Payback At Morning Peak

LIFE, NOT DEATH, DROVE JUBAL YOUNG . . . but memories of his ma and pa, and his beautiful, bright sister are all he has left. Memories of the peaceful days before Jubal stumbled home with his .22, his blood running cold with fear, terror, and anger. When it was over, the homestead was half burned to the ground. Someone had to bury the bodies. Someone had to set things right. Now, as Jubal rides west into New Mexico, he remembers his family’s laughter and love, his pa’s wisdom, ma’s thick books, and everything that was defiled by a band of drunken renegades towed along by one man’s murderous grudge. A reprobate lawman won’t believe his story. A soft-hearted mountain man won’t survive Jubal’s one-man war. And a judge and his beautiful daughter cannot stop Jubal from climbing a peak of blood and madness: for justice, or payback, or something he can live for—or die for—redeeming. An American film icon delivers a great American novel with Payback at Morning Peak. Gene Hackman, whose fiction is “rousing” (Publishers Weekly) and “robust” (Winston-Salem Journal), takes readers on a powerful and historically dead-on western odyssey in the tradition of Louis L’Amour.

With only memories of his family left to him, Jubal Young rides west into New Mexico in order to bring justice, or vengeance, to the drunken renegades that took everything from him.

The Academy Award-winning actor and author of Payback at Morning Peak finds once-straitlaced officer Juliette Worth wrongly demoted after a hostage situation gone wrong and reassigned to investigating cold-case disappearances, a situation that turns sinister when her own daughter goes missing. Original.

The Oscar-winning actor teams up with a shipwreck diving expert to spin a cinematic tale of nineteenth century pirates, shipwrecks, and sea adventure. In 1805, seventeen-year-old Jack O’Reilly sets sail with his parents from America to Cuba aboard the Perdido Star. But when tragedy strikes shortly after their arrival, Jack makes a desperate escape, rejoining the departing Star as a member of the crew. On his yearslong journey around the globe, he only grows more obsessed with avenging the murder of his parents. By the time he returns to Cuba, Jack has faced storms, shipwreck, and deadly battles. He leads a renegade band who call themselves the Right Honourable Brotherhood of the Shipwrecked Men of the Star. But having seen and suffered so much, what is Jack now willing to sacrifice for revenge? Hackman and Lenihan infuse this swashbuckling tale with authentic details of 19th century seafaring and deep sea diving. The hero Jack is joined by a colorful cast of characters, including Paul Le Maire, the aristocratic intellectual who earns Jack’s friendship; Quince, the first mate, Jack’s mentor and defender; Quen-Li, the mysterious Chinese cook whose skills extend beyond the galley; Hansumbob, the ship’s poet, whose simplicity belies a wisdom born of the heart; and the greedy Count de Silva, whose charm masks a murderous soul.

Presents a colourful view of cattle ranching in central B.C.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.

From the author of Primary Colors, “a remarkably sensitive story of a generation” (The New York Times Book Review): The critically acclaimed true story of five Marines who fought together in a bloody battle during the Vietnam War, barely escaping with their lives, and of what happened when they came home. In 1981, while the country was celebrating the end of the Iran hostage crisis, an unemployed Vietnam veteran named Gary Cooper went berserk with a gun, angry over the jubilant welcome the hostages received in contrast to his own homecoming from Vietnam, and was killed in a fight with police. In what has been called “the most eloquent work of nonfiction to emerge from Vietnam since Michael Herr’s Dispatches” (The New York Times), Joe Klein tells Cooper’s story, as well as the stories of four of the other vets in Cooper’s platoon. The story begins with an ambush and a grisly battle in the Que Son Valley in 1967, but Payback is less about remembering the war and more about examining its long-term effects on the grunts who fought it. Klein fills in the next fifteen years of these Marines’ lives after they return home, with “the sort of fine and private detail one ordinarily finds only in fiction” (People). The experiences of these five men capture the struggles of a whole generation of Vietnam veterans and their families. Klein’s “near-hypnotic” account (Daily News, New York) is, to this day, both a remarkable piece of reporting and “some of the most vivid, harrowing, and emotionally honest writing to come out of Vietnam” (The Washington Post Book World).