Phantom Writer

Book #6 in mystery series for kids 8-12 written by Chris Fabry and Jerry B. Jenkins, authors of Left Behind Kids; set in Colorado; suspense.

With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever. “Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason. Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams!

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.

The novel that first introduced the Pulitzer Prize–winnning author’s most acclaimed character, Nathan Zuckerman, a budding writer infatuated with the Great Books, who meets a haunting young woman at the secluded New England farmhouse of his idol. "Further evidence that Roth can do practically anything with fiction. His narrative power—the ability to delight the reader simultaneously with the telling and the tale—is superb." —The Washington Post At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life. The first volume of the trilogy and epilogue Zuckerman Bound, The Ghost Writer is about the tensions between literature and life, artistic truthfulness and conventional decency—and about those implacable practitioners who live with the consequences of sacrificing one for the other.

Jake Konig, a famous horror novelist, disappears under mysterious circumstances, and the Timberlines become involved when the editor asks Bryce and Ashley's mother to finish writing Jake's last book.

The Phantom of the Colosseum is the first volume of the gripping new series for 10 yr. olds and up titled In the Shadows of Rome (5 books total). Being a Christian in ancient Rome was very dangerous. To spread the faith and stay alive, you had to live in the shadows . . . Now that Blandula's master has been arrested for being a Christian, what will she do? Little does she know that she is about to meet three boys who will help her to find the answer: Maximus, the son of a senator; his slave Aghiles; and Titus, who never goes anywhere without his pet monkey. Follow their adventures as Blandula and her new companions forge priceless friendships--and discover the many secrets lurking in the shadows of the Colosseum.

Ian Anderson is past his prime as a mystery writer. His publisher and agent deliver an ultimatum-- take on a ghost writer or we'll drop you. A beautiful young woman is hired and submits two superlative manuscripts. Ian secretly adopts them as his own and soon finds out the plots describe real life crimes...with only details the perpetrator would know. How does he explain that?