Pale Kings And Princes

“Ebullient entertainment.”—Time A hotshot reporter is dead. He'd gone to take a look-see at “Miami North”—little Wheaton, Massachusetts—the biggest cocaine distribution center above the Mason-Dixon line. Did the kid die for getting too close to the truth . . . or to a sweet lady with a jealous husband? Spenser will stop at nothing to find out. Praise for Robert B. Parker's Spenser novels “Like Philip Marlowe, Spenser is a man of honor in a dishonorable world. When he says he will do something, it is done. The dialogues zings, and there is plenty of action . . . but it is the moral element that sets them above most detective fiction.”—Newsweek “Crackling dialogue, plenty of action and expert writing . . . Unexpectedly literate—[Spenser is] in many respects the very exemplar of the species.”—The New York Times “They just don’t make private eyes tougher or funnier.”—People “Parker has a recorder’s ear for dialogue, an agile wit . . . and, strangely enough, a soupçon of compassion hidden under that sardonic, flip exterior.”—Los Angeles Times “A deft storyteller, a master of pace.”—The Philadelphia Inquirer “Spenser probably had more to do with changing the private eye from a coffin-chaser to a full-bodied human being than any other detective hero.”—The Chicago Sun-Times “[Spenser is] tough, intelligent, wisecracking, principled, and brave.”—The New Yorker

As a former vampire, Simon gets along with Downworlders. The Clave does not. One of ten adventures in Tales from the Shadowhunter Academy. As a former vampire, Simon’s always been sympathetic to Downworlders. But after a training exercise goes wrong, he gets a glimpse into the Shadowhunters’ prejudice as he learns about the origin of Helen and Mark Blackthorn, principle characters in The Dark Artifices. This standalone e-only short story follows the adventures of Simon Lewis, star of the #1 New York Times bestselling series, The Mortal Instruments, as he trains to become a Shadowhunter. Tales from the Shadowhunter Academy features characters from Cassandra Clare’s Mortal Instruments, Infernal Devices, and the upcoming Dark Artifices and Last Hours series. Pale Kings and Princes is written by Cassandra Clare and Robin Wasserman. Read more of Cassandra Clare’s Shadowhunter Chronicles in The Infernal Devices, The Mortal Instruments, and The Bane Chronicles.

The bestselling author of Pastime and Double Deuce presents a "taut thriller . . . (that will) keep the reader's adrenaline pumping overtime" (Publishers Weekly). Caught in a snowstorm of drugs, passion, and hate, Spenser investigates a cocaine-related murder. Copyright © Libri GmbH. All rights reserved.

This innovative study examines a range of canonical and non-canonical materials to open a new narrative on the mutually illuminating interchange between Romantic literature and philological theory in the late-eighteenth and early nineteenth centuries. Arguing that philology can no longer be treated as something that did not happen to Romantic authors, this book undertakes a substantial revision of our understanding of the intellectual and political contexts that helped determine the Romantic consciousness

John Keats and the Loss of Romantic Innocence traces Keats's use of an Appolonian metaphor. Of the nearly 150 works listed in Jack Stillinger's standard edition, approximately half contain references to the god of nature and of art. What emerges are three distinct phases in Keats's aesthetic development. From his initial fondness for bower imagery and the pastoral voices of Spenser and Hunt, to the Neo-Platonism of his poems about art and imagination, to his ultimate rejection of romantic idealism, Keats and his Apollonian metaphor are rarely separated. The poet's dismissal of romantic idealism is ultimately a rejection of Blake's God, Coleridge's of Germanism, Wordsworth's Nature, Byron's Hellenism, and Shelley's Supernaturalism. The young poet dies aware of the excesses of his empirically oriented pleasant smotherings and idealistic realms of gold. He accepts a world without Apollo and his entourage, a world unembellished by art and other gilded cheats.

A discussion of a truly international range of television programs, this title covers alternative modes of television such as digital and satellite.