Peter The Great S Negro By Alexander Pushkin Delphi Classics Illustrated

This eBook features the unabridged text of ‘Peter the Great’s Negro by Alexander Pushkin - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Alexander Pushkin’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Pushkin includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Peter the Great’s Negro by Alexander Pushkin - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Pushkin’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Russia's Father of Literature deserves a place in all digital libraries. This comprehensive eBook presents the major works of Alexander Pushkin, with beautiful illustrations, informative introductions and the usual Delphi bonus material. * Beautifully illustrated with images relating to Pushkin's life and works * Concise introductions to the poetry and other works * Images of how the books were first printed, giving your eReader a taste of the original texts * A selection of many of Pushkin's greatest poems, first time in digital print. * Excellent formatting of the texts * Almost the complete short fiction, including rare short stories appearing for the first time in digital print * Rare plays, with contents tables * Special criticism section, with three essays evaluating Pushkin's contribution to literature * Features a bonus biography - discover Pushkin's literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse our range of exciting titles CONTENTS: The Poetry SHORT POEMS THE FOUNTAIN OF BAKHCHISARAY THE GIPSIES POLTAVA THE BRONZE HORSEMAN RUSLAN AND LYUDMILA LIST OF POEMS IN ALPHABETICAL ORDER The Verse Novel EUGENE ONEGIN The Short Stories and Unfinished Novels PETER THE GREATS NEGRO MARIE THE SHOT THE SNOWSTORM THE UNDERTAKER THE POSTMASTER MISTRESS INTO MAID THE QUEEN OF SPADES KIRDJALI THE CAPTAINS DAUGHTER EGYPTIAN NIGHTS DUBROVSKY The Plays BORIS GODUNOV THE STONE GUEST MOZART AND SALIERI The Criticism THE ROMANTIC POETS: POUSHKIN by Rosa Newmarch POUSHKIN: HIS WORKS by Rosa Newmarch LECTURES ON RUSSIAN LITERATURE: PUSHKIN by Ivan Panin The Biography A SHORT BIOGRAPHICAL NOTICE OF ALEXANDER PUSHKIN by Henry Spalding

Alexander Pushkin was a Russian poet and writer who is considered the father of the modern Russian novel. The so-called Golden Age of Russian Literature was inspired by the themes and aesthetics of Pushkin - we are talking about names like Ivan Turgenev, Ivan Goncharov, Leo Tolstoy, Mikhail Lermontov, Nikolai Gogol. This selection of short stories brings you the best of Pushkin selected by August Nemo: The Queen of Spades The Shot The Snowstorm The Postmaster The Coffin-maker Kirdjali Peter, The Great's Negro

The satirical novel's main character, Ostap Bender, also appeared in a previous novel by the authors called The Twelve Chairs. The title alludes to the "golden calf" of the Bible; another possible rendering of it in English, less literal but better tuned to the air of the novel, would be "The Gilded Calf". It continues the theme of the denunciation of money-grubbing, philistine stupidity, and bureaucracy, which began in “The Twelve Chairs”.

A study of postmodernism and African-American poets.

Universe of the Mind A Semiotic Theory of Culture Yuri M. Lotman Introduction by Umberto Eco Translated by Ann Shukman A major book by one of the initiators of cultural studies. "Universe of the Mind is an ambitious, complex, and wide-ranging book that semioticians, textual critics, and those interested in cultural studies will find stimulating and immensely suggestive." --Journal of Communication "Soviet semiotics offers a distinctive, richly productive approach to literary and cultural studies and Universe of the Mind represents a summation of the intellectual career of the man who has done most to guarantee this." --Slavic and East European Journal Universe of the Mind addresses three main areas: meaning and text, culture, and history. The result is a full-scale attempt to demonstrate the workings of the semiotic space or intellectual world. Part One is concerned with the ways that texts generate meaning. Part Two addresses Lotman's central idea of the semiosphere--the domain in which all semiotic systems can function--presented through an analogy with the global biosphere. Part Three focuses on semiotics from the point of view of history. A seminal text in cultural semiotics, the book's ambitious scope also makes it applicable to disciplines outside semiotics. The book will be of great interest to those concerned with cultural studies, anthropology, Slavic studies, critical theory, philosophy, and historiography. Yuri Mikhailovich Lotman is the founder of the Moscow-Tartu School and the initiator of the discipline of cultural semiotics.

Given the degree of popular fascination with Gnostic religions, it is surprising how few pay attention to the one such religion that has survived from antiquity until the present day: Mandaism. Mandaeans, who esteem John the Baptist as the most famous adherent to their religion, have in our time found themselves driven from their historic homelands by war and oppression. Today, they are a community in crisis, but they provide us with unparalleled access to a library of ancient Gnostic scriptures, as part of the living tradition that has sustained them across the centuries. Gnostic texts such as these have caught popular interest in recent times, as traditional assumptions about the original forms and cultural contexts of related religious traditions, such as Judaism, Christianity, and Islam, have been called into question. However, we can learn only so much from texts in isolation from their own contexts. Mandaean literature uniquely allows us not only to increase our knowledge about Gnosticism, and by extension all these other religions, but also to observe the relationship between Gnostic texts, rituals, beliefs, and living practices, both historically and in the present day.

A TALE OF RACISM, REVENGE, BETRAYAL AND JEALOUSY One of Shakespeare’s most performed tragedies written in approximately 1603, Othello still resonates today with its themes of racism, revenge, betrayal and jealousy. Shakespeare creates a powerful drama with the story of a marriage between the exotic Moor, Othello and the Venetian lady Desdemona. Despite building many differences into his hero and heroine, including race, age, and cultural background, most audiences believe the couple’s strong love could overcome these differences were it not for a once trusted cohort, lago, who sets out to destroy Othello. The play begins in the powerful city state of Venice, a center of trade and banking, known for its military might. War is raging between Venice and Turkey. Two men — Roderigo, a young gentleman and former suitor of Senator Brabantio's daughter Desdemona, and Iago, an ensign who claims to have been passed over for promotion by Othello, are outside Senator Brabantio's house to tell him the news of his daughter's elopement with Othello. Othello is a Moorish general in the Venetian army who is determined to lead his men to victory with his “trusted” ensign lago. But after being passed up for a promotion, Iago has plans of his own. Using Othello’s wife, Desdemona, as a pawn, Iago spins an elaborate web of deception leading Othello to believe that his wife is unfaithful and once lago has Othello where he wants him, revenge will be his. In the final dramatic scene of the play Othello strangles his wife, struggling with his love for her to the end.