Palace Of The Peacock Faber Editions

The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ... 'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' T sitsi Dangarembga 'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid 'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey 'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil 'The Guyanese William Blake . Such poetic intensity.' Angela Carter I dreamt I awoke with one dead seeing eye and one living closed eye ... A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers. 'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian 'Amazing ... Masterly ... Near-miraculous.' Observer 'Staggering ... Both brilliant and terrifying.' The Times 'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar 'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville

This epic masterpiece is a radical landmark in modern literature , reissued with a foreword by poet Ishion Hutchinson to mark Wilson Harris' centenary. 'An exhilarating experience ... Genius.' Jamaica Kincaid I dreamt I awoke with one dead seeing eye and one living closed eye ... Guyana. An ancient landscape of rainforests and swamplands, haunted by the legacy of slavery and colonial conquest. It is the site of dangerous journeys through the Amazonian interior, where riverboat crews embark on spiritual quests and government surveys are sabotaged by indigenous uprisings. It is a universe of complex moralities, where the conspiracies of a sinister money-lender and the faked death of a murderer question innocence and inheritance. It is a place where life and death, myth and history, philosophy and metaphysics blur. And it is the birthplace of an epic masterpiece. Wilson Harris' The Guyana Quartet consists of four incandescent novels: P alace of the Peacock, The Far Journey of Oudin, The Whole Armour and The Secret Ladder. It is a landmark of twentieth-century literature, as revolutionary today as it was over half a century ago. 'The Guyanese William Blake . [Such] poetic intensity.' Angela Carter 'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian 'Amazing ... Masterly ... Near-miraculous.' Observer 'Perhaps the most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar 'An extraordinary writer ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville 'Staggering ... Both brilliant and terrifying.' The Times

The amphibious cult classic: a magical tale of a suburban housewife's affair with a frogman ...'Disturbing but seductive ... Wonderful.' Margaret Atwood'Perfect.' Max Porter'Still outpaces, out-weirds, and out-romances anything today.' Marlon James'A feminist masterpiece: tender, erotic, singular.' Carmen Maria Machado'Kind of weird and cool. ' Irvine Welsh''Genius ... A broadcast from a stranger and more dazzling dimension.' Patricia Lockwood'Genius ... Like Revolutionary Road written by Franz Kafka ... Exquisite.' The Times'Incredibly liberates readers from the awfulness of convention to a state where weirdness and otherness are beautiful.' Sarah Hall'A devastating fable of mythic proportions ... Wondrously peculiar.' Irenosen Okojie (foreword)Dorothy is a grieving housewife in the Californian suburbs; her husband is unfaithful, but they are too unhappy to get a divorce. One day, she is doing chores when she hears strange voices on the radio announcing that a green-skinned sea monster has escaped from the Institute for Oceanographic Research - but little does she expect him to arrive in her kitchen. Muscular, vegetarian, sexually magnetic, Larry the frogman is a revelation - and their passionate affair takes them on a journey beyond their wildest dreams ... Rachel Ingalls's Mrs Caliban is a bittersweet fable, a subversive fairy tale, as magical today as it was four decades ago'A miracle . A perfect novel.' New Yorker'Every one of its 125 pages is perfect ... Clear a Saturday, please, and read it in a single sitting.' Harper'sWhat Readers Are Saying:'Maybe the most gorgeous, lyrical book ever written'*****'A fantastic wee novel, strange and brilliant, and absolutely the inspiration for The Shape of Water.'*****'Wonderful, sharp minimal prose offers big truths. Superb - brilliant, in fact.'*****'Absolutely incredible. It's weird, funny, and heartbreaking, like a Richard Yates novel except with lizardman sex.'*****'One of the best tongue-in-cheek social satires that I've ever read. It delves into gender politics. It takes a long, hard look at mental health. It addresses female sexual freedom and agency. It asks the reader to examine what it means to be human ... Genius.'*****'Really brilliant: a deconstruction of suburbia by way of monster movies that examines sad realities with hilarious verve ... Sometimes you need a sexy frog person to break you out of the ties that bind. '*****'Hooked me so deeply I picked it up and finished it the same night ... Beautiful ... Will stay with me.'*****'What the hell just happened?'*****

I had been shot. A bullet in my back. I fell. Where did I fall? I fell from a great height, it seemed, into a painting in a gallery in a great City. I found myself returning across centuries and generations to the end of my age. I had been caught by the Artist in what seemed the womb of unexpected being in which one becomes sensitive to the end one has reached and to a new beginning. It was an end, it was a new beginning one was called upon to probe and discover. We may dream, while still alive, of dying. But the dream is soon forgotten as are the edges and corners of a re-lived life of which we dream. It is buried in the unconscious. We know that life fades into death but, in what degree, does life re-live itself as it dreams of dying? The Ghost of Memory is a novel about life and death or rather - to put it somewhat differently - about the close, almost indefinable cross-culturalities between moments of life and death. This is played out through a man who is mistakenly shot as a terrorist - he sees himself

In a prose form as startling as its content, ?"The Shutter of Snow"?portrays the post-partum psychosis of Marthe Gail, who after giving birth to her son, is committed to an insane asylum. Believing herself to be God, she maneuvers through an institutional world that is both sad and terrifying, echoing the worlds of?"One Flew Over the Cuckoo's Nest"?and?"The Snake Pit." Based upon the author's own experience after the birth of her son in 1924, "The Shutter of Snow" retains all the energy it had when first published in 1930.

Introduced by Jeff VanderMeer - 'a classic: stunning, dangerous, darkly beautiful' - welcome to the post-apocalyptic White Lotus: a luxury hotel at the end of the world in this lost 1967 dystopia ... 'Chilling and prescient.' Andrew Hunter Murray 'Elemental and true.' Kiran Millwood Hargrave 'Mesmerizing.' Sandra Newman 'Like someone from the future screaming to us.' Salena Godden The day we came up from the shelters four people were found dead on the steps of the hotel. Welcome to Termush: a luxury coastal resort like no other. All the wealthy guests are survivors: preppers who reserved rooms long before the Disaster. Inside, they embrace exclusive radiation shelters, ambient music and lavish provisions; outside, radioactive dust falls on the sculpture park, security men step over dead birds, and a reconnaissance party embarks. Despite weathering a nuclear apocalypse, their problems are only just beginning. Soon, the Management begins censoring news; disruptive guests are sedated; initial generosity towards Strangers ceases as fears of contamination and limited resources grow. But as the numbers - and desperation - of external survivors increase, they must decide what it means to forge a new moral code at the end (or beginning?) of the world ... Translated by Sylvia Clayton

Meet your new best friend in this lost classic of single women losing and finding themselves in New York City - the millennial novel from a century ago, introduced by Monica Heisey ( Really Good, Actually). Lord, I have been more chased than chaste . . It feels remarkable to be a deserted wife when one is only twenty-four. New York, 1924. Patricia and Peter are a thoroughly modern married couple. Both drink. Both smoke. Both work. Both believe in 'Love-Outside-Marriage'. Until they don't. Or, really, until he doesn't. So when Peter pushes for divorce with increasing violence, Patricia has to forge a new life as a single woman: as an ex-wife. A sensational bestseller in 1929, yet utterly timeless, Ex-Wife plunges us into the 'era of the one-night stand'. It evokes not only the Manhattan bars, fashion advertising offices, female friendships and all-night parties of a dazzling city, but the hollow affairs, emotional hangovers, backstreet abortions, and struggles for sexual freedoms amidst the moral double standards of a patriarchal world.