Out Out Brief Candle

Murder mayhem and magic.Pushed by his wife to seize the throne Macbeth kills his rightful liege and then tries desperately to hold onto the kingdom that he has wrongfully usurped. Prophesy and magic abound in this dark moody and atmospheric play.Out damned spot! Out I say!One- two -why then 'tis time to do't. Hell is murky. Fie my lord fie! A soldier and afeard? What need we fear who knows it when none can call ourpower to account? Yet who would have thought the old man to have had so much blood in him?

Out, Out, Brief Candle! is the remarkable story of African children who have survived terrible fires and gone on to thrive at Children of Fire, a charity based in Johannesburg, South Africa. Martin Klammer recalls his time helping the children develop their personal writing and rehearse and perform Macbeth. Told with affection and humor, Out, Out, Brief Candle! is an inspiring story of an exceptional African “family.” The South African novelist and children’s writer Sindiwe Magona says of Out, Out, Brief Candle!: “This is a brave book. The ‘voices’ of these tender survivors of fire—their struggles, their fortitude—may bring us nearer to becoming more effective in minding the children given to us as a trust. Martin Klammer has brought the unheard cries of those whose lives have been forever altered by the scourge of fire to our ears and eyes. Are we listening? Do we see?”

Brief Candle is a humorous biographical fiction about an English professor coming to terms with a mid-life crisis. Jake Boswell, a Victorian born in America during the Jazz Age, discovers that he is deeply in love with a trailerhouse girl. This comes after thirty years of good behavior and marriage to the same woman. Finally at the top of the academic ladder, Jake finds himself facing two enormous problems: at home a wife who has become a dipsomaniac and at work an endless wave of young liberated retreads. Lola, once a lovely and charming companion, has become a migraine disaster; but even so, if Heather Roberts had stayed in her trailerhouse with her two kids and her beer-guzzling and guitar-playing husband, he would (more than likely) have stayed in the rut he had dug for himself. Part of the blame might also be shared by the politicians in Washington who thought up the idea of paying young mothers stuck in trailerhouses to go back to college to learn something besides how to have babies.

At 13, Emily is tall, restless and impatient - ladylike she certainly isn't! Emily despises such things as needlework, but she has a vivid imagination and is a keen artist and, along with her talented sister, Charlotte, loves to write. But Emily stumbles upon a real-life story, when she encounters the vagabond Heslington while out walking her beloved dog, Captain, on the Yorkshire Moors. Heslington is hiding out in an abandoned cottage, on the run from someone, but claims he is guilty of nothing. All he can tell Emily is that he is passionately in love with a Miss Martha Holmes, but has been forbidden from seeing her. Martha's family believe Heslington is only after her money, but he is prepared to live like a pauper, he says, if he can only be with the girl he loves. Touched by his story, Emily finds herself drawn into the whole sorry mess, acting as a reluctant go-between for Martha and Heslington, but convinced she is doing the right thing. But when Heslington reveals his dark side, Emily finds herself doubting him, not knowing what to believe. Is Heslington the love-torn romantic hero of her imaginings or he is mad...?

Known for his poetic transformation of New England and nature, Robert Frost has retained his position through the years as one of the essential American poets of the 20th century. His classic works, including ""The Road Not Taken,"" ""Stopping by Woods on a Snowy Evening,"" and ""The Death of the Hired Man,"" are explored in this volume and will lead students and readers to a more nuanced understanding of the work of this verse master. Suggestions for writing an effective paper about Frost will encourage students' critical-thinking skills.

There is now considerable support for the view that a performance by an actor of genius can constitute a critical interpretation of a play and that only through such performance studies can a completely valid judgement about the play be made. In this paperback edition of a pioneering work, Dennis Bartholomeusz reconstructs from prompt copies, playbills and contemporary accounts, the major interpretations of the roles of Macbeth and Lady Macbeth on the English stage from 1611 to the 1960s and relates the outstanding peformances of Burbage and Olivier, Siddons and Thorndike to the overall production history of Macbeth.