Paper And Ink Flesh And Blood

Growing up, Margaux has many friends, but most of them are made of paper and ink. An unusual inheritance from her Aunt Genvieve allows Margaux to hear books speak aloud to her-with words of wisdom, and words of warning. When Margaux's husband, August Locke, falls to his death in a horse race, she must return to her youth as a girl in suburban Virginia and with her aunt in Montreal-and the peculiar lessons she has learned from her strange abilities-to find the strength to uncover the truth about August and save Lockeswood Manor.

From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.

This book presents an innovative method to investigate the history of mathematics education using oral narratives to study different aspects related to the teaching and learning of mathematics. The application of oral history in mathematics education research was first developed as a method in Brazil in the early 2000s as a result of interdisciplinary dialogues between mathematics educators, anthropologists, sociologists, historians, psychologists, artists and philosophers. Since then, this new methodology has attracted the attention of a growing number of researchers. This contributed volume is the first book in English to bring together chapters written by different members of the research group who developed the methodology and to present a comprehensive overview of the theoretical and practical aspects of the use of oral narratives in the study of experiences in mathematics classrooms. Oral History and Mathematics Education will be a useful tool to researchers and educators looking for new methods to study the dynamics of teaching and learning mathematics in the classroom and to develop innovative mathematics teacher education programs. The volume will also be of interest to historians of education since it describes the foundations of both concepts and procedures related to the application of oral history in educational research, always giving examples of studies already conducted and, whenever possible, suggesting possible research exercises.

When handsome TV archaeologist Faladan Pala disappears while taping an episode of “I Dig the Past,” it’s up to Petchy Maligula, grrl detective, to bring him back alive. Petchy is big and tough, and more than a match for any man, but she does have one weakness: She’s madly in love with Faladan Pala. When she hears an evil cult called the Sisters of Inner Beauty may have abducted Faladan so they can sacrifice him to the ancient serpent goddess Quatakexel, Petchy vows to save him at all costs. As she contends with ghost gangs, demon wannabes, eccentric professors, reclusive millionaires and snotty babes, she must draw on all her power?both muscular and magical?to learn the truth. But as she delves into the case, she uncovers a secret that knocks her for a loop and threatens her love for the man of her dreams.

Stunningly original, this collection--a prodigious feat of verbal invention--contains idiomatic phrases spiced with quicksilver insights, exploring craziness and horror, grief and love, wry humor and historical commentary.

In Totally Truffaut, author Anne Gillain answers two complex riddles: How is experience imprinted into films? What draws audiences to theaters? François Truffaut, like Fellini, Bergman or Scorsese, worked with an autobiographical material and Totally Truffaut follows the coded inscription of major life events in his films from his illegitimate birth to his passionate and doomed relationship with Catherine Deneuve. The book focuses first on the process that embeds experience into fictions, and more specifically into visual forms and patterns. It also tries to define the mode of perception film language triggers in the spectator. When entering a movie theater, we expect perceptual pleasure. Truffaut's creative work is devoted to distilling this drug to audiences, an ambition central to the evolution of his style. These two issues are closely connected and Totally Truffaut follows, film after film, their crisscrossing paths. It also highlights the essential role several great actresses-Jeanne Moreau, Françoise Dorléac, Isabelle Adjani, Jacqueline Bisset, Fanny Ardant or Catherine Deneuve- played in the creation of the films.

This book covers all aspects of ink on paper, starting with written language an ending with the finished product.

Emily Dickinson is as famous for being a recluse as she is for her poetry. In this stunning novel, we see her struggling to reconcile spirit and flesh, preferring letters and reflecting that the only way to have books and life is to live through one’s own writing. Dominique Fortier brings Dickinson vividly to life, as if reanimating a flower that had been pressed in a book, through her reflections on language and what it feels like to be home.