Patterns Of Preaching

This collection of sermons by noted homileticians illustrates thirty-four distinct styles of contemporary and traditional preaching.

In Postcolonial Preaching, HyeRan Kim-Cragg argues that preaching is the act of dropping the stone of the Gospel into a lake, making waves to move hearts and transform the world wounded by colonial violence. The ripple effect serves as a metaphor and acronym to guide to preaching that takes postcolonial concerns seriously: Rehearsal, Imagination, Place, Pattern, Language and Exegesis (RIPPLE). Kim-Cragg explains each “ripple” in this approach and exercise of creating and delivering sermons. The author delivers fresh insights while drawing on some traditional homiletical perspectives in the service of a homiletic that takes the reality of racism, migration, and environmental degradation seriously. Moreover, Kim-Cragg demonstrates the postcolonial sermon in action by including annotated homilies. This book contributes to the very first wave of the application of postcolonial scholarship in preaching. Given the continuing extent and influence of colonial worldviews and legacies, this approach should become a staple in preaching over the next generation.

We hear plenty of discussion about missional theology, missional leadership and missional church planting. But what about missional preaching? Now that the church in the West lives within a post-Christendom context, how should preaching look different? What homiletical assumptions arose within Christendom but are no longer relevant for a missionary church? In The Mission of Preaching, Patrick W. T. Johnson develops the first missional homiletic, a model for preaching determined by the missionary encounter between the gospel and Western culture. Mobilizing the latest resources in homiletical theory and missional theology, he argues that preaching is a major form of the church?s witness to Jesus Christ, equipping the congregation for its witness to the world.

In our highly sensory and interactive age, how might drawing upon various arts—music, film, architecture, dramatic performance, painting, fashion, and more—expand the aesthetic experience and mode of preaching? This book presents a critical, practical answer to the question. As our society becomes more visually oriented, art-seeking, and body-positive, the practice of preaching is likewise challenged to demonstrate the mind-body, word-visual, and artistic proclamation of the Sacred (after all, isn’t the writing of the Bible itself highly art-full and aesthetic?). In this book, Sunggu A. Yang, a seasoned preacher and experienced teacher of preaching, encourages preachers to utilize their unique artistic talents as critical sources of theological and homiletical imagination and as hermeneutical-perspectival tools to aid their rigorous exegetical process of interpreting Scripture, eventually toward artistic-holistic sermon composition and delivery. A sample syllabus, included in the appendix, will greatly assist any preaching instructor who wants to offer a creative course on arts and preaching.

In the time of the church, transformation, renewal, and the process of coming-to-faith rely on the symbolic efficacy of speech, where God is encountered as a word. The Sacramentality of Preaching examines the thought of Louis-Marie Chauvet and incorporates it into contemporary homiletical theory in order to bolster and renew Christian proclamation that has an intentionally sacramental character. Liturgical preachers will find practical pathways, frameworks, and common language through the use of this innovative sacramentology.

The New Interpreter’s Handbook of Preaching is a major reference tool for preaching, with articles on every facet of Christian sermon preparation and delivery. This resource is both scholarly and practical. It focuses on the most distinctive feature and greatest strength of homiletics as a discipline: It is rooted in interdisciplinary scholarship and it develops theory geared to practice. Its theory arises out of the study of both excellent preaching past and present and actual sermon preparation and composition. When theory and practice critique each other, it is possible to produce guidelines that assist greater excellence and economy in preaching the gospel. Excellence in standards is an area in which homiletics needs to grow, and this project will be both a means to encourage and develop it. A guiding question throughout will be, Will it preach? The answers will be offered in the sense that “here is something that works well,” rather than “here is something to try.” Preachers will turn to this resource with the expectation that they will find scholarly treatment of topics, brief bibliographies of relevant key books and articles, along with practical methodological suggestions for preachers to employ. The contributors are homileticians, preachers, and writers in various disciplines who are committed to the pulpit through practice.

How can preachers preach biblically faithful sermons that move listeners to positive action? An author on the cutting edge of contemporary homiletics and theology offers a fresh approach to preaching that helps listeners see themselves as actors in God's grand drama. Ahmi Lee presents a unifying "third way" in homiletical approaches (i.e., theodramatic) that reimagines the preacher's role in relation to the Bible, the congregation, and the world. The book not only helps students understand various preaching models but also is relevant to working preachers who want to critique and improve their approach. Foreword by Mark Labberton.

Hearing the Sermon is a total revolution in the "how-to's" of preaching. It is the result of an extensive study that made those who listen to sermons the teachers of effective preaching. Using Aristotelian categories of rhetoric as a basis for analyzing the effectiveness of the sermon -- the audience's perception of the of the preacher (ethos), the audience's perception that the message of the speech is true (logos), and the audience's response to the feelings and identifications generated in connection with the sermon (pathos). Allen explores the workings and influences the three factors have on listeners. He shows preachers how to incorporate material into their sermons that will minimize resistance and maximize the possibility that listeners may hear and assimilate the sermon as the preacher intended for it to be heard. Allen concludes with an illustrative sermon on Luke with comments that show how the theories of ethos, pathos, logos fit within the sermon text. From the Channels of Listening series.