Peregrino

Ron Austin first wandered purposefully into Mexico more than fifty years ago, when he produced a documentary on Mexican history for American television. Over the next decades, as his acquaintance with Mexico deepened, so too did his appreciation for the rich and contradictory impulses of Mexican culture and for the beauty of its people and their expressions of faith. At once guidebook, history, memoir, and tribute, Austin s Peregrino engagingly explores the spiritual and cultural heart of Catholic Mexico. Though once merely a tourist peering in a stranger to this distinctive faith and culture Austin, now a devout Catholic and part-year resident of Mexico, writes with respect, affection, and deep understanding as he invites fellow pilgrims peregrinos to regard both Mexico and their own cultures of faith in a new light.

Antonio Olliz Boyd is an emeritus professor of Latin American literature at Temple University. He holds a PhD from Stanford University, an MS from Grorgetown University, and a BA from Long Island University. Dr. Olliz Boyd has published various essays on Afro Latino aesthetics in literature in volumes, such as the Dictionary of Literary Biography: Modern Latin-American Fiction Writers; Singular Like a Bird: The Art of Nancy Morejon; Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity; Blacks in Hispanic Literature: Critical Essays among others, as well as articles on Afro Latino literary criticism in various refereed journals. --Book Jacket.

In Speaking Spirits, Sherry Roush presents the first systematic study of early modern Italian eidolopoeia.

Carlos Fuentes (1928–2012) was the most prominent novelist in contemporary Mexico and, until his recent death, one of the leading voices in Latin America’s Boom generation. He received the most prestigious awards and prizes in the world, including the Latin Civilization Award (presented by the Presidents of Brazil, Mexico, and France), the Miguel de Cervantes Prize, and the Prince of Asturias Award. During his fecund and accomplished life as a writer, literary theorist, and political analyst, Fuentes turned his attention to the major conflicts of the twentieth century – from the Second World War and the Cuban Revolution, to the Soviet invasion of Czechoslovakia, the war in Vietnam, and the post-revolutionary crisis of the one-party rule in Mexico – and attended to their political and international importance in his novels, short fiction, and essays. Known for his experimentation in narrative techniques, and for novels and essays written in a global range that illuminate the conflicts of our times, Fuentes’s writings have been rightfully translated into most of the world’s languages. His literary work continues to spur and provoke the interest of a global readership on diverse civilizations and eras, from Imperial Spain and post-revolutionary France, to Ancient and Modern Mexico, the United States, and Latin America. The Reptant Eagle: Essays on Carlos Fuentes and the Art of the Novel includes nineteen essays and one full introduction written exclusively for this volume by renowned Fuentes scholars from Asia, Europe, the United States, and Latin America. Collected into five parts, the essays integrate wide-ranging methods and innovative readings of The Death of Artemio Cruz (1962), Aura (1962), Terra Nostra (1975) and, among other novels, Distant Relations (1980); they analyze the visual arts in Fuentes’s novels (Diego Rivera’s murals and world film); chart and comment on the translations of Fuentes’s narratives into Japanese and Romanian; and propose comprehensive readings of The Buried Mirror (1992) and Personas (2012), Fuentes’s posthumous book of essays. Beyond their comprehensive and interdisciplinary scope, the book’s essays trace Fuentes’s conscious resolve to contribute to the art of the novel and to its uninterrupted tradition, from Cervantes and Rabelais to Thomas Mann and Alejo Carpentier, and from the Boom generation to Latin America’s “Boomerang” group of younger writers. This book will be of importance to literary critics, teachers, students, and readers interested in Carlos Fuentes’s world-embracing literary work.

Jamilet, a beautiful young woman is marred by a shockingly gruesome birthmark. She is shunned by the villagers in her Mexican village. In search of a medical salvation she crosses the border illegally to Los Angeles. She finds work at a mental hospital where she comes in contact with an elderly Spanish gentleman. The two of them form a spiritual bond that is more healing than modern medicine could ever be.

This study of the life and writings of a 16th-century exile from Spain, one of many victims of the Second Diaspora, presents a new view of the genesis of the novel, particularly the Byzantine and the pastoral."