Peckerwood In The Hood

Peckerwood in the Hood is the brutally honest tale of an average white cop's gut-wrenching journey through Heaven and Hell as he tries to police a largely minority inner city. Police and military families will gain valuable insight to help them cope when their heroes come home.

Redheaded Peckerwood is Christian Patterson's second book; a body of photographs, documents and objects that utilizes the underlying narrative of a true crime story as a spine.

The stories in Mississippi Entrepreneurs collectively draw attention to the tenacious and courageous journeys of Mississippi men and women who risk fortune and futures to create successful enterprises. Most tell “how they did it” uniquely and in their own words, bringing to life their entrepreneurial spirits. Family members and former colleagues pick up the storyline for legendary entrepreneurs who have passed on, recalling vividly the characteristics that set them apart from the competition. Usually a passion for creation inspired these go-getters—whether casting red-hot liquid steel into industrial products (Fred Wile, Meridian); constructing buildings (Roy Anderson III, Gulfport; Bill Yates Jr., Philadelphia; and William Yates III, Biloxi); making agricultural products grow (Janice and Allen Eubanks, Lucedale; and Mike Sanders, Cleveland); delivering and installing furniture (Johnnie Terry, Jackson); using technology to improve systems (John Palmer and Joel Bomgar, and Toni and Bill Cooley, Jackson; and Billy and Linda Howard, Laurel); expanding food operations (Dr. S. L. Sethi, Jackson; and Don Newcomb, Oxford); or sharing the sheer love of music (Hartley Peavey, Meridian), food (Robert St. John, Hattiesburg), art (Erin Hayne and Nuno Gonçalves Ferreira, Jackson), or books (John Evans, Jackson; and Richard Howorth, Oxford). Social and cultural entrepreneurs made their marks as well, including those focused on social justice (Martha Bergmark, Jackson); access to health care (Aaron Shirley, Jackson); and public education (Jack Reed, Tupelo). Few if any books have focused exclusively on this aspect of the state's history. Altogether the stories, accompanied by seventy black-and-white photographs, illustrate common traits, including plentiful vision, fierce drive, willingness to take risks and change for a better way, the ability to innovate, solve problems, and turn luck (both good and bad) to advantage. Most of these entrepreneurs generously share the rewards of their hard work and ingenuity with their communities.

From prehistory to the present, people have harvested Mississippi's trees, cultivated and altered the woodlands, and hunted forest wildlife. Native Americans, the first foresters, periodically burned the undergrowth to improve hunting and to clear land for farming. Mississippi Forests and Forestry tells the story of human interaction with Mississippi's woodlands. With forty black-and-white images and extensive documentation, this history debunks long-held myths, such as the notion of the first settlers encountering "virgin" forests. Drawing on primary materials, government documents, newspapers, interviews, contemporary accounts, and secondary works, historian James E. Fickle describes an ongoing commerce between people and place, from Native American maintenance of the woods, to white exploration and settlement, to early economic activities in Mississippi's forests, to present-day conservation and responsible use. Viewed over time, issues of conservation are rarely one-sided. Mississippi Forests and Forestry describes how the rise of "scientific" forestry coincided with the efforts of some early lumber companies and industrial foresters to operate responsibly in harvesting trees and providing for reforestation. Surprisingly, the rise of the pulp and paper industry made reforestation possible in many parts of the state. Mississippi Forests and Forestry is a history of individuals as well as industries. The book looks closely at the ways the lumber industry operated in the woods and mills and at the living and working conditions of people in the industries. It argues that the early industrial foresters, some lumber companies, and pulp and paper manufacturers practiced utilitarian conservation. By the late 1950s, they accomplished what some considered a miracle. Mississippi's forests had been restored. With the rise of environmentalism in the 1960s, popular ideas concerning the proper management and use of forests changed. Practices such as clear-cutting, single-age management, and manufacturing by chip mills became highly controversial. Looking ahead, Mississippi Forests and Forestry examines the issues that remain heated topics of conservation and use.

From the #1 New York Times bestselling author…“Remember Getting to Happy, Waiting to Exhale, and How Stella Got Her Groove Back? Well, you won’t likely forget Terry McMillan’s Who Asked You? either” (Raleigh News & Observer). Betty Jean already has her hands full when her grown daughter leaves her two young sons in her care. In between dealing with her other adult children, two opinionated sisters, an ill husband, and her own postponed dreams—BJ still manages to hold down a job delivering room service at a hotel. Her son Dexter is about to be paroled from prison; Quentin, the family success, can’t be bothered to lend a hand; and taking care of two lively grandsons is the last thing BJ thinks she needs. But who asked her?

Ardi Krum wrote poetry to express emotions and thoughts during her years of earnestly seeking God. A God who, through a congregation of evangelicals, she grew to fear yet sincerely begged for his love. Her inquisitive mind needed answers concerning doctrine yet the church demanded a life based solely on faith and questions were discouraged. So, even with the threat of a wrathful God, Ardi began reaching outside her circle to professors and scholars. Ardi encountered people who could answer her questions based on scientific facts. Over time both the stories and the poetry change from a defeated young woman pleading with a deity for acceptance to a woman brazenly stepping outside the shadow of the cross. Through an unquenchable thirst for answers, supported by facts, you see the transformation from a humiliated fallen angel to a primate rising up and awakening as the Fifth Ape.

Even though the corrupt Sheriff Ross is dead and gone, outlaws still walk free, peace comes at a price, and redemption remains hard to find in this fiery and violent novel from the author of The Far Empty. Sometimes we have to be wolves... In the wake of Sheriff Stanford Ross's death, former deputy Chris Cherry--now Sheriff Cherry--is the new "law" in Big Bend County, yet he still struggles to escape the long, dark shadow of that infamous lawman. As Chris tries to remake and modernize his corrupt department, bringing in new deputies, including young America Reynosa and Ben Harper--a hard-edged veteran homicide detective now lured out of retirement--he finds himself constantly staring down a town unwilling to change, friends and enemies unable to let go of the past, and the harsh limits of his badge. But it's only when a local Rio Grande guide is brutally and inexplicably murdered, and America and Ben's ongoing investigation is swept aside by a secretive federal agent, that the novice sheriff truly understands just how tenuous his hold on that badge really is. And as other new threats rise right along with the unforgiving West Texas sun, nothing can prepare Chris for the high cost of crossing dangerous men such as John Wesley Earl, a high-ranking member of the Aryan Brotherhood of Texas and the patriarch of a murderous clan that's descended on Chris's hometown of Murfee; or Thurman Flowers, a part-time pastor and full-time white supremacist hell-bent on founding his violent Church of Purity in the very heart of the Big Bend. Before long, Chris, America, and Ben are outmaneuvered, outnumbered, and outgunned--inexorably drawn into a nearly twenty-year vendetta that began with a murdered Texas Ranger on a dusty highway outside of Sweetwater, and that can only end with fire, blood, and bullets in Murfee's own sun-scorched streets... Welcome back to the Big Bend...