Picturing Poverty

Working for the government's Farm Security Administration in the 1930s, photographers set out across the country to capture the human face of the Depression. Picturing Poverty examines how popular magazines used these images to construct complex and often contradictory messages about poverty. By striving to understand the original context of the photographs, Finnegan shines new light on the meanings of poverty, the Depression, and the various roles of the media.

From Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the poor. Richly illustrated and drawing from many previously unknown sources, Pictures of Poverty is a comprehensive account of the representation of poverty throughout the Victorian period, whether disseminated in newspapers, illustrated books and lectures, presented on the theatre stage or projected on the screen in magic lantern and film performances. Detailed case studies reveal the intermedial context of these popular pictures of poverty and their mobility across genres. With versatile author George R. Sims as the starting point, this study explores the influence of visual media in historical discourses about poverty and the highly controversial role of the Victorian state in poor relief.

Information and communication have always opened opportunities for the poor to earn income, reduce isolation, and respond resiliently to emergencies. With mobile phone use exploding across the developing world, even marginalized communities are now benefiting from modern communication tools. This book explores the impacts of this unprecedented technological change. It looks at how the poor use information and communication technologies (ICTs). How they benefit from mobile devices, computers, and the Internet, and what insights can research provide to promote affordable access to ICTs, so that communities across the developing world can take advantage of the opportunities they offer.

The World Around Us series introduces children to complex cultural, social and environmental issues in a straightforward and accessible way. These illustrated nonfiction picture books tackle global concerns and initiate conversations about subjects that are difficult, sad or overwhelming with school-aged children who are just beginning to observe the world outside their homes. A gentle introduction to the issue of poverty, On Our Street explores the realities of people living with inadequate resources. Using age-appropriate language, this book addresses mental illness, homelessness and refugee status as they are connected to this issue. Insightful quotes from individuals and organizations such as UNICEF are included throughout to add further perspective on the issue. An invaluable section on how kids can help empowers readers to take what they have learned and use it to make a difference. Child psychologist Dr. Jillian Roberts created this series to guide parents/caregivers through conversations about difficult issues in a reassuring and hopeful manner and help children understand their expanding awareness of the world around them.

The first interdisciplinary reference to cover the socioeconomic and political history, the movements, and the changing face of poverty in the United States. Poverty in the United States: An Encyclopedia of History, Politics, and Policy follows the history of poverty in the United States with an emphasis on the 20th century, and examines the evolvement of public policy and the impact of critical movements in social welfare such as the New Deal, the War on Poverty, and, more recently, the "end of welfare as we know it." Encompassing the contributions of hundreds of experts, including historians, sociologists, and political scientists, this resource provides a much broader level of information than previous, highly selective works. With approximately 300 alphabetically-organized topics, it covers topics and issues ranging from affirmative action to the Bracero Program, the Great Depression, and living wage campaigns to domestic abuse and unemployment. Other entries describe and analyze the definitions and explanations of poverty, the relationship of the welfare state to poverty, and the political responses by the poor, middle-class professionals, and the policy elite.

Representations of southern poor whites have long shifted between romanticization and demonization. At worst, poor southern whites are aligned with racism, bigotry, and right-wing extremism, and, at best, regarded as the passive victims of wider, socioeconomic policies. In Poverty Politics: Poor Whites in Contemporary Southern Writing, author Sarah Robertson pushes beyond these stereotypes and explores the impact of neoliberalism and welfare reform on depictions of poverty. Robertson examines representations of southern poor whites across various types of literature, including travel writing, photo-narratives, life-writing, and eco-literature, and reveals a common interest in communitarianism that crosses the boundaries of the US South and regionalism, moving past ideas about the culture of poverty to examine the economics of poverty. Included are critical examinations of the writings of southern writers such as Dorothy Allison, Rick Bragg, Barbara Kingsolver, Tim McLaurin, Toni Morrison, and Ann Pancake. Poverty Politics includes critical engagement with identity politics as well as reflections on issues including Hurricane Katrina, the 2008 financial crisis, and mountaintop removal. Robertson interrogates the presumed opposition between the Global North and the Global South and engages with microregions through case studies on Appalachian photo-narratives and eco-literature. Importantly, she focuses not merely on representations of southern poor whites, but also on writing that calls for alternative ways of reconceptualizing not just the poor, but societal measures of time, value, and worth.

Poverty and inequality have gained a new public presence in the United Kingdom. Literature, and particularly narrative literature, (re-)configures how people think, feel and behave in relation to poverty. This makes the analysis of poverty-themed fiction an important aspect in the new transdisciplinary field of poverty studies.

This book analyzes the discourse generated by pundits, politicians, and artists to examine how poverty and the income gap is framed through specific modes of representation. Set against the dichotomy of the structural narrative of poverty and the opportunity narrative, Lemke's modified concept of precarity reveals new insights into the American situation as well as into the textuality of contemporary demands for equity. Her acute study of a vast range of artistic and journalistic texts brings attention to a mode of representation that is itself precarious, both in the modern and etymological sense, denoting both insecurity and entreaty. With the keen eye of a cultural studies scholar her innovative book makes a necessary contribution to academic and popular critiques of the social effects of neoliberal capitalism.