Paint It Today

This novel, a never before published Roman a clef by the famous imagist writer, H.D. (Hilda Doolittle), that explores H.D.'s love for women, is a lyrical recreation of the love and loss of her friend and first love, Frances Gregg, and of her later meeting with Bryher who was to become H.D.'s lifelong companion. Spanning the years from H.D.'s childhood in Pennsylvania to the birth of her daughter, Perdita, in 1919, this turbulent love story is set against the backdrop of World War I, H.D.'s involvement in early 20th century London literary circles, her brief engagement to American poet, Ezra Pound, and her shattered marriage to British novelist Richard Aldington. Paint it Today is H.D.'s most lesbian novel, a modern, homoerotic tale of passage which focuses almost entirely on the young heroine's search for the sister love which would empower her spiritually, creatively, and sexually. Cassandra Laity's introduction places H.D.'s love for the sexually magnetic, betraying Gregg and for the more nurturing and loyal Bryher in the context of the lesbian romanticism of early modern fiction. her annotations of all Greek references and literary quotations,m as well as, biographical facts represented in the text, provide nuance and detail to this engrossing work.

"A dark, crooked beauty that fulfills all the promise of White Oleander and confirms that Janet Fitch is an artist of the very highest order." --Los Angeles Times Book Review Josie Tyrell, art model, runaway, and denizen of LA's rock scene finds a chance at real love with Michael Faraday, a Harvard dropout and son of a renowned pianist. But when she receives a call from the coroner, asking her to identify her lover's body, her bright dreams all turn to black. As Josie struggles to understand Michael's death and to hold onto the world they shared, she is both attracted to and repelled by his pianist mother, Meredith, who blames Josie for her son's torment. Soon the two women are drawn into a twisted relationship that reflects equal parts distrust and blind need. With the luxurious prose and fever pitch intensity that are her hallmarks, Janet Fitch weaves a spellbinding tale of love, betrayal, and the possibility of transcendence. "Lushly written, dramatically plotted. . . Fitch's Los Angeles is so real it breathes." --Atlantic Monthly "There is nothing less than a stellar sentence in this novel. Fitch's emotional honesty recalls the work of Joyce Carol Oates, her strychnine sentences the prose of Paula Fox." --Cleveland Plain Dealer "A page-turning psychodrama. . . . Fitch's prose penetrates the inner lives of [her characters] with immediacy and bite." --Publishers Weekly (starred review) "Fitch wonderfully captures the abrasive appeal of punk music, the bohemian, sometimes squalid lifestyle, the performers, the drugs, the alienation. This is crackling fresh stuff you don't read every day." --USA Today "In dysfunctional family narratives, Fitch is to fiction what Eugene O'Neill is to drama." --Chicago Sun-Times "Riveting. . . . An uncommonly accomplished page-turner." --Elle

In the rhythm of a familiar folk song, a child cannot resist adding one more dab of paint in surprising places.

Florida's scenic Sereno Key has been shaken to the core by a ritualistic serial killer who is targeting black men, leaving his victims faceless and marked with spray paint. Finished as a cop in Michigan, Louis Kincaid is persuaded to take the case as a PI and he joins forces with rookie FBI profiler, Emily Farantino. But without a badge Louis is trying to work in limbo, not knowing where his limits end, and the suspect's rights begin. Hindered by a false confession, an incompetent county sheriff, and the killer's changing pattern, Louis is still struggling to deal with his demons from his previous case. Before long it becomes clear that these gruesome murders are no ordinary hate crimes, and Louis finds himself the next victim of a predator more twisted than he ever imagined …

Step-by-step illustrations show simply and clearly how each drawing is done. The end result is sure to boost any child's confidence.

A story-poem recreates the art studio in which Emily Carr gives art lessons to children.

This is the entire series put into one book. Paperback edition.They took too much.Left too little.I had nothing to lose...until him.*****************~Lana~I didn't expect him.I didn't want to fall in love.But I can't let him go.Logan Bennett makes the world a safer place.He's brilliant.He's a hero.He locks away the sick and depraved.But while he's saving lives, I'm taking them. Collecting the debts that are owed to me.Ten years ago, they took from me. They left me for dead.They should have made sure I stayed dead.Now I'm taking from them.One name at a time.I've trained for too long.I've been patient.I can't stop now.Revenge is best served cold...They never see me coming, until I paint their walls red.Logan doesn't know how they hurt me. He doesn't know about the screams they ignored. He doesn't know how twisted that town really is.He just knows people are dying.He doesn't know he's in love with their killer.No one suspects a dead girl.And Logan doesn't suspect the girl in his bed.They're looking for a monster.Not a girl who loves red.Not a girl in love.I'm a faceless nightmare.At least until I tell them the story they've pretended never happened.But in the end, will Logan choose them? Or will we watch them burn together?**Graphic**Adult language**Some triggers could be too much for the easily disturbed reader**Sexual content**Fucked up moral compass; read at your own risk.