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A Genealogical and Heraldic History of the Landed Gentry of Great Britain Ireland
Author | : Bernard Burke |
Publsiher | : Unknown |
Total Pages | : 926 |
Release | : 1871 |
Genre | : Gentry |
ISBN | : PRNC:32101067455269 |
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The House of Commons 1754 1790
Author | : Sir Lewis Bernstein Namier |
Publsiher | : Boydell & Brewer |
Total Pages | : 1978 |
Release | : 1985 |
Genre | : Electronic Book |
ISBN | : 0436304201 |
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A Genealogical and Heraldic Dictionary of the Landed Gentry of Great Britain and Ireland
Author | : Bernard Burke |
Publsiher | : Unknown |
Total Pages | : 976 |
Release | : 1863 |
Genre | : Gentry |
ISBN | : OXFORD:600026557 |
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The Wiltshire Archaeological and Natural History Magazine
Author | : Edward Hungerford Goddard |
Publsiher | : Unknown |
Total Pages | : 792 |
Release | : 1872 |
Genre | : Natural history |
ISBN | : HARVARD:HXDVML |
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Includes proceedings of the annual general meetings of the Wiltshire Archaeological and Natural History Society.
The Wiltshire Archaeological and Natural History Magazine
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 438 |
Release | : 1897 |
Genre | : Archaeology |
ISBN | : PRNC:32101076468444 |
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Includes proceedings of the annual general meetings of the Wiltshire Archaeological and Natural History Society.
Reports of Cases Argued and Determined in the English Courts of Common Law
Author | : John Cole Lowber,Thomas Sergeant |
Publsiher | : Unknown |
Total Pages | : 764 |
Release | : 1856 |
Genre | : Law reports, digests, etc |
ISBN | : UCAL:B5064062 |
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Reports of Cases Argued and Determined in the English Courts of Common Law
Author | : Great Britain. Courts |
Publsiher | : Unknown |
Total Pages | : 764 |
Release | : 1884 |
Genre | : Law reports, digests, etc |
ISBN | : UOM:35112203949195 |
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Album Verses and Romantic Literary Culture
Author | : Samantha Matthews |
Publsiher | : Oxford University Press |
Total Pages | : 224 |
Release | : 2020-09-11 |
Genre | : Literary Criticism |
ISBN | : 9780192599841 |
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'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.