Paper Soldiers The War Writers

FOUR HEROES TAKE ON THE WORLD FOR TRUTH! KELLY CHANCE IS THE WAR HERO! JULIET ROSE IS THE PEACE ACTIVIST.JIMMY SHAKESPEARE IS THE NEWSPAPER MAN COVERING THE WAR AND PEACE PROCESS. KATHERINE ""KAT"" THOMPSON IS A LEADING AMERICAN NEWSPAPER WOMAN COVERING THE WARS AT HOME AND OVERSEAS. THEY ARE THE PAPER SOLDIERS-THE WAR WRITERS WHO WRITE SO WE MIGHT UNDERSTAND WAR AND PEACE. THE TRUTH IS A PRISONER OF WAR.THE TRUTH WAS EDITED, DELETED OR REDACTED. LATER AS THE FOREIGN PRESS RELEASED DIFFERENT STORIES AND AS SOLDIERS WROTE HOME THE TRUTH ESCAPED. THE TRIAL FOR TREASON BROUGHT EVERYONE AND EVERYTHING TO A MAJOR CLIMAX. THE VILLAINS COME OUT FOR A FINAL SHOWDOWN. SOME QUESTIONS REMAIN: HOW DO HIDE 58,000 CASKETS COMING HOME AND WILL THEY SHOOT OUR HERO AS A TRAITOR. THIS IS A WAR STORY, A LOVE STORY, AND A NEWS STORY.

Praised and condemned for its aggressive coverage of the Vietnam War, the American press has been both commended for breaking public support and bringing the war to an end and accused of misrepresenting the nature and progress of the war. While in-depth combat coverage and the instantaneous power of television were used to challenge the war, Clarence R. Wyatt demonstrates that, more often than not, the press reported official information, statements, and views. Examining the relationship between the press and the government, Wyatt looks at how difficult it was to obtain information outside official briefings, what sort of professional constraints the press worked under, and what happened when reporters chose not to "get on the team." "Wyatt makes the Diem period in Saigon come to life—the primitive communications, the police crackdowns, the quarrels within the news organizations between the pessimists in Saigon and the optimists in Washington and New York."—Peter Braestrup, Washington Times "An important, readable study of the Vietnam press corps—the most maligned group of journalists in modern American history. Clarence Wyatt's insights and assessments are particularly valuable now that the media is rapidly growing in its influence on domestic and international affairs."—Peter Arnett, CNN foreign correspondent

Meticulously rendered toy soldier collection in paper form includes easy-to-assemble, free-standing Union and Confederate soldiers, cannons, tents, flags, more — all in full color. 16 color plates. Introduction.

THIS IS NOT THE USUAL HOW TO WRITE CREATIVELY BOOK.IT IS A TEXTBOOK WITH ACTUAL PUBLISHED WORKS AND A STEP-BY STEP PROCESS DEFINED. WE TAKE THE WRITER FROM YAWN TO GREATNESS WITH 20 NEW WRITING TOOLS. 60 CHAPTERS AND 8 INDICES PROVIDE THE NECESSARY INFORMATION TO KNOW THE BOOK BUSINESS, HOW TO WRITE WITH ILLUMINATION, CREATIVITY AND MAGIC. AND EVEN CREATE A SCRIPT. EXPLAINED ARE GETTING BOOK IDEAS, THEMES, STORYTELLING, THREE SYNOPSIS, AND HOW TO WRITE WITH PASSION AND CLARITY. THE NEW WRITER MUST LEARN NEW WRITING TOOLS TO SURVIVE THE ELECTRONIC AGE, PRINT ON DEMAND PUBLISHING, LARGE BOOKSELLERS, AND GLOBAL MARKETS. THIS IS THE KEY TO HIS SUCCESS.

Over 100 free-standing, easy-to-assemble World War II fighters wielding bazookas, firing mortars and machine guns, clearing mines, digging trenches, and more. Accessories include a tank, field gun, flag, pup tents, other items.

24 large — approximately 4 1/2 inches tall — 2-sided free-standing Confederate soldiers from many different units. Detailed, accurate re-creations in full color.

This riveting, beautifully produced graphic memoir tells the story of the early years of the Vietnam war as seen through the eyes of a young boy named Marco, the son of a Vietnamese diplomat and his French wife. The book opens in America, where the boy’s father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called “Commies.” The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem’s personal interpreter; as the growing conflict between North and South intensifies, so does turmoil within Marco’s family, as his mother struggles to grapple with bipolar disorder. Visually powerful and emotionally potent, Such a Lovely Little War is both a large-scale and intimate study of the Vietnam war as seen through the eyes of the Vietnamese: a turbulent national history interwined with an equally traumatic familial one. Marcelino Truong is an illustrator, painter, and author. Born the son of a Vietnamese diplomat in 1957 in the Philippines, he and his family moved to America (where his father worked for the embassy) and then to Vietnam at the outset of the war. He earned degrees in law at the Paris Institute of Political Studies, and English literature at the Sorbonne. He lives in Paris, France.

A Washington Post Best Book of 2021 ​The #1 New York Times bestselling investigative story of how three successive presidents and their military commanders deceived the public year after year about America’s longest war, foreshadowing the Taliban’s recapture of Afghanistan, by Washington Post reporter and three-time Pulitzer Prize finalist Craig Whitlock. Unlike the wars in Vietnam and Iraq, the US invasion of Afghanistan in 2001 had near-unanimous public support. At first, the goals were straightforward and clear: defeat al-Qaeda and prevent a repeat of 9/11. Yet soon after the United States and its allies removed the Taliban from power, the mission veered off course and US officials lost sight of their original objectives. Distracted by the war in Iraq, the US military become mired in an unwinnable guerrilla conflict in a country it did not understand. But no president wanted to admit failure, especially in a war that began as a just cause. Instead, the Bush, Obama, and Trump administrations sent more and more troops to Afghanistan and repeatedly said they were making progress, even though they knew there was no realistic prospect for an outright victory. Just as the Pentagon Papers changed the public’s understanding of Vietnam, The Afghanistan Papers contains “fast-paced and vivid” (The New York Times Book Review) revelation after revelation from people who played a direct role in the war from leaders in the White House and the Pentagon to soldiers and aid workers on the front lines. In unvarnished language, they admit that the US government’s strategies were a mess, that the nation-building project was a colossal failure, and that drugs and corruption gained a stranglehold over their allies in the Afghan government. All told, the account is based on interviews with more than 1,000 people who knew that the US government was presenting a distorted, and sometimes entirely fabricated, version of the facts on the ground. Documents unearthed by The Washington Post reveal that President Bush didn’t know the name of his Afghanistan war commander—and didn’t want to meet with him. Secretary of Defense Donald Rumsfeld admitted that he had “no visibility into who the bad guys are.” His successor, Robert Gates, said: “We didn’t know jack shit about al-Qaeda.” The Afghanistan Papers is a “searing indictment of the deceit, blunders, and hubris of senior military and civilian officials” (Tom Bowman, NRP Pentagon Correspondent) that will supercharge a long-overdue reckoning over what went wrong and forever change the way the conflict is remembered.