Paul Has A Summer Job

Rabagliati`s strip "Paul: Apprentice Typographer" was one of the highlights of 1999`s Drawn & Quarterly anthology, and his first comic book Paul in the Country won the 2000 Harvey award for Best New Talent. This, his first graphic novel, is eagerly anticipated by comix connoisseurs who enjoy a sweet, unsentimental story about being a teenager and Rabagliati's crisp retro-modern 1950s drawing style. Paul Has a Summer Job continues the story of Paul, a Quebecois teenager in the 1970s, as he experiences the first conflicts of responsibility with his desire to be free. Paul is outraged that he is forced to stop his high school art training. But he's been asked to put art aside because his other grades are so terribly low. Defiant, he quits school and anticipates a summer of leisure. But instead Paul follows the path of so many Quebecois teenagers: he lands a job as a counselor at one of the many summer camps in the mountains outside the city. There he finds himself guiding a motley band of kids, misfits and troublemakers, much like himself.

Michel Rabagliati delivers another charming, thinly veiled memoir. Michel Rabagliati crafts stories that are easily accessible to both young-adult and adult audiences with his semifictional protagonist, Paul. In Paul Moves Out he takes another step into adulthood by moving out of his parents' house and into his first apartment with his girlfriend, enjoying life's pleasures as well as confronting its challenges.

"Free of self-loathing . . . [Rabagliati's] black-and-whie panels eschew half-tones for a spirited line." —Voice Literary Supplement This fourth installment in Michel Rabagliati's semiautobiographical series finds Paul settling comfortably into adult life, occasional twinges of anxiety aside. His graphic design business has taken off, his partner, Lucie, is pregnant, it's mid-July and time to leave behind the city to go fishing. Long lazy days stretch out while Paul's thoughts wander from the colorful characters at the fish-and-game camp to the lurking depths of childhood, a Holden Caulfield–esque adolescence, and the encounters that have shaped his sense of family thus far. But the golden glow soon lifts off his vacation with the realization that the lake isn't as idyllic as it would seem, and neither is pregnancy. Elegant composition and spare, condensed drawing crystallize emotion and atmosphere in this wistful and engaging account of everyday hopes and hardships, told with a keen and playful sense of iconic detail. Even the mundane holds beauty and meaning in this compassionate story of expectation, disappointment, and wonder.

Following on the heels of the The Song of Roland, Montrealer Michel Rabagliati returns to the childhood story of his famous semi-autobiographical character. It's 1970 and Paul's family watches the news with anxiety as bombs are going off around Montreal. But Paul is more interested in flying his kite, comics, and his first kiss. Soon Paul joins the Scouts and heads off to camp. Away from his parents and extended family he discovers self worth in a troop of like-minded and enthusiastic boys. Things take a turn, however, when the troop gets mixed up in the terrifying events of the FLQ crisis. Paul Joins the Scouts is a coming of age story which takes an historical approach to both the Baden Powell scouting movement and the October Crisis, but humanizes these incidents for both a YA and adult audience. It is original, sincere, captivating, and a little bit retro.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Paul is a schoolboy, described as tall and thin with strange eyes. He is facing the headmaster and several of his teachers, with whom he does not have a good relationship. All of them, in one way or another, find him difficult and disturbing to teach.