Picnic In The Ruins

Named Best Mystery Thriller in the 2021 New Mexico-Arizona Book Awards "Part mystery; part quirky, darkly funny, mayhem-filled thriller; and part meditation on what it means to 'own' land, artifacts, and the narrative of history in the West . . . A fast-paced, highly entertaining hybrid of Tony Hillerman and Edward Abbey." --Kirkus Reviews Anthropologist Sophia Shepard is researching the impact of tourism on cultural sites in a remote national monument on the Utah-Arizona border when she crosses paths with two small-time criminals. The Ashdown brothers were hired to steal maps from a "collector" of Native American artifacts, but their ineptitude has alerted the local sheriff to their presence. Their employer, a former lobbyist seeking lucrative monument land that may soon be open to energy exploration, sends a fixer to clean up their mess. Suddenly, Sophia must put her theories to the test in the real world, and the stakes are higher than she could have ever imagined. What begins as a madcap caper across the RV-strewn vacation lands of southern Utah becomes a meditation on mythology, authenticity, the ethics of preservation, and one nagging question: Who owns the past?

"Todd Robert Petersen is crazy–talented, and the wild, weird, hilarious stories of It Needs to Look Like We Tried are just what’s called for in these bizarre, frightening times." —Richard Russo, author of Empire Falls and Trajectory A domino chain of failures draws Todd Robert Petersen's characters together in these interconnected stories, despite hopes, dreams, and their best–laid plans Everyone has a dream, an idea, a goal. But what happens when those desires are thwarted, when dreams and goals fall apart? In It Needs to Look Like We Tried, Todd Robert Petersen explores the ways in which our failures work on the lives of others, weaving an intricate web of interconnected stories. A fastidious man takes a detour on the way to his father’s wedding and kicks off a series of events that ricochets from the bride to her real estate clients; to a crazed former homeowner and his sister–in–law’s reality TV lover; to a hoarding family whose lives are wrecked by their appearance on the second–rate show. Their daughter decides to escape the gravity of her tiny town with the help of her boyfriend who has a not–quite–legal plan to scrape together enough money to fund their departure. On their way across the country, these star–crossed lovers encounter our fastidious man, and the Rube Goldberg machine of life continues. Their fling has petered out, and they are driving home, whatever home is left after walking away from everything they abandoned months before.

In this enchanting meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the buzzards on the pyramids, Henry James in the Colosseum, and Freud at Pompeii. We travel the Appian Way with Dickens and behold the Baths of Caracalla with Shelley. An exhilarating tour, at once elegant and stimulating, In Ruins casts an exalting spell as it explores the bewitching power of architectural remains and their persistent hold on the imagination.

Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a &“full empty,&” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he'll keep going back to the Zone, again and again, until he finds the answer to all his problems. First published in 1972, Roadside Picnic is still widely regarded as one of the greatest science fiction novels, despite the fact that it has been out of print in the United States for almost thirty years. This authoritative new translation corrects many errors and omissions and has been supplemented with a foreword by Ursula K. Le Guin and a new afterword by Boris Strugatsky explaining the strange history of the novel's publication in Russia.

2017 Robbie Robertson Dartmouth Book Award — Shortlisted Paul Chiasson reveals the possibility that early Chinese settlers landed in Cape Breton long before Europeans. From the very beginning of the European Age of Discovery, Cape Breton was considered unusual. The history of the area even includes early references to the island having once been the land of the Chinese. In 1497, at least a century before any attempt at European settlement in the region, the explorer John Cabot had referred to Cape Breton as the “Island of Seven Cities.” The indigenous people of the region, the Mi’kmaq, were the only aboriginal people of North America who had a written language when Europeans first arrived. This writing, clothing, and customs also suggested an early Chinese presence. In Written in the Ruins, Chiasson investigates the ruins at St. Peters in the southern part of the island, where evidence brought to light supports a theory that could answer all the questions raised by the island’s curious, unresolved history.

Eudora Welty is a beloved institution of Southern fiction and American literature, whose closely guarded privacy has prevented a full-scale study of her life and work--until now. A significant contribution to the world of letters, Ann Waldron's biography chronicles the history and achievements of one of our greatest living authors, from a Mississippi childhood to the sale of her first short story, from her literary friendships with Katherine Anne Porter and Elizabeth Bowen to her rivalry with Carson McCullers. Elegant and authoritative, this first biography to chart the life of a national treasure is a must-have for Welty fans and scholars everywhere.

This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.

Incisive historical and cultural essays illuminate lost Mayan civilizations and their modern descendants while lively reviews point out the best places to eat, drink, and stay in northern Mexico and the Yucatn Peninsula, Guatemala, Blize, Honduras, and El Salvador. 57 maps. of color photos.