Paper Mill Playhouse

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It’s 1945. American soldiers return home to ticker tape parades and overjoyed families; Private First Class Donny Novitski, singer and songwriter, returns with the hope of rebuilding his life with just the shirt on his back and a dream in his heart. When NBC announces a national competition to find the nation’s next swing band sensation, Donny joins forces with a motley group of fellow veterans, and together they form a band unlike any the nation has ever seen. However, complicated relationships, the demands of the competition, and the challenging after-effects of war may break these musicians. But, when Donny meets a beautiful, young singer named Julia, he finds the perfect harmony in words and music that could take this band of brothers all the way to the live radio broadcast finale in New York City. Victory will require every ounce of talent, stamina, and raw nerve that these musicians possess.

Synopsis: Farook Bulsara was a boy of Persian heritage who never quite fit in to his skin or his teeth. It wasn’t until he became a young man that he discovered his talent and true nature, and was reborn as Freddie Mercury. After a brilliant career, with the arenas empty and the lights out, on the night of November 24, 1991, Freddie is forced to surrender his celebrity and face the frailty of his own humanity. As he succumbs to AIDS, the worldwide icon seeks redemption before a God unimpressed with celebrity. In his ultimate struggle to make sense of his grim fate, Mercury realizes that his fame, fortune, and talents are no longer enough to sustain him; that beyond the darkness of his fears, shines a light far brighter than the star he was on Earth. "MERCURY is a heartfelt, witty and poignant script."- Billboard "Messina's powerful one-man show focuses on the man rather than the music"-The New Yorker "A look into the complex psyche of a rock and roll legend. It will rock you!"- Manhattan Spirit "A compelling, well-written narrative...Shakespearean theatricality, sardonic humor and passionate intensity."- Backstage "Diehard fans will enjoy learning more about Mercury's life...Messina's playwriting depicts his story and his struggle."- New York Blade "Messina's one-man work shows the Freddie Mercury loved by millions but truly known by very few. Fantastic theater. The writing gives this show life."- Good Times Magazine

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Musical comedy Book by Peter DePietro. Music by Galen Blum, Wayne Barker and Vinnie Martucci. Lyrics by Tom Chiodo. Based on the Parker Brothers' Board Game. Characters: 5male, 3female Unit set. The internationally popular game is now a fun filled musical which brings the world's best know suspects to life and invites the audience to help solve the mystery: who killed Mr. Boddy, in what room and with what weapon. The audience receives forms to help

A play based on the novel by Charlotte Bronte.

Million Dollar Quartet’ is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played – and its relevance to subsequent popular music. The early lives and careers of the quartet – where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The “reunions” of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception – the enduring appeal of the music.