Phantom Architecture Essays On Interwar Architecture In Belgrade

"By the end of World War II, Beljanski had amassed the most extensive collection of Serbian modernist art.... This study examines a quarter of the collection: forty-six objects by seven female artists." -- p. [13].

This anthology brings together interviews with artists conducted over the course of seventeen years in Boston, New York and San Francisco. The resulting texts, arranged chronologically, provide the reader with an overview of some of the major themes running through contemporary art from 1993 until 2010. As a collection, they form an archive of primary materials addressing public and private space, feminism and sexuality and surveillance and technology.

Revealing a vibrant and intertwined artistic scene in the Balkans On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918–1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged ‘on the very edge’ between territorial and cultural, new and old, modern and traditional identities. With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in pluralism and globalism. On the Very Edge addresses issues of artistic identities and cultural geographies and aims to enrich contextualized studies of modernism and its variants in the Balkans and Europe, while simultaneously re-mapping and adjusting the prevailing historical canon. Contributors Jelena Bogdanović (Iowa State University), Lilien Filipovitch Robinson (George Washington University), Igor Marjanović (Washington University in St. Louis), Miloš R. Perović (University of Belgrade), Jasna Jovanov (The Pavle Beljanski Memorial Collection and University EDUCONS, Novi Sad), Svetlana Tomić (Alfa University, Belgrade), Ljubomir Milanović (Serbian Academy of Sciences and Arts), Bojana Popović (Museum of Applied Art in Belgrade), Anna Novakov (Saint Mary’s College of California), Aleksandar Kadijević (University of Belgrade), Tadija Stefanović (University of Belgrade), Dragana Ćorović (University of Belgrade), Viktorija Kamilić (independent scholar), Marina Djurdjević (Museum of Science and Technology, Belgrade), Nebojša Stanković (Princeton University), Dejan Zec (Institute for Recent History of Serbia)

"The first study of Anton Ažbe's art school in Munich's Schwabing district and its influence on four turn-of-the-century East European female painters. The Slovenian-born Ažbe (1862-1905) was an eccentric artist and teacher who directed an innovative co-educational art school from 1891 until 1905. Ažbe's pedagogical method during these fourteen years focused on three concepts: Linienspiel (Play of Lines), Kugelprinzip (Ball Principle) and Kristallisation der Farbe (Crystallization of Color)." -- p. [15].

Housing and the City explores housing histories, theories, and projects in diverse geographies. It presents a geographically dispersed history of the twentieth-century modern housing project and its social diagram, juxtaposed with case studies from the past and the present that suggest that we can live and work differently. While the contributions are diverse in their theoretical approach and geographical situation, their juxtaposition yields transversal connections in the conception of the home and the city and highlights the diversity of architectural solutions in the formation of housing and its communities. The collection also reveals architecture’s contribution to the construction of the self and communities, the individual and the collective—as both urban spatial entities and socio-political concepts. Housing and the City provides essential reading for students, academics, and practitioners interested in the history, theory, or current design of housing. At a time when cities are witnessing new ways of working, changing social demographics, increased geographical mobility, and mass migrations, as well as the pervasive threat of the climate crisis—all trends exacerbated by the Covid-19 pandemic—Housing and the City presents a historical and theoretical reflection on the question: what does it mean to be at home in the city in the twenty-first century?

Every summer season, the sun-drenched coasts of Bulgaria and Croatia turn into densely inhabited, intensively exploited tourism industry hotspots. This book traces the various architectural and urban planning strategies pursued there since the mid 1950s, in order first to create then to further develop modern holiday destinations. It focusses on individual resorts and outstanding buildings have been economically and physically restructured, in a myriad of ways, leaving a legacy of deserted ruins, cautious renovations, exorbitant conversions and on-going public protest.

The Palace of Culture and Science is a massive Stalinist skyscraper that was "gifted" to Warsaw by the Soviet Union in 1955. Framing the Palace's visual, symbolic, and functional prominence in the everyday life of the Polish capital as a sort of obsession, locals joke that their city suffers from a "Palace of Culture complex." Despite attempts to privatize it, the Palace remains municipally owned, and continues to play host to a variety of public institutions and services. The Parade Square, which surrounds the building, has resisted attempts to convert it into a money-making commercial center. Author Michał Murawski traces the skyscraper's powerful impact on 21st century Warsaw; on its architectural and urban landscape; on its political, ideological, and cultural lives; and on the bodies and minds of its inhabitants. The Palace Complex explores the many factors that allow Warsaw's Palace to endure as a still-socialist building in a post-socialist city.