Perestroika

Countless studies have assessed the dramatic reforms of Mikhail Gorbachev, but their analysis of the impact on European communism has focused overwhelmingly on the Soviet Union and Eastern bloc nations. This ambitious collection takes a much broader view, reconstructing and evaluating the historical trajectories of glasnost and perestroika on both sides of the Iron Curtain. Moving beyond domestic politics and foreign relations narrowly defined, the research gathered here constitutes a transnational survey of these reforms’ collective impact, showing how they were variably received and implemented, and how they shaped the prospects for “proletarian internationalism” in diverse political contexts.

NATIONAL BESTSELLER • From the Pulitzer Prize-winning and best-selling author: a captivating, brilliantly imaginative story of three extraordinary animals—and a young boy—whose lives intersect in Paris in this "feel-good escape” (The New York Times). Paras, short for "Perestroika," is a spirited racehorse at a racetrack west of Paris. One afternoon at dusk, she finds the door of her stall open and—she's a curious filly—wanders all the way to the City of Light. She's dazzled and often mystified by the sights, sounds, and smells around her, but she isn't afraid. Soon she meets an elegant dog, a German shorthaired pointer named Frida, who knows how to get by without attracting the attention of suspicious Parisians. Paras and Frida coexist for a time in the city's lush green spaces, nourished by Frida's strategic trips to the vegetable market. They keep company with two irrepressible ducks and an opinionated raven. But then Paras meets a human boy, Etienne, and discovers a new, otherworldly part of Paris: the ivy-walled house where the boy and his nearly-one-hundred-year-old great-grandmother live in seclusion. As the cold weather nears, the unlikeliest of friendships bloom. But how long can a runaway horse stay undiscovered in Paris? How long can a boy keep her hidden and all to himself? Jane Smiley's beguiling new novel is itself an adventure that celebrates curiosity, ingenuity, and the desire of all creatures for true love and freedom.

Mikhail Gorbachev's perestroika is a historic effort at restructuring the troubled Soviet economy. Wide-ranging in scope, harnessed with cultural and political reforms, it raises intriguing and important questions: Are Gorbachev's ideas different from the Kosygin-Brezhnev reform of 1965 that came to naught? What kinds of problems do the Russians have in understanding the market system? Who opposes perestroika? Do Gorbachev's proposals threaten his own future as Soviet leader? How does perestroika relate to a more general environment of openness, of glasnost? What happened at the June 1988 Party Conference? And, above all, is the old order really giving way to a new one? Or does Gorbachev aim at "capitalist icing on a socialist cake"?. To answer these questions and others, Padma Desai, a distinguished pioneer in the modern econometric analysis of the Soviet economy, has distilled from Gorbachev's myriad decrees the outlines of his strategy for doing away with the Soviet Union's long-term economic malaise. Focusing on the key areas of industry, agriculture, services, and foreign trade, she discusses specific blueprints for change and evaluates the possibilities for their success. Skillfully combining charts, photographs, cartoons, and quotes, this book offers a unique and coherent view of the strategy underlying Gorbachev's reform efforts to date--and does so gracefully and with sparkle, in terms completely understandable to the layperson. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Ukrainian vote for independence in December 1991 effectively ended the existence of the Soviet Union, and propelled one of Europe's submerged nations on to the world stage. The main theme of the book is the transition in Ukraine from the policies of 'Perestroika' and 'Glasnost' to the ultimate break with Moscow.

With new information from Russian archives, this work examines the historical roots of Gorbachev's perestroika and the reforms that would eventually lead to the dissolution of the Soviet Union. The controversies among Soviet leaders from Lenin to Gorbachev over party role, economic management, resource allocation, ethnic policies, legality and foreign relations are discussed. An appendix "reads between the lines" in historic Soviet texts, and a helpful list of Soviet leaders, with brief identifications, is included. Instructors considering this book for use in a course may request an examination copy here.

This argues that Perestroika failed as the result of the lack of understanding of market and political processes with reform processes representing

As the Soviet Union dissolved, so did the visions of past and future that informed Soviet culture. With Dystopia left behind and Utopia forsaken, where do the writers, artists, and critics who once inhabited them stand? In an "advancing present," answers editor Thomas Lahusen. Just what that present might be--in literature and film, criticism and theory, philosophy and psychoanalysis, and in the politics that somehow speaks to all of these--is the subject of this collection of essays. Leading scholars from the former Soviet Union and the West gather here to consider the fate of the people and institutions that constituted Soviet culture. Whether the speculative glance goes back (to czarist Russia or Soviet Freudianism, to the history of aesthetics or the sociology of cinema in the 1930s) or forward (to the "market Stalinism" one writer predicts or the "open text of history" another advocates), a sense of immediacy, or history-in-the-making animates this volume. Will social and cultural institutions now develop organically, the authors ask, or is the society faced with the prospect of even more radical reforms? Does the present rupture mark the real moment of Russia's encounter with modernity? The options explored by literary historians, film scholars, novelists, and political scientists make this book a heady tour of cultural possibilities. An expanded version of a special issue of South Atlantic Quarterly (Spring 1991), with seven new essays, Late Soviet Culture will stimulate scholar and general reader alike. Contributors. Katerina Clark, Paul Debreczeny, Evgeny Dobrenko, Mikhail Epstein, Renata Galtseva, Helena Goscilo, Michael Holquist, Boris Kagarlitsky, Mikhail Kuraev, Thomas Lahusen, Valery Leibin, Sidney Monas, Valery Podoroga, Donald Raleigh, Irina Rodnyanskaya, Maya Turovskaya