Preaching God S Grand Drama

How can preachers preach biblically faithful sermons that move listeners to positive action? An author on the cutting edge of contemporary homiletics and theology offers a fresh approach to preaching that helps listeners see themselves as actors in God's grand drama. Ahmi Lee presents a unifying "third way" in homiletical approaches (i.e., theodramatic) that reimagines the preacher's role in relation to the Bible, the congregation, and the world. The book not only helps students understand various preaching models but also is relevant to working preachers who want to critique and improve their approach. Foreword by Mark Labberton.

The Journal of Biblical and Theological Studies (JBTS) is an academic journal focused on the fields of Bible and Theology from an inter-denominational point of view. The journal is comprised of an editorial board of scholars that represent several academic institutions throughout the world. JBTS is concerned with presenting high-level original scholarship in an approachable way. Academic journals are often written by scholars for other scholars. They are technical in nature, assuming a robust knowledge of the field. There are fewer journals that seek to introduce biblical and theological scholarship that is also accessible to students. JBTS seeks to provide high-level scholarship and research to both scholars and students, which results in original scholarship that is readable and accessible. As an inter-denominational journal JBTS is broadly evangelical. We accept contributions in all theological disciplines from any evangelical perspective. In particular, we encourage articles and book reviews within the fields of Old Testament, New Testament, Biblical Theology, Church History, Systematic Theology, Practical Theology, Philosophical Theology, Philosophy, and Ethics.

Preaching is dramatic. Through it, we hear the voice of the living God as he speaks to us both through the reading and the preaching of the word of God. But where do the hearers of sermons fit into the drama? This book suggests ways in which the drama metaphor may help to address age old questions about the centrality of the gospel and the place of the hearer in preaching. As God in Christ is the central character in the biblical drama of redemption, he also calls hearers to understand their role in creatively, yet faithfully living according to the biblical script. Thus, no sermon is complete until God's redemptive work is powerfully proclaimed, and his people are instructed in how they too are participating in the Missio Dei. In this work, Hebrews 11 is employed as a means of showing how God not only reveals his redemptive work to his people, but also through them. As postmodernism sets the stage of contemporary preaching, The Drama of Preaching interacts with some of the particular challenges preachers face in engaging postmodern listeners, that they might not only be hearers, but doers of the preached word.

In our highly sensory and interactive age, how might drawing upon various arts—music, film, architecture, dramatic performance, painting, fashion, and more—expand the aesthetic experience and mode of preaching? This book presents a critical, practical answer to the question. As our society becomes more visually oriented, art-seeking, and body-positive, the practice of preaching is likewise challenged to demonstrate the mind-body, word-visual, and artistic proclamation of the Sacred (after all, isn’t the writing of the Bible itself highly art-full and aesthetic?). In this book, Sunggu A. Yang, a seasoned preacher and experienced teacher of preaching, encourages preachers to utilize their unique artistic talents as critical sources of theological and homiletical imagination and as hermeneutical-perspectival tools to aid their rigorous exegetical process of interpreting Scripture, eventually toward artistic-holistic sermon composition and delivery. A sample syllabus, included in the appendix, will greatly assist any preaching instructor who wants to offer a creative course on arts and preaching.

We need good news now more than ever. We are hungry to connect--with God and with each other. Whether you preach from a pulpit or simply want to communicate more effectively as a leader, this book will empower you to bring that good news with fresh boldness. It teaches a simple, practical method of testing the crucial connection points that too often go missing in our preaching. It invites you to pay attention to the verbs of your sermons, so that you will be better able to lament painful struggles with empathy, awaken joyful hope for the future, and catalyze faithful discipleship in the present.

Preaching with power and conviction is too important to be left to chanceIn Preaching, experienced preacher and teacher of preachers, Daniel Overdorf, leads readers through a tested process for sermon preparation that takes proclaiming God's Word seriously yet does not overcomplicate the task or overwhelm the preacher. Overdorf describes and demonstrates consistent, manageable steps to effective preaching, including: Clarifying the convictions that drive your preaching Identifying the main idea of a Scripture text Forming memorable word pictures,/li> Reducing reliance on notes Connecting with the congregation throughout the sermon Speaking authentically Preaching offers guidance for any pastor who desires to communicate God's Word more effectively. Those preparing for the pastorate will find encouragement and exercises that start their teaching ministry off on the right path. Those who preach regularly will discover resources for taking the next step in their unique journey of proclaiming the Scriptures to their congregations with power and presence.

Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian Tabb, Bethlehem College and Seminary Consulting Editor: Michael J. Ovey, Oak Hill Theological College Administrator: Andrew David Naselli, Bethlehem College and Seminary Book Review Editors: Jerry Hwang, Singapore Bible College; Alan Thompson, Sydney Missionary & Bible College; Nathan A. Finn, Southeastern Baptist Theological Seminary; Hans Madueme, Covenant College; Dane Ortlund, Crossway; Jason Sexton, Golden Gate Baptist Seminary Editorial Board: Gerald Bray, Beeson Divinity School Lee Gatiss, Wales Evangelical School of Theology Paul Helseth, University of Northwestern, St. Paul Paul House, Beeson Divinity School Ken Magnuson, The Southern Baptist Theological Seminary Jonathan Pennington, The Southern Baptist Theological Seminary James Robson, Wycliffe Hall Mark D. Thompson, Moore Theological College Paul Williamson, Moore Theological College Stephen Witmer, Pepperell Christian Fellowship Robert Yarbrough, Covenant Seminary

Embodied Performance presents a methodology by which performer-interpreters can bring their intuitive interpretations to the scholarly conversations about biblical compositions. It may not be comfortable, for scholarship is out of practice in listening to emotion and intuition. It may not be the only way to bring the fullness of human meaning making into scholarly discussions. It is a beginning, as Sarah Agnew, storyteller and scholar, places herself as the subject and object under examination, observing her practice as a biblical storyteller making meaning through embodied performance, and develops a coherent method rigorously tested with an Embodied Performance Analysis of Romans. Follow Sarah's story as she searches within Biblical Performance Criticism for such a method, before determining the need to strike out in a new direction from within an already innovative field. All biblical scholars are complex human beings, making meaning through their embodiment, their emotions, their embeddedness in community. Embodied Performance Analysis offers a way to attend to and incorporate the full range of human meaning making in our engagement with biblical compositions, for richer discussion closer to the intent of the compositions themselves.