Pandora S Senses

The notorious image of Pandora haunts mythology: a woman created as punishment for the crimes of man, she is the bearer of hope yet also responsible for the Earth’s desolation. She binds together perpetuating dichotomies that underlie the most fundamental aspects of the Western canon: beauty and evil, body and soul, depth and superficiality, truth and lie. Speaking in multiplicity, Pandora emerges as the first sign of female complexity. In this compelling study, Vered Lev Kenaan offers a radical revision of the Greek myth of the first woman. She argues that Pandora leaves a decisive mark on ancient poetics and shows that we can unravel the profound impact of Pandora’s image once we recognize that Pandora embodies the very idea of the ancient literary text. Locating the myth of the first woman right at the heart of feminist interrogation of gender and textuality, Pandora’s Senses moves beyond a feminist critique of masculine hegemony by challenging the reading of Pandora as a one-dimensional embodiment of the misogynist vision of the feminine. Uncovering Pandora as a textual principle operating outside of the feminine, Lev Kenaan shows the centrality of this iconic figure among the poetics of such central genres as the cosmological and didactic epic, the Platonic dialogue, the love elegy, and the ancient novel. Pandora’s Senses innovates our understanding of gender as a critical lens through which to view ancient literature.

Trees occupy a place of enormous significance, not only in our planet’s web of life but also in our psyche. A Spell in the Forest - Tongues in Trees is part love-song, part poetic guidebook, and part exploration of thirteen native sacred British tree species. Tongues in Trees is a multi-layered contribution to the current awareness of the importance and significance of trees and the resurgence of interest in their place on our planet and in our hearts.

The family tradition was broken over the centuries since they came across from Dahomey. But the family remembered much of what their ancestors had taught. Now, the Sib is stretching its wings and recovering much of what was lost. From today's libraries, traces have been found. And the web, like Legba's fabled home, has caught the small flies of more details to flesh out knowledge that is fragmented. This revised and expanded edition will add to the reader's understanding of how one family has pulled together the strands of a long and broken history to make a new beginning in the modern world. The author, Tielzi'e alim, was student to Tovodu se Legba, and has carried his plans for the Sib forward in this book. It is now open for the world to read, according to his plan. Modupe!

Pandora’s life changes when an inheritance forces her to confront her past. She is shocked to discover a daughter born in her teens and believed dead, is very much alive. Aided by her new love, the confronting Welsh psychiatrist Bryn Llewellyn, Pandora is consumed by her need to find the girl—only to be rejected. Tragedy reunites the pair in a painful and uneasy relationship… Contemporary Relationships Novel/Women’s Fiction by Janet Woods; originally published by Robert Hale [UK]

For many, the historical-critical method has released a host of threats to Christian faith and confession. In Pandora's Box Opened, however, Roy Harrisville argues that despite the evils brought upon biblical interpretation by the historical-critical method, there is still hope for it as a discipline. Harrisville begins by describing the emergence and use of the historical-critical method. He then attends to the malaise that has come over the method, which he says still persists. Finally, Harrisville commends the historical-critical method, though shorn of its arrogance. He claims that the method and all its users comprise a "Pandora's Box" that, when opened, releases "a myriad other pains," but hope still remains.

This is the fourth lesson in the series "Little Music Lessons for Kids" where you can help your child to learn the space musical notes fast and easy.Four musical notes like to meet in a beauty salon every day. Day by day, these musical notes spend their time painting their eyelashes, lips, cheeks and eyebrows.Suddenly, one of the notes reads an ad on a truck. From this ad, she finds out about free apartments available in the musical house. The beauty-note jumps out of the salon and runs to the treble staff; the other three musical notes follow her.But here is the bad news: All the apartments are already full! The beauty-notes come up with an original idea and finally get their new apartments. Your child must hear this story!

Winner of the Norman B. Tomlinson, Jr. Prize “The best large-scale synthesis in any language of what we currently know and understand about this multidimensional, cataclysmic conflict.” —Richard J. Evans, Times Literary Supplement In this monumental history of the First World War, Germany’s leading historian of the period offers a dramatic account of its origins, course, and consequences. Jörn Leonhard treats the clash of arms with a sure feel for grand strategy. He captures the slow attrition, the race for ever more destructive technologies, and the grim experiences of frontline soldiers. But the war was more than a military conflict and he also gives us the perspectives of leaders, intellectuals, artists, and ordinary men and women around the world as they grappled with the urgency of the moment and the rise of unprecedented political and social pressures. With an unrivaled combination of depth and global reach, Pandora’s Box reveals how profoundly the war shaped the world to come. “[An] epic and magnificent work—unquestionably, for me, the best single-volume history of the war I have ever read...It is the most formidable attempt to make the war to end all wars comprehensible as a whole.” —Simon Heffer, The Spectator “[A] great book on the Great War...Leonhard succeeds in being comprehensive without falling prey to the temptation of being encyclopedic. He writes fluently and judiciously.” —Adam Tooze, Die Zeit “Extremely readable, lucidly structured, focused, and dynamic...Leonhard’s analysis is enlivened by a sharp eye for concrete situations and an ear for the voices that best convey the meaning of change for the people and societies undergoing it.” —Christopher Clark, author of The Sleepwalkers

Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.