Perishability Fatigue

The Svalbard Global Seed Vault project is an arctic archive designed to preserve the world’s agricultural biodiversity. What do it and other novel forms of storage tell us about our relationship to the future in a time of resource depletion and extinction scenarios? In this innovative book, Vincent Bruyere offers an invitation to look at the present we live in through a fresh lens: the difference between storage and burial in the age of sustainability science. Perishability Fatigue considers questions of permanence and the potentiality of retrieval, noting the tensions within our collective sense of time and finitude. Bruyere reflects on the nature and significance of perishability, asking what it means to have one’s sense of temporality engendered by seed banks and frozen embryo storage, genetically modified organisms and the “de-extinction” of species, nuclear-waste repositories, oncology, and palliative care. He draws attention to the scripts and scenarios that mediate our relations to loss and decay, preservation and conservation, emphasizing the inequalities implicit in technologies of perishability, which promise continuity in the future to some while refusing it to others. A highly interdisciplinary study, Perishability Fatigue reframes the environmental humanities and humanistic inquiry into sustainability science by developing a new language to commemorate fatigue and transience in a culture of preparedness and survival.

In the world of transportation, fatigue is a silent killer that can affect us all. Understanding fatigue, including how to manage it to minimize safety risk, is of great importance. However, while it is one thing to recognize that fatigue is a critical safety issue, it is quite another to set up a successful, scientifically informed fatigue risk management programme. This book is here to help. It has been carefully designed as a comprehensive reference point, bringing together international expertise from leaders in fatigue science, and showcasing valuable insights from transportation industry practitioners. The 40 authored chapters are divided into six sections, to better understand fatigue science, the consequences of fatigue in transportation, contributors to fatigue, managing fatigue and promoting alertness, real world case studies of fatigue management in practice, and future perspectives. While it is possible to read each chapter in isolation, most will be gained by reading the book as a whole. Each chapter starts with an abstract overview and concludes with summary bullet points, creating a handy "quick check" for key points. This accessible text is for those who are interested in supporting alert and safe transportation operations. It is suitable for professionals, transport managers, government advisors, policy makers, students, academics, and anyone who wants to learn more. All transport modes (road, rail, maritime and aviation) are considered. For anyone waking up to the complex challenge of fatigue management, this handbook is a must.

Countersexual Manifesto is an outrageous yet rigorous work of trans theory, a performative literary text, and an insistent call to action. Seeking to overthrow all constraints on what can be done with and to the body, Paul B. Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire. Preciado lays out mock constitutional principles for a countersexual revolution that will recognize genitalia as technological objects and offers step-by-step illustrated instructions for dismantling the heterocentric social contract. He calls theorists such as Derrida, Foucault, Butler, and Haraway to task for not going nearly far enough in their attempts to deconstruct the naturalization of normative identities and behaviors. Preciado’s claim that the dildo precedes the penis—that artifice, not nature, comes first in the history of sexuality—forms the basis of his demand for new practices of sexual emancipation. He calls for a world of sexual plasticity and fabrication, of bio-printers and “dildonics,” and he invokes countersexuality’s roots in the history of sex toys, pornography, and drag in order to rupture the supposedly biological foundations of the heterocentric regime. His claims are extreme, but supported through meticulous readings of philosophy and theory, as well as popular culture. The Manifesto is now available in English translation for its twentieth anniversary, with a new introduction by Preciado. Countersexual Manifesto will disrupt feminism and queer theory and scandalize us all with its hyperbolic but deadly serious defiance of everything we’ve been told about sex.

Ecological crises threaten all forms of life on earth. Democracy too is endangered, as popular discontent, elite malfeasance, and unresponsive institutions imperil its survival. Present political concepts have proven inadequate to meeting these challenges, and their inadequacies are themselves symptoms of the failures of prevailing political, cultural, and ecological stories and practices. This book offers a new vision of ecological and participatory democratic life for a time of crisis. Identifying myth and ritual as key resources for contemporary politics, Earthborn Democracy excavates practices and narratives that illustrate the interdependence necessary to inspire ecological renewal. It tells stories of multispecies agency and egalitarian political organization across history, from ancient Mesopotamia and the precolonial Americas to contemporary social movements, emphasizing Indigenous traditions and resistance. Resonating across these practices and stories past and present is a belief that we are all—human as well as nonhuman—earthborn, and this can serve as the basis for reimagining democracy. Allying visionary political theory with environmental activism, Earthborn Democracy provides a foundation and a guide for collective action in pursuit of earthly flourishing.

While globalization is often associated with economic and social progress, it has also brought new forms of terrorism, permanent states of emergency, demographic displacement, climate change, and other "natural" disasters. Given these contemporary concerns, one might also view the current time as an age of traumatism. Yet what—or how—does the traumatic event mean in an age of global catastrophe? This volume explores trauma theory in an age of globalization by means of the practice of comparative literature. The essays and interviews in this volume ask how literary studies and the literary anticipate, imagine, or theorize the current global climate, especially in an age when the links between violence, amorphous traumatic events, and economic concerns are felt increasingly in everyday experience. Trauma and Literature in an Age of Globalization turns a literary perspective upon the most urgent issues of globalization—problems of borders, language, inequality, and institutionalized violence—and considers from a variety of perspectives how such events impact our lived experience and its representation in language and literature.

Bringing the word sustainability back from the brink of cliché—to a substantive, truly sustainable future Is sustainability a hopelessly vague word, with meager purpose aside from a feel-good appeal to the consumer? In The Three Sustainabilities, Allan Stoekl seeks to (re)valorize the word, for a simple reason: it is useful. Sustainability designates objects in time, their birth or genesis, their consistency, their survival, their demise. And it raises the question, as no other word does, of the role of humans in the survival of a world that is quickly disappearing—and perhaps in the genesis of another world. Stoekl considers a range of possibilities for the word, touching upon questions of object ontology, psychoanalysis, urban critique, technocracy, and religion. He argues that there are three varieties of sustainability, seen from philosophical, cultural, and economic perspectives. One involves the self-sustaining world “without us”; another, the world under our control, which can run the political spectrum from corporatism to Marxism to the Green New Deal; and a third that carries a social and communitarian charge, an energy of the “universe” affirmed through, among other things, meditation and gifting. Each of these carves out a different space in the relations between objects, humans, and their survival and degradation. Each is necessary, unavoidable, and intimately bound with, and infinitely distant from, the others. Along the way, Stoekl cites a wide range of authors, from philosophers to social thinkers, literary theorists to criminologists, anthropologists to novelists. This beautifully written, compelling, and nuanced book is a must for anyone interested in questions of ecology, energy, the environmental humanities, contemporary theories of the object, postmodern and posthuman aesthetics, or religion and the sacred in relation to community.

A bold new consideration of climate change between narratives of the Earth’s layers and policy of the present Long seen as a realm of mystery and possibility, the subsurface beneath our feet has taken on all-too-real import in the era of climate change. Can reading narratives of the past that take imaginative leaps under the surface better attune us to our present knowledge of a warming planet? In Subsurface, Karen Pinkus looks below the surface of texts by Edgar Allan Poe, Arthur Conan Doyle, George Sand, E. T. A. Hoffmann, and Jules Verne to find the buried origins of capitalist fantasies in which humans take what they want from the earth. Putting such texts into conversation with narrative theory, critical theory, geology, and climate policy, she shows that the subsurface has been, in our past, a place of myth and stories of male voyages down to gain knowledge—but it is also now the realm of fossil fuels. How do these two modes intertwine? A highly original take on evocative terms such as extraction, burial, fossils, deep time, and speculative futurity, Subsurface questions the certainty of comfortable narrative arcs. It asks us to read literature with and against the figure of the geological column, with and against fossil fuels and the emissions warming our planet. As we see our former selves move into the distance, what new modes of imagination might we summon?

Plants are commonly considered immobile, in contrast to humans and other animals. But vegetal existence involves many place-based forms of change: stems growing upward, roots spreading outward, fronds unfurling in response to sunlight, seeds traveling across wide distances, and other intricate relationships with the surrounding world. How do plants as sessile, growing, decaying, and metamorphosing beings shape the places they inhabit, and how are they shaped by them? How do human places interact with those of plants—in lived experience; in landscape painting; in cultivation and contemplation; in forests, fields, gardens, and cities? Examining these questions and many more, Plants in Place is a collaborative study of vegetal phenomenology at the intersection of Edward S. Casey’s phenomenology of place and Michael Marder’s plant-thinking. It focuses on both the microlevel of the dynamic constitution of plant edges or a child’s engagement with moss and the macrolevel of habitats that include the sociality of trees. This compelling portrait of plants and their places provides readers with new ways to appreciate the complexity and vitality of vegetal life. Eloquent, descriptively rich, and insightful, the book also shows how the worlds of plants can enhance our understanding and experience of place more broadly.