Philoctetes

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. En route to fight the Trojan War, the Greek army has abandoned Philoctetes, after the smell of his festering wound, mysteriously received from a snakebite at a shrine on a small island off Lemnos, makes it unbearable to keep him on ship. Ten years later, an oracle makes it clear that the war cannot be won without the assistance of Philoctetes and his famous bow, inherited from Hercules himself. Philoctetes focuses on the attempt of Neoptolemus and the hero Odysseus to persuade the bowman to sail with them to Troy. First, though, they must assuage his bitterness over having been abandoned, and then win his trust. But how should they do this--through trickery, or with the truth? To what extent do the ends justify the means? To what degree should personal integrity be compromised for the sake of public duty? These are among the questions that Sophocles puts forward in this, one of his most morally complex and penetrating plays.

This volume of twelve essays aims to comprehensively represent the abundance and variety of both Heaney's writing and scholarship on Heaney's writing. Attention is given not only to his poetry but also to his translations and his prose. The essays foreground his internationalism and the complementary international interest in his writing.

Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.

The first two chapters of this book isolate and describe the literary phenomenon of the Sophoclean tragic hero. In all but one of the extant Sophoclean dramas, a heroic figure who is compounded of the same literary elements faced a situation which is essentially the same. The demonstration of this recurrent pattern is made not through character-analysis, but through a close examination of the language employed by both the hero and those with whom he contends. The two chapters attempt to present what might, with a slight exaggeration, be called the "formula" of Sophoclean tragedy. A great artist may repeat a structural pattern but he never really repeats himself. In the remaining four chapters, a close analysis of three plays, the Antigone, Philoctetes, and Oedipus at Colonus, emphasizes the individuality and variety of the living figures Sophocles created on the same basic armature. This approach to Sophoclean drama is (as in the author's previous work on the subject) both historical and critical; the universal and therefore contemporary appeal of the plays is to be found not by slighting or dismissing their historical context, but by an attempt to understand it all in its complexity. "The play needs to be seen as what it was, to be understood as what it is."

A study in the dramatic methods of Sophocles, especially in the revelation of character, as the primary essence of Sophocles' art.

The Soul in Anguish: Psychotherapeutic Approaches to Suffering presents a variety of approaches to psychotherapeutic work with suffering people, from the perspectives of both Jungian and psychoanalytic psychology. An important theme of the book is that suffering may be harmful or helpful to the development of the personality. Our culture tends to assume that suffering is invariably negative or pointless, but this is not necessarily so; suffering may be destructive, but it may lead to positive developments such as enhanced empathy for others, wisdom, or spiritual development. The book offers professionals in any helping profession various frameworks within which to view suffering, so that the individual's suffering does not seem to be random or meaningless. Cognitive-behavioral approaches, the approach of the Diagnostic and Statistical Manual of the American Psychiatric association, and the promise of evidence-based strategies may or may not be applicable to the unique circumstances of the suffering individual. These approaches also ignore the unconscious sources of much suffering, its implications for the ongoing development of the personality, and the nuances of the therapeutic relationship. We cannot objectify or measure suffering; suffering is best viewed from within the individual's perspective, because people with the same diagnosis suffer in unique ways. The Soul in Anguish is a groundbreaking, meticulously researched study from an outstanding Jungian analyst and scholar. It provides illuminating ways into the transformative potential of suffering and how it can be dealt with in the consulting room. Charting the soul's agonies with great compassion and profound sensitivity, Dr. Corbett skillfully delineates clinical, philosophical and spiritual concepts of suffering that testify to the endurance of the human spirit. This book is an enlightening read for anybody with a passionate concern for the human soul. - Ursula Wirtz, PhD, Jungian Analyst, Author of Trauma and Beyond: The Mystery of Transformation With extraordinary candor The Soul in Anguish brings its readers face to face with one of the most difficult topics in life, suffering. This remarkable exploration of the range of suffering, especially as encountered in psychotherapy, mines for meaning and finds both its positive and negative expressions. Transcending the categorical, pathological descriptions of the DSM, The Soul in Anguish reveals the archetypal nature of the experience of suffering. Dr. Lionel Corbett offers healing to mind, soul and body, in this uplifting engagement with what is usually either avoided in most treatments or only touched upon, i.e., anguish. This book reimagines our pain and anguish to bring about the possibility of a true psychological and soulful grasp of suffering. No therapist should miss the opportunities of Dr. Corbett's rich study. - Joe Cambray, Ph.D.,Past-President IAAP,Author DR. LIONEL CORBETT trained in medicine and psychiatry in England and as a Jungian Analyst at the C.G. Jung Institute of Chicago. His primary interests are: the religious function of the psyche, the development of psychotherapy as a spiritual practice, and the interface of Jungian psychology and contemporary psychoanalytic thought. Dr. Corbett is a professor of depth psychology at Pacifica Graduate Institute. He is the author of numerous papers and three books: The Sacred Cauldron: Psychotherapy as a Spiritual Practice, Psyche and the Sacred, and The Religious Function of the Psyche. He is the co-editor of: Jung and Aging, Depth Psychology, Meditations in the Field, and Psychology at the Threshold.

The successful regeneration of Doctor Who in the twenty-first century has sparked unprecedented popular success and renewed interest within the academy. The ten essays assembled in this volume draw on a variety of critical approaches—from cultural theory to audience studies, to classical reception and musicology—to form a wide-ranging interdisciplinary discussion of Doctor Who, classic and new, and its spin-off series, Torchwood and The Sarah Jane Adventures. With additional contributions from Andrew Pixley, Robert Shearman, Barnaby Edwards, and Matt Hills, the volume is intended to be accessible to everyone, from interested academics in relevant fields to the general public.