Paleoart

Presents the history of paleoart from 1830-1990. These are not cave paintings produced thousands of years ago, but modern visions of prehistory: stunning paintings, prints, drawings, sculptures, mosaics, and murals that mingle scientific fact with unbridled fantasy

Following on from Dinosaur Art, this new volume showcases 10 amazing artists whose work represents the cutting edge of paleoart. Many are rising stars in the field; others have embraced digital technology and continue to assert long-standing reputations as leaders in the discipline. This volume also includes state-of-the-art modellers, allowing the reader to explore restoring prehistoric animals in three as well as two dimensions. All accompanied by insights into the cutting of paleontological researcher and the very latest discoveries, with commentaries by respected scientists at the top of their fields.

The collected works of Julius Csotonyi, one of the world's most high profile and talented contemporary paleoartists. Csotonyi has considerable academic expertise that contributes to his stunning dynamic art. Csotonyi represents the natural world photorealistically and has been influenced by natural history illustrators such as Peter Zallinger, Doug Henderson and Greg Paul. He uses bold patterns and colors to paint the prehistoric world both with traditional media as well as modern digital techniques.

Extinct worlds live again in palaeoart: artworks of fossil animals, plants and environments carefully reconstructed from palaeontological and geological data. Such artworks are widespread in popular culture, appearing in documentaries, museums, books and magazines, and inspiring depictions of dinosaurs and other prehistoric animals in cinema. This book outlines how fossil animals and environments can be reconstructed from their fossils, explaining how palaeoartists overcome gaps in fossil data and predict 'soft-tissue' anatomies no longer present around fossil bones. It goes on to show how science and art can meet to produce compelling, interesting takes on ancient worlds, and it explores the goals and limitations of this popular but rarely discussed art genre. Multiple chapters with dozens of illustrations of fossil animal reconstruction, with specific guidance on fossil amphibians, mammals and their fossil relatives, and a myriad of fossil reptiles (including dinosaurs). Explores how best to present diverse fossil animal forms in art - how best to convey size, proportion and motion in landscapes without familiar reference points. Explains essential techniques for the aspiring palaeoartists, from understanding geological time and evolutionary relationships to rebuilding skeletons and muscles. Suggests where and how to gather reliable sources of data for palaeoartworks. Includes a history of palaeoart, outlining the full evolution of the medium from ancient times to the modern day. Examines stylistic variation in palaeoart. Showcases diverse artworks from world-leading contemporary palaeoartists. Palaeoartistry is a popular but rarely discussed art genre. This new book outlines how fossil animals and environments can be reconstructed from their fossils. Of great interest to everyone interested in palaeoartistry, dinosaurs, natural history and fossils. Superbly illustrated with 195 colour images. Dr Mark P Witton is an author, palaeontological artist and researcher whose palaeoartworks have featured in numerous research papers, television shows, museums and art galleries.

"In a Trance is just the sort of genre-defying work we at Peanut and punctum and, as it happens, Jeffrey Skoblow, revel in. It is a book-length essay by a fiction writer. It is a fictional essay by a literary scholar. It is a gallant assay by a smart man who thinks while he walks, and he walks a lot.The book is a meta-meditation on Paleolithic cave drawings and the humans who ponder them. It is fact-based and entrancing just as the cave drawings are actual (existing in time - loosely - and space - more definitively) and mesmerizing. Skoblow is devising stories as "we" (humans) have always devised stories though in a less familiar mode, along a less travelled path.The essay draws on (!) the careful/thoughtful/whimsical notebooks kept by Skoblow over a dozen years. The notebooks record/illuminate/complicate his visits to twelve Paleolithic art sites as well as his deep, eccentric reading of texts concerned in some way with the subject of cave drawings by an array of scientists, anthropologists, archeologists, art historians, and other sundry enthusiasts and experts, so-called and otherwise."

All Yesterdays is a book about the way we see dinosaurs and other prehistoric animals. Lavishly illustrated with over sixty original artworks, All Yesterdays aims to challenge our notions of how prehistoric animals looked and behaved. As a criticalexploration of palaeontological art, All Yesterdays asks questions about what is probable, what is possible, and what iscommonly ignored.Written by palaeozoologist Darren Naish, and palaeontological artists John Conway and C.M. Kosemen, All Yesterdays isscientifically rigorous and artistically imaginative in its approach to fossils of the past - and those of the future.

Dinosaurs and other prehistoric animals have always fascinated people but they pose vast problems for the artist. How do you go about recreating the anatomy and behaviour of a creature we've never seen? How can we restore landscapes long lost to time? And where does the boundary between palaeontology - the science of understanding fossils- and artistic licence lie? In this outstanding book, Mark Witton shares his detailed paintings and great experience of drawing and painting extinct species. The approaches used in rendering these impressive creatures are discussed and demonstrate the problems, as well as the unexpected freedoms, that palaeontological artists are faced with. The book showcases over ninety scientifically credible paintings of some of the most spectacular animals in the Earth's history, as well as may less familiar species. Mark explains how each image was created with details of the artistic process, scientific grounding and collaborations between researchers and discusses the methods and goals of palaeoartistry - the recreation of extinct animals and landscapes in art. This book will be of great interest to palaeontological artists, researchers, museum curators, dinosaur enthusiasts and fossil hunters. Superbly illustrated with 90 paintings.

People of all ages are fascinated by dinosaurs. Though their huge skeletons are an impressive sight, much of our sense of childlike wonder comes from artistic depictions of them in books, museum murals and popular culture. This book is about how such 'paleoart' is created, and the process of integrating scientific findings with artistic principles to produce accurate, expressive and arresting artworks of dinosaurs and the world they lived in. Drawing and Painting Dinosaurs explores the anatomy and ecology of different types of dinosaurs including Deinonychus, Apatosaurus and Tyrannosaurus rex. It demonstrates how to interpret paleontological research through the lens of an artistic depiction with examples. There are over 250 illustrations feature pencil drawings, gouache, oil paint, and digital media. Step-by-step projects demonstrate the use of both traditional and digital media, the use of unique techniques and sources of reference, and building up dinosaur anatomy from basic shapes. Finally, it gives insight into how paleoart can be a means to advance knowledge through scientific analysis and prediction. With explorations of dinosaur anatomy, unique techniques for reference and a series of how-to instructions, this book will guide an aspiring paleoartist in learning how to breathe life into the past through art.