Ovid In Love

This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.

A translation of Ovid's Amores, which does not set out to be literal but to reproduce the original as closely as possible in our own idiom. Passion, sensuality, frustration, euphoria, anger, jealousy and happiness mingle in poems which nonetheless never take themselves seriously.

In the first century a.d., Ovid, author of the groundbreaking epic poem Metamorphoses, came under severe criticism for The Art of Love, which playfully instructed women in the art of seduction and men in the skills essential for mastering the art of romantic conquest. In this remarkable translation, James Michie breathes new life into the notorious Roman’s mock-didactic elegy. In lyrical, irreverent English, he reveals love’s timeless dilemmas and Ovid’s enduring brilliance as both poet and cultural critic.

Parallel latin & English texts.

'The Love Books of Ovid' is a combination of four books of the Roman poet's verse translated into prose. This volume includes 'Amores' or 'The Loves', 'Ars Amatoria' or 'The Art of Love', 'Remedia Amoris' or 'Love's Cure', and 'Medicamina Faciei Feminae' or 'The Art of Beauty'. Considered to be a master of the elegy form of poetry, Ovid, is faithfully represented here in this English prose translation. Students of classical literature and fans of romantic poetry will both delight in this volume of works by Ovid.

During Shakespeare's lifetime, Henry IV was his most popular play. Today, Sir John Falstaff still towers above Shakespeare's other comic inventions. This edition considers the play in the context of various critical approaches, offers a history of the play in performance from Shakespeare's time to ours, and provides useful information on its historical background. Readers will also find detailed commentary on individual words and phrases, and selections from Shakespeare's sources.

" . . . Humphries has rendered (Ovid's) love poetry with conspicuous success into English which is neither obtrusively colloquial nor awkwardly antique." —Virginia Quarterly Review