Patronage The Crown And The Provinces In Later Medieval England

"While there has been work on the nobility as patrons of monasteries, this is the first real study of them as patrons of parish churches, and is thus the first study to tackle the subject as a whole. Illustrated with a wealth of detail, it will become an indispensable work of reference for those interested in lay patronage and the Church more generally in the middle ages." Professor David Carpenter, Department of History, King's College London This book provides the first full-length, integrated study of the ecclesiastical patronage rights of the nobility in medieval England. It examines the nature and extent of these rights, how they were used, why and for whom they were valuable, what challenges lay patrons faced, and how they looked to the future in making gifts to the Church. It takes as its focus the thirteenth century, a critical period for the survival and development of these rights, being a time of ambitious Church reform, of great change in patterns of land ownership in the ranks of the higher nobility, and of bold assertion by the English Crown of its claims to control Church property. The thirteenth century also saw a proliferation of record keeping on the part of kings, bishops and nobility, and the author uses new evidence from a range of documentary sources to explore the nature of the relationships between the English nobility, the Church and its clergy, a relationship in which patronage was the essential feature. Dr Elizabeth Gemmill is University Lecturer in Local History and Fellow of Kellogg College. University of Oxford.

The strengthening of ties between crown and locality in the fourteenth century is epitomised by the relationships between York and Bristol (then amongst the largest and wealthiest urban communities in England) and the crown. This book combines a detailed study of the individuals who ruled Bristol and York at the time with a close analysis of the texts which illustrate the relationship between the two cities and the king, thus offering a new perspective on relations between town and crown in late medieval England.Beginning with an analysis of the various demands, financial, political and commercial, made upon the towns by the Hundred Years War, the author argues that such pressures facilitated the development of a partnership in government between the crown and the two towns, meaning that the elite inhabitants became increasingly important in national affairs. The book goes on to explore in detail the nature of urban aspirations within the kingdom, arguing that the royal charters granting the towns their coveted county status were crucial in binding their ruling elites into the apparatus of royal government, and giving them a powerful voice in national politics.

This is one of a series of bibliographical guides designed to meet the needs of undergraduates, postgraduates and their teachers in universities and colleges of further education. All volumes in the series share a number of common characteristics. They are selective, manageable in size, and include those books and articles which are considered most important and useful. All are editied by practising teachers of the subject in question and are based on their experience of the needs of students. The arrangement combines chronological with thematic divisions. Most of the items listed receive some descriptive comment.

5 Livery Collars in Wales and the Edgecote Connection

Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet, display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display and do so in a waywhich avoids jargon and overly technical language. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The media include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. Contributors: MAURICE KEEN, DAVID CROUCH, PETER COSS, CAROLINE SHENTON, ADRIAN AILES, FRÉDÉRIQUE LACHAUD, MARIAN CAMPBELL, BRIAN and MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON and JOHN WATTS.