Picturing Casablanca

In Picturing Casablanca, Susan Ossman probes the shape and texture of mass images in Casablanca, from posters, films, and videotapes to elections, staged political spectacles, and changing rituals. In a fluid style that blends ethnographic narrative, cultural reportage, and the author's firsthand experiences, Ossman sketches a radically new vision of Casablanca as a place where social practices, traditions, and structures of power are in flux. Ossman guides the reader through the labyrinthine byways of the city, where state bureaucracy and state power, the media and its portrayal of the outside world, and people's everyday lives are all on view. She demonstrates how images not only reflect but inform and alter daily experience. In the Arab League Park, teenagers use fashion and flirting to attract potential mates, defying traditional rules of conduct. Wedding ceremonies are transformed by the ubiquitous video camera, which becomes the event's most important spectator. Political leaders are molded by the state's adept manipulation of visual media. From Madonna videos and the TV's transformation of social time, to changing gender roles and new ways of producing and disseminating information, the Morocco that Ossman reveals is a telling commentary on the consequences of colonial planning, the influence of modern media, and the rituals of power and representation enacted by the state.

In Picturing Casablanca, Susan Ossman probes the shape and texture of mass images in Casablanca, from posters, films, and videotapes to elections, staged political spectacles, and changing rituals. In a fluid style that blends ethnographic narrative, cultural reportage, and the author's firsthand experiences, Ossman sketches a radically new vision of Casablanca as a place where social practices, traditions, and structures of power are in flux. Ossman guides the reader through the labyrinthine byways of the city, where state bureaucracy and state power, the media and its portrayal of the outside world, and people's everyday lives are all on view. She demonstrates how images not only reflect but inform and alter daily experience. In the Arab League Park, teenagers use fashion and flirting to attract potential mates, defying traditional rules of conduct. Wedding ceremonies are transformed by the ubiquitous video camera, which becomes the event's most important spectator. Political leaders are molded by the state's adept manipulation of visual media. From Madonna videos and the TV's transformation of social time, to changing gender roles and new ways of producing and disseminating information, the Morocco that Ossman reveals is a telling commentary on the consequences of colonial planning, the influence of modern media, and the rituals of power and representation enacted by the state. In Picturing Casablanca, Susan Ossman probes the shape and texture of mass images in Casablanca, from posters, films, and videotapes to elections, staged political spectacles, and changing rituals. In a fluid style that blends ethnographic narrative, cultural reportage, and the author's firsthand experiences, Ossman sketches a radically new vision of Casablanca as a place where social practices, traditions, and structures of power are in flux. Ossman guides the reader through the labyrinthine byways of the city, where state bureaucracy and state power, the media and its portrayal of the outside world, and people's everyday lives are all on view. She demonstrates how images not only reflect but inform and alter daily experience. In the Arab League Park, teenagers use fashion and flirting to attract potential mates, defying traditional rules of conduct. Wedding ceremonies are transformed by the ubiquitous video camera, which becomes the event's most important spectator. Political leaders are molded by the state's adept manipulation of visual media. From Madonna videos and the TV's transformation of social time, to changing gender roles and new ways of producing and disseminating information, the Morocco that Ossman reveals is a telling commentary on the consequences of colonial planning, the influence of modern media, and the rituals of power and representation enacted by the state.

Moroccan born Israeli anthropologist Andre Levy here presents a deeply nuanced and highly readable study of the relations between Moroccan Jews and Muslims past and present. Levy s return to his birthplace in Casablanca proceeds through several interrelated settings. There is the first encounter of return, fraught with fear and uncertainty when, as an Israeli arriving with papers granted by a third nation to come back to a country that has both repelled him and encouraged his permanent return, he finds his worries multiplied by the events of the Gulf War. As if he were behind enemy lines he approaches everything with understandable trepidation only to discover directly what he had long known intellectually, that Morocco continues to relate to its Jewish population with all the features of its historic ambivalence and ambiguity on full display. As he moves through the different contexts and domains of his return he addresses these factors in ways both personal and analytic. As the book progresses the reader is introduced to a variety of other contexts of the Moroccan Jewish experience. From the card players and beach etiquette, to the shared use of public baths and the visits by Muslims to Jewish ritual events the reader catches the sense of old patterns now approached with great wariness by a population that is much diminished both in size and in the daily experience of the dominant Muslim population. "Moroccan Voyage" is an exceptional read and should be ideal for use in a variety of courses in anthropology, Jewish studies, and Middle East studies."

The most exhaustive reference work available on this critical subject in world history, focusing on the politics, economy, culture, and society of both colonizers and colonized. "The history of the last 500 years is the history of imperialism," writes editor Melvin Page. In the Americas, as a result of imperialist conquest, disease, famine, and war nearly wiped out a population estimated in the tens of millions. Africa was devastated by the slave trade, an integral part of imperialism from the 1400s to the 1800s. In Asia, even though native populations survived, native political institutions were destroyed. Imperialism also forged the two most important ideologies of the last five centuries—racialism and modern nationalism. In more than 600 essays presented in this three-volume encyclopedia, Page and other leading scholars—historians, political scientists, economists, and sociologists—analyze the origins of imperialism, the many forms it took, and its impact worldwide. They also explore imperialism's bitter legacy: the gross inequities of global wealth and power that divide the former conquerors—primarily Europe, the United States, and Japan—from the people they conquered.

"In The Picture of Abjection, Tina Chanter addresses a fundamental problem in film theory by negotiating a middle path between "gaze theory" approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer. Chanter argues that abjection is the unthought ground of fetishistic theories. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to deify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident." -- Publisher.

Since independence in 1956, large numbers of Moroccans have been forcibly disappeared, tortured, and imprisoned. Morocco's uncovering and acknowledging of these past human rights abuses are complicated and revealing processes. A community of human rights activists, many of them survivors of human rights violations, are attempting to reconstruct the past and explain what truly happened. What are the difficulties in presenting any event whose central content is individual pain when any corroborating police or governmental documentation is denied or absent? Susan Slyomovics argues that funerals, eulogies, mock trials, vigils and sit-ins, public testimony and witnessing, storytelling and poetry recitals are performances of human rights and strategies for opening public space in Morocco. The Performance of Human Rights in Morocco is a unique distillation of politics, anthropology, and performance studies, offering both a clear picture of the present state of human rights and a vision of a possible future for public protest and dissidence in Morocco.

A historical reference work on Morocco must take as its subject al-maghrib al-aqsa (the far west) as the Arabic scholars have generally referred to the approximate region of present-day Morocco, roughly the north-west corner of Africa but at times including much of the Iberian peninsula, because the modern nation-state is a relatively recent creation owing much to events in the late 19th and early 20th centuries. External influences on Morocco tend to come across the narrow straits of Gibraltar to the north, from the east along the Mediterranean litoral, or up from the Sahara. In each case, access is constrained by geography and continued control from outside the region has been difficult to manage over the long term. Although many of the dynasties that came to power in Morocco conquered much broader regions, history and topology have so conspired that there is still more coherence to an historical focus on al-maghrib al-aqsa than is the case for most modern nation-states. This third edition of Historical Dictionary of Morocco contains a chronology, an introduction, a glossary, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Morocco.

DIVA transnational study of female beauty based in an ethnographic study of beauty salons in Cairo, Casablanca, and Paris./div