visit Tolstoy along the way. In a scintillating tour d’horizon, Cohen lays bare the tricks, motivations, and techniques of the literary greats, revealing their obsessions and flaws and how we can learn from them along the way.

Presents a richly-detailed portrait of the generation of twenty-somethings raised in an era of anti-anxiety medication, text messaging, and terrorism threats, and offers a look at the world of anxiety disorders and celebrity gossip.

Why was Thomas Hardy's first novel never published? What happened to the manuscript of the long promised 'magnum opus' that Truman Capote never delivered? Why did Heinrich Böll abandon his Paradise Lost? These and many other intriguing mysteries are uncovered in this comprehensive guide to literature's lost and unfinished masterpieces. From a creative crisis to a dissatisfied editor, and from a bizarre twist of fate to an untimely death, behind each unpublished book lies a unique and compelling story. One of the giants of modern literature, Ernest Hemingway, saw three years of work, including a novel and several short stories, vanish when his wife's suitcase was stolen in the Gare de Lyon in Paris. Evelyn Waugh, on the other hand, burned the manuscript of his first novel and attempted to drown himself after a friend gave it a bad review. Covering an eclectic range of international authors, both living and dead, The Greatest Books You'll Never Read unearths an alternative literary history that is fascinating and heartbreaking in equal measure. Each ill-fated book, from Karl Marx's comic novel Scorpion and Felix to Stephenie Meyer's Twilight spin-off Midnight Sun, is examined in an in-depth essay, with selected entries featuring manuscript extracts. Specially commissioned covers by acclaimed designers illustrate each entry, bringing to life these lost literary wonders. At once entertaining and enlightening, The Greatest Books You'll Never Read will be loved by bookworms everywhere. Erica Jarnes worked as an editor at Bloomsbury for eight years before becoming Literature Programmer at the South Bank Centre. She is involved in organizing Port Eliot Festival, a prestigious literary gathering that attracts authors from around the globe, and is passionate about promoting translated fiction. She lives in London.

Carrington takes the reader on an exploration of English literary heritage by reading small, digestible sections which form an ordered programme. Meet all the major English writers - who they were, what they wrote, their finest work and its significance.

What if you asked 125 top writers to pick their favorite books? Which titles would come out on top? You'll find the answer in The Top Ten: Writers Pick Their Favorite Books: the ultimate guide to the world's greatest books. As writers such as Norman Mailer, Annie Proulx, Stephen King, Jonathan Franzen, Claire Messud, Margaret Drabble, Michael Chabon and Peter Carey name the ten books that have meant the most to them, you'll be reminded of books you have always loved and introduced to works awaiting your discovery. The Top Ten includes summaries of 544 books—each of which is considered to be among the ten greatest books ever written by at least one leading writer. In addition to each writer's Top Ten List, the book features Top Ten Lists tabulated from their picks, including: • The Top Ten Books of All Time • The Top Ten Books by Living Writers • The Top Ten Books of the Twentieth Century • The Top Ten Mysteries • The Top Ten Comedies The Top Ten will help readers answer the most pressing question of all: What should I read next?

There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.