Papers Of The Fifty Second Algonquian Conference

Papers of the forty-second Algonquian Conference held at Memorial University of Newfoundland in October 2010. The papers of the Algonquian Conference have long served as the primary source of peer-reviewed scholarship addressing topics related to the languages and societies of Algonquian peoples. Contributions, which are peer-reviewed submissions presented at the annual conference, represent an assortment of humanities and social science disciplines, including archeology, cultural anthropology, history, ethnohistory, linguistics, literary studies, Native studies, social work, film, and countless others. Both theoretical and descriptive approaches are welcomed, and submissions often provide previously unpublished data from historical and contemporary sources, or novel theoretical insights based on firsthand research. The research is commonly interdisciplinary in scope and the papers are filled with contributions presenting fresh research from a broad array of researchers and writers. These papers are essential reading for those interested in Algonquian world views, cultures, history, and languages. They build bridges among a large international group of people who write in different disciplines. Scholars in linguistics, anthropology, history, education, and other fields are brought together in one vital community, thanks to these publications.

This catalogue features forty-five paintings from the permanent collection of the New-York Historical Society, newly restored and available here together for the first time. From the mouth of the Hudson River, north to the Adirondacks, and west to Niagara Falls, these paintings by Thomas Cole, Asher B. Durand, John W. Casilear, Jasper Cropsey, Albert Bierstadt, George Inness, and others depict the landscapes, historic sites, natural wonders, and waterways of New York State. The catalogue also includes important essays by guest curator Linda S. Ferber, Museum Director of the New-York Historical Society and one of the countrys preeminent scholars and authorities on the art of this period, and art and architectural historian Kerry Dean Carso, Associate Professor of Art History at the State University of New York at New Paltz. This catalogue is the third in a trilogy of publications and exhibitions produced at the Samuel Dorsky Museum of Art celebrating the Hudson River school of painting. The exhibition and catalogue are part of Art and the River, a series of exhibitions, publications, and events that celebrate the Hudson-Fulton-Champlain Quadricentennial, which commemorates the 400th anniversary of Henry Hudsons voyage of discovery of the Hudson River.

Papers of the Algonquian Conference is a collection of peer-reviewed scholarship from an annual international forum that focuses on topics related to the languages and cultures of Algonquian peoples. This series touches on a variety of subject areas, including anthropology, archaeology, education, ethnography, history, Indigenous studies, language studies, literature, music, political science, psychology, religion, and sociology. Contributors often cite never-before-published data in their research, giving the reader a fresh and unique insight into the Algonquian peoples and rendering these papers essential reading for those interested in studying Algonquian society.