Outsider At The Heart Of Things

“I’ve never believed that living in one place means being one thing all the time, condemned like Minnie Pearl to wear the same hat for every performance. Life is more complicated than that.” In this remarkable book of days, John Hildebrand charts the overlapping rings—home, town, countryside—of life in the Midwest. Like E. B. White, Hildebrand locates the humor and drama in ordinary life: church suppers, Friday night football, outdoor weddings, garden compost, family reunions, roadside memorials, camouflage clothing. In these wry, sharply observed essays, the Midwest isn’t The Land Time Forgot but a more complicated (and vastly more interesting) place where the good life awaits once we figure exactly out what it means. From his home range in northwestern Wisconsin, Hildebrand attempts to do just that by boiling down a calendar year to its rich marrow of weather, animals, family, home—in other words, all the things that matter.

"A National Book Award-finalist biographer tells the story of how a young man in his 20s who had never written a novel turned out a masterpiece that still grips readers more than 70 years later and is considered a rite of passage for readers around the world, "--NoveList.

Includes approximately 800 British and American poets, past and present, with criticisms drawn from more than 160 journals and 300 books

How did she come here, to this place in her life? A once shy girl, without an athletic bone in her body, overweight, a little antisocial. A gamer, more comfortable in front of her computer monitor than under sunlight. How could it be she, now, with a gun, going into a foreign land to find another programmer, a brilliant but troubled mind, and share his discoveries with what remains of the world? The world has all but fallen, and Melody is beginning to realize there is no happy ending. Too much has already been lost. Too many have already surrendered to evil. Now she must look inside herself. Why does she keep going? For what does she fight, if not victory? What is her life worth? The enemy’s objective will be discovered, on the far side of the planet and buried deep, and the remaining free people of the world will try to take it from the enemy’s clutches. This will be their last, desperate play for any advantage, any leverage that might let them preserve a spark of liberty in the coming night of worldwide totalitarian dominion. Melody will be there, along with those of her allies who are not already dead. She knows already that she will hold nothing back. She has only her life left to give, and she will give it. The only question left, now, is what the world will look like when the dust settles.

Does your gender, ethnicity, sexual orientation, accent, mannerisms, quirky clothing, piercing, or outlook on life make you feel like a fish out of water in your workplace, from the moment your workday begins until you leave at the end of the day? Find out how to capitalize on your differences and become a successful outsider on the inside. Outsiders on the Inside provides specific guidance and simple but effective strategies to help outsiders recharge their careers. You will learn: Crucial marketing strategies to help match your unique professional qualities with employers and customers. A painless, step-by-step process for meeting new people. Unique strategies for resumes, cover letters, and other job-hunting tools. Coping strategies to confront and educate critics.

The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus's novel has been translated into sixty languages and sold more than six million copies. It's the rare novel that's as at likely to be found in a teen's backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it. How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for "The Stranger", Alice Kaplan tells that story. In the process, she reveals Camus's achievement to have been even more impressive--and more unlikely--than even his most devoted readers knew. Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger. Even then, the book's publication was far from certain. France was straining under German occupation, Camus's closest mentor was unsure of the book's merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship. The initial critical reception of The Stranger was mixed, and it wasn't until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus's book-- with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation--became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece. Few books inspire devotion and excitement the way The Stranger does. And it couldn't have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration. -- Publisher description.

Outsider art has exploded onto the international art scene, gaining widespread attention for its startling originality and visual power. As an expression of raw creativity, outsider art remains associated with self-taught visionaries, psychiatric patients, trance mediums, eccentric outcasts, and unschooled artistic geniuses who create things outside of mainstream artistic trends and styles. Outsider Art: Visionary Worlds and Trauma provides a comprehensive guide through the contested terrain of outsider art and the related domains of art brut, visionary art, "art of the insane," and folk art. The book examines the history and primary issues of the field as well as explores the intersection between culture and individual creativity that is at the very heart of outsider art definitions and debates. Daniel Wojcik's interdisciplinary study challenges prevailing assumptions about the idiosyncratic status of outsider artists. This wide-ranging investigation of the art and lives of those labeled outsiders focuses on the ways that personal tragedies and suffering have inspired the art-making process. In some cases, trauma has triggered a creative transformation that has helped artists confront otherwise overwhelming life events. Additionally, Wojcik's study illustrates how vernacular traditions, religious worldviews, ethnic heritage, and popular culture have influenced such art. With its detailed consideration of personal motivations, cultural milieu, and the potentially therapeutic aspects of art making, this volume provides a deeper understanding of the artistic impulse and human creativity.