Pandora S Jar

NEW YORK TIMES BESTSELLER “Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's Tale The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea. The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped. Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told?

For readers of Madeleine Miller and Claire Heywood comes the story of the most infamous monster of Greek mythology: Medusa. First, they loved her. Then, they abused her. Finally, they made her a villain. Gifted and burdened with stunning beauty, young Medusa seeks sanctuary with the Goddess Athena. But when she catches the eye of the lecherous but mighty Poseidon, she is beyond protection. Powerful men rarely answer for their actions, after all. Meanwhile, Perseus embarks on a seemingly impossible quest, equipped with only bravado and determination... Medusa and Perseus soon become pawns of spiteful and selfish gods. Faced with the repercussions of Athena's wrath, blamed for her assault, Medusa has no choice but to flee and hide. But can she do so without becoming the monster they say she is? Medusa's truth has long been lost. History tells of conquering heroes, of men with hearts of gold. Now it is time to hear the story of how history treats women who don't comply.

This study traces developments in early Greek poetry in the use of disease and madness-type imagery to express aspects of the erotic experience. Cyrino also works to illuminate the relationships between the early hexameter narrative poets and the archaic lyric poets who employ this imagery in their works. The arrangement of this study is conveniently chronological as to make the interrelations between the uses of this imagery by different authors in different periods more easily understandable. The author takes particular notice of the first instances of usage of disease and madness imagery for love, and how and where variations on the theme or new uses of the old image occur, and of the characteristic metaphorical habits of each poet. Contents: Preface; Introduction; Eros; Homer; Hesiod and the Homeric Hymn to Aphrodite; The Lyric Poets: Archiochos and Alkman; The Lyric Poets: Alkaios, Ibykos and Anakreon; Sappho; Conclusions; Bibliography; Index of Passages Cited; Index of Greek Words; General Index.

“[A] dark, elegant novel” of two women in ancient Greece, based on the great tragedies of Sophocles (Publishers Weekly). Thebes is a city in mourning, still reeling from a devastating plague that invaded every home and left the survivors devastated and fearful. This is the Thebes that Jocasta has known her entire life, a city ruled by a king—her husband-to-be. Jocasta struggles through this miserable marriage until she is unexpectedly widowed. Now free to choose her next husband, she selects the handsome, youthful Oedipus. When whispers emerge of an unbearable scandal, the very society that once lent Jocasta its support seems determined to destroy her. Ismene is a girl in mourning, longing for the golden days of her youth, days spent lolling in the courtyard garden, reading and reveling in her parents’ happiness and love. Now she is an orphan and the target of a murder plot, attacked within the very walls of the palace. As the deadly political competition swirls around her, she must uncover the root of the plot—and reveal the truth of the curse that has consumed her family. The novel is based on Oedipus Tyrannus and Antigone, two of Classical Greece’s most compelling tragedies. Told in intersecting narratives, this reimagining of Sophocles’s classic plays brings life and voice to the women who were too often forced to the background of their own stories. “After two and a half millennia of near silence, Jocasta and Ismene are finally given a chance to speak . . . Haynes’s Thebes is vividly captured. In her excellent new novel, she harnesses the mutability of myth.” —The Guardian

Thirteen-year-old Charis Parks has five days to save mankind. What she thought was mere mythology has become her reality ... she alone must reverse the curse of Pandora's Jar. If Charis is to fulfill her destiny, she has to face her fears against the darker forces of Hades and the blood-thirsty Erinyes Sisters who help him. Together with the gods and her best friend Gabe, Charis takes a fantastic journey to Pandora's Jar, where she must release the only spirit that remains trapped inside - the spirit of Hope. Or else ...

The story about Pandora opening a box and releasing terrible evils into the world? Totally made up! Pandora couldn't have cared less about what was in that box. The one who was really dying to know was Zeus. Zeus gave Pandora a box alright. A box full of really nasty items. But disease? Pain? Greed? No way. Hades, King of the Underworld, reveals the true story behind the Pandora myth.

"A wonderful, wild ride." —Michael Koryta, New York Times Bestselling author of How It Happened and If She Wakes From the New York Times bestselling and Bram Stoker Award-winning author comes the sensational new novel that turns ancient lore into a modern-day horror. In one variation on the myth of Pandora’s Box, there were two jars, one for Pandora and one for her sister. One contained blessings of the gods, the other all the world’s curses... Archaeologist Sophie Durand has spent her life studying ancient mythology and languages. Years of work have led her to the greatest discovery of her career, a subterranean city deep in the heart of Northern Iraq. When Sophie’s team uncovers a secret chamber whose walls are covered in cuneiform, along with a warning from Alexander the Great, history and mythology begin to merge. The writings confirm the Pandora tale of two jars, but the chamber guards only one. It’s a find that could make history, or start a war. Weird-science expert Ben Walker is called in as the mystery grows ugly. Those who believe the myth want to know which jar was found, the one containing blessings or the one full of curses. Governments rush to lay claim, but jihadi forces aren’t waiting for the dust to settle. Whatever the jars contain, they want it, no matter the cost. For Sophie, Walker, and the others, the Pandora Room may soon become their tomb. In a novel that breathes new life into the supernatural thriller, Christopher Golden's pulse-pounding tale is not to be missed.

“A wonderfully whimsical yet instructional view of Greco-Roman history.” —Kirkus Reviews In this thoroughly engaging book, Natalie Haynes brings her scholarship and wit to the most fascinating true stories of the ancient world. The Ancient Guide to Modern Life not only reveals the origins of our culture in areas including philosophy, politics, language, and art, it also draws illuminating connections between antiquity and our present time, to demonstrate that the Greeks and Romans were not so different from ourselves: Is Bart Simpson the successor to Aristophanes? Do the Beckhams have parallel lives with The Satiricon’s Trimalchio? Along the way Haynes debunks myths (gladiators didn’t salute the emperor before their deaths, and the last words of Julius Caesar weren’t “et tu, brute?”). From Athens to Zeno's paradox, this irresistible guide shows how the history and wisdom of the ancient world can inform and enrich our lives today. “A romp through some of the best-known, and some of the more obscure, writers, thought, and stories of Greece and Rome.” —Times Literary Supplement