Passport To Peril

THE REDISCOVERED PULP CLASSIC! Decades before Robert Brown Parker began writing his books about Spenser, a man named Robert Bogardus Parker (1905-1955) penned this extraordinary novel of post-war intrigue. From the corridors and compartments of the Orient Express to the shadowy, ruined streets of Budapest – which he saw firsthand as a foreign correspondent during World War II – Parker takes you on a nightmare tour of a land where life is cheap, old hatreds run strong, and a couple of Americans can find themselves in more danger than they ever imagined. With all the immediacy of the wartime dispatches Parker filed from Turkey, Danzig, Warsaw, and Bucharest and all the authority of a man who himself spent three years crossing borders without a passport and narrowly avoiding arrest by the Gestapo, PASSPORT TO PERIL paints a heart-stopping picture of desperate men in a desperate time.

IT WAS AN OFFER SHE COULDN'T REFUSE.... The discount travel package to Italy seemed like a great deal: Emily Andrew could lead her globe-trotting Iowans on the trip of a lifetime and bring her family to boot. Maybe she should have read the fine print....Sharing their itinerary with a group of hyper-competitive aspiring romance writers is just a prelude to more Machiavellian drama than an Italian opera. First, their hotel burns to the ground. Then, when Emily's lost luggage turns up found, the disgruntled literary ladies raid her clothing supply like she's a one-woman Gucci outlet. But the real killer is a contest sponsored by a publishing house -- and the depths to which the dime-novel divas will plunge to win a book contract. Amid backstabbing and catcalling, bodies start turning up -- in Emily's favorite outfits! Now, Emily will need more than a phrasebook to say ciao to someone with a hot and spicy passion for murder.

Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema. The author begins with a discussion of D. W. Griffith's Broken Blossoms, then considers later films such as Shanghai Express, Madame Butterfly, and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now. Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.