Paradise Rot

"As intriguing and impressive a novelist as she is a musician, Hval is a master of quiet horror and wonder.” —Chris Kraus, author of I Love Dick A lyrical debut novel from a musician and artist renowned for her sharp sexual and political imagery Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo’s sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval presents a heady and hyper-sensual portrayal of sexual awakening and queer desire.

Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval presents a heady and hyper-sensual portrayal of sexual awakening and queer desire.

A lyrical debut novel from a musician and artist renowned for her sharp sexual and political imagery Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo’s sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval presents a heady and hyper-sensual portrayal of sexual awakening and queer desire.

A genre-warping, time-travelling horror novel-slash-feminist manifesto for fans of Clarice Lispector and Jeanette Winterson. Welcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo a coven of witches begin cooking up some curses. A time-travelling Edvard Munch arrives in town to join a death metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic. Jenny Hval's latest novel is a radical fusion of queer feminist theory and experimental horror, and a unique treatise on magic, writing and art. "Strange and lyrical. Hval’s writing is surreal and rich with the grotesque banalities of human existence." —Publishers Weekly "The themes of alienation, queerness, and the unsettling nature of desire align Hval with modern mainstays like Chris Kraus, Ottessa Moshfegh, and Maggie Nelson." —Pitchfork

Kyle Brightman-late of the advertising industry and soon-to-be-late of the 5th floor psych ward-has a job offer he can't refuse. A new resort in the Caribbean is looking for an art director. Kyle soon finds himself on the Isle of St. Agrippina working alongside a beautiful copywriter with an icy handshake. Questions arise: Why does the resort management team sport spray-on tans in the Bahamas? How can the resort offer such cheap vacation packages? What does one do with vats of Astroglide? To get the answers, Kyle must first navigate a series of wildly unpredictable events with a cast of even more wildly unpredictable characters, including a seductress jungle assassin, her partially paralyzed talking Chihuahua, an Ivy League Rastafarian seaplane captain, Kyle's ex-psych ward roommate, a former Haliburton mercenary, and a French tavern owner with a fondness for goats, all set to the greatest hits of the 70's. Pablo Cruise never felt so right.

He collected beautiful things. Rare things. Ripped them out of their natural environment and preserved them in all of their dead splendor. The problem was I wasn't beautiful. I was all of the hideous and ugly realities of the world packaged into one broken human being. He came to kill me. That was his business. Death. He ripped me out of my natural environment, the prison I'd created, and locked me away with all of his beautiful dead things. I hated him. I still hate him. But if I was given the choice and the ability to leave this cage, come back to life, I'd stay dead. In all of my hideous splendor. Because my murderer can only possess dead things. And I can only be possessed by someone more broken and ugly than me.

From Robert Charles Wilson, the author of the Hugo-winning Spin, comes Burning Paradise, a new tale of humans coming to grips with a universe of implacable strangeness. Cassie Klyne, nineteen years old, lives in the United States in the year 2015—but it's not our United States, and it's not our 2015. Cassie's world has been at peace since the Great Armistice of 1918. There was no World War II, no Great Depression. Poverty is declining, prosperity is increasing everywhere; social instability is rare. But Cassie knows the world isn't what it seems. Her parents were part of a group who gradually discovered the awful truth: that for decades—back to the dawn of radio communications—human progress has been interfered with, made more peaceful and benign, by an extraterrestrial entity. That by interfering with our communications, this entity has tweaked history in massive and subtle ways. That humanity is, for purposes unknown, being farmed. Cassie's parents were killed for this knowledge, along with most of the other members of their group. Since then, the survivors have scattered and gone into hiding. Cassie and her younger brother Thomas now live with her aunt Nerissa, who shares these dangerous secrets. Others live nearby. For eight years they have attempted to lead unexceptional lives in order to escape detection. The tactic has worked. Until now. Because the killers are back. And they're not human. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Amongst the Top 50 Horror Books of All Time" - Cosmopolitan Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella. A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s—a darkness that threatens to forever transform them once they finally succumb to their most horrific desires. A couple isolate themselves on a remote island in an attempt to recover from their teenage son’s death, when a mysterious young man knocks on their door during a storm… And a man confronts his neighbour when he discovers a strange object in his back yard, only to be drawn into an ever-more dangerous game. Three devastating, beautifully written horror stories from one of the genre’s most cutting-edge voices. What have you done today to deserve your eyes?